In cleaning up the archives, I found a missing review for a very impressive action/comedy that is worth a watch. #jackmeatsflix

My quick rating 7,3/10. A very impressive movie to say the least. Melissa McCarthy again is hilarious and does so by juggling the part of a Midwest everyday woman and immediately changes on the fly into raunchy one-liners so well. The ease she demonstrates on the screen is wonderful and so fresh in seeing what she calls "big women" movies as not being some stupid vehicle or drawback, just another performance. Along the way in good performances is Jason Statham completely making fun of his own character/real-life persona he is typecast into. It is obvious to tell he enjoyed poking fun at himself. That is only a single name while the rest of the cast top to bottom is extremely solid. Just the beginning of course since the story itself was a nice throwback to the spy genre movies with double-crosses and who is on whose side twists. I am not saying any of these elements were all that surprising but still added to the entertainment value. The action scenes are nicely edited together and make sure to be just unbelievable enough to also elicit a laugh from them. Overall along with sprawling scenes around the globe and production values being top-notch, it is hard to find flaws in such a surprisingly good flick so I'll leave it at, "Check this one out", you will not be sorry. 

Amazon and a couple of other streamers have this one at $4.

https://jackmeat.wixsite.com/jackmeat/post/spy-2015

A Visually Stunning Quirk-Fest That Balances Art and Entertainment that is very typical Wes Anderson. #jackmeatsflix

My quick rating - 6.2/10. Wes Anderson’s latest flick is an unmistakable product of his singular vision, blending meticulous craftsmanship with his trademark whimsy. Set in a 1955 American desert town, the story follows a Junior Stargazer/Space Cadet convention disrupted by world-changing events. This premise sets the stage for Anderson’s signature blend of quirky humor, visual spectacle, and narrative eccentricity. The cast is nothing short of exceptional, featuring heavyweights like Jason Schwartzman, Scarlett Johansson, Tom Hanks, Bryan Cranston, and Edward Norton to just name a few! At least ten members of the ensemble could lead their own films, making for a densely packed showcase of talent. While their performances are solid, the sheer volume of characters occasionally feels overwhelming, with some left underutilized amidst the chaos. As expected from Anderson, the visuals are breathtaking. The pastel color palette, symmetrical compositions, and meticulous set designs are a feast for the eyes, transforming the film into a living piece of art. The aesthetic is so captivating that even those who find the story lacking might be drawn in by its visual charm. Narratively, the film unfolds as a meta-melodrama—a play within a film—adding layers of storytelling that invite deeper interpretation. This approach highlights Anderson’s knack for blending art with entertainment, though it risks alienating newcomers to his work. Hardcore fans will likely relish the intricate structure, while others may find it semi-frustrating or overly pretentious. The story itself oscillates between intriguing and overly self-aware, and I found it occasionally testing my patience. While it raises interesting questions about art, legacy, and existential uncertainty, it often feels more like a vehicle for Anderson’s artistic indulgences than a fully realized narrative. At its core, Asteroid City exemplifies the balance of art versus entertainment, leaning heavily into the former while still offering moments of levity and charm. However, it also commercializes its artistry to a degree, diluting its impact for those expecting a more immersive emotional experience. In summary, it is a visually stunning, highly stylized film that will delight loyalists while potentially perplexing newcomers. It’s a pretty film with a unique aesthetic and clever storytelling, though its slightly pretentious tone and uneven pacing may limit its appeal. If you’re a fan of Anderson’s previous works, you’ll likely enjoy the ride, otherwise, it might be a bit of an acquired taste.

A handful of streamers have this one giving you options.

https://jackmeat.wixsite.com/jackmeat/post/asteroid-city-2023

Only one week left until we get season 2 of Severance. If you didn't catch season 1, hurry up and binge it out, the show is phenomenal. #jackmeatstv

Stephen Colbert Was Supposed To Star In 'Severance' - Here Are His Deleted Scenes

https://www.youtube.com/watch?v=7DGOgvxP7LE&t=24s

If you’re a fan of the games or just a fan of great storytelling this is a strong contender for one of the best new shows of the year. #jackmeatstv

My quick rating - 8.5/10. As someone who never played the Fallout games, I approached this adaptation purely as a TV show—and it absolutely delivers. Set in a post-apocalyptic Los Angeles ravaged by nuclear destruction, the series immerses you in a world where survivors cling to life in underground bunkers to escape the perils of radiation, mutants, and ruthless bandits. What makes the show stand out is its captivating blend of dark humor, action, and storytelling. The retro-futuristic aesthetic, so iconic to the game series, is brought to life with painstaking attention to detail in the production design. From the cracked and desolate landscapes to the eerie yet nostalgic remnants of pre-apocalypse culture, the visual world-building is phenomenal. The story strikes an impressive balance between heavy themes of survival, morality, and humanity, and lighter moments that bring levity to the dire setting. The characters are richly developed, with a diverse ensemble cast that ensures every episode feels fresh and engaging. Walton Goggins as Cooper was fantastic and creepy, completely deserving of all the awards and nominations given to him. Lucy, played by Ella Purnell, was also a treat with her naive approach turned hero role. Their personal arcs are intricately woven into the larger story, creating emotional stakes that resonate deeply. Even as a newcomer to the franchise, I found the story accessible and compelling. Fans of the games will undoubtedly appreciate the nods to the source material, but the series stands on its own merits, making it equally enjoyable for those unfamiliar with the Fallout universe. Season 1 of this series is yet another testament to the growing success of video game adaptations (The Last of Us being another recent triumph). It’s a strong contender for one of the best new shows of the year, with its memorable characters, impeccable world-building, and gripping narrative. Whether you’re a fan of the games or just a fan of great storytelling, this series is worth the watch.

This is a Prime video exclusive so either sign up or check Freevee with ads. 

https://jackmeat.wixsite.com/jackmeat/post/fallout-season-1-2024

If you're in search of a gripping murder mystery, this film, unfortunately, does not extend that invitation. #jackmeatsflix

My quick rating - 4.3/10. I had to go with the English dubbed version. This movie attempts to lure us into the world of mystery and intrigue, but unfortunately, it falls flat, offering a bland and uninspired take on the murder mystery genre. The film follows the story of Olivia Uriarte (Maribel Verdú), a woman with a troubled past, who concocts an elaborate plan to orchestrate her own murder. However, what could have been an intriguing flick ultimately dissolves into a convoluted and predictable story. One of the film's significant drawbacks is its lackluster execution of the murder mystery elements. The plot unfolds with tedious predictability, and I was left waiting for a twist or turn that never arrived. The characters lack depth, making it challenging to invest emotionally in their fates. Verdú's character Olivia, despite being at the center of the story, fails to evoke empathy or interest and left me detached from her plight. The film heavily relies on the protagonist, who conveniently assumes the role of both investigator and manipulator. The police's willingness to heed her every command, simply because she hosts a podcast on solving cases, feels contrived and unrealistic. The lack of a credible and competent law enforcement presence undermines the film's credibility, making it difficult to suspend disbelief. Furthermore, the film's setting—a confined mansion where everyone else is restricted while the lead character freely roams outside—feels forced and artificial. The constraints imposed on the supporting cast limit their ability to shine, leaving them with little room to develop their characters or contribute meaningfully to the plot. The lack of dynamic interactions and engaging dialogue further stifles the film's potential, resulting in a stagnant narrative. It also suffers from a lack of visual and thematic creativity. The cinematography fails to capture your attention, and the film lacks the atmospheric tension that is crucial for a successful murder mystery. The absence of a compelling soundtrack further diminishes the film's impact, leaving scenes devoid of the necessary emotional resonance. In conclusion, A Deadly Invitation struggles to engage its audience, offering a mundane and uninspired take on the murder mystery genre. With its lack of compelling characters, predictable plot twists, and unconvincing police procedures, the film fails to leave a lasting impression. While it attempts to weave a web of intrigue, the execution ultimately falls short, resulting in a forgettable streaming experience. If you're in search of a gripping murder mystery, this film, unfortunately, does not extend that invitation.

This one is a Netflix exclusive so you know what to do.

https://jackmeat.wixsite.com/jackmeat/post/a-deadly-invitation-2023

Decent performances and a creepy atmosphere carry this low-budget horror flick with a message. #jackmeatsflix

My quick rating - 4.0/10. I was alerted to this low-budget horror film that brings together a modest but effective cast and delivers a grim story with atmospheric tension. Directed by Harley Wallen with an eye for detail, the film offers a harrowing glimpse into the foster care system while intertwining supernatural terror into its story. The story centers on Julie (Angelina Danielle Cama), a foster child nearing her 18th birthday, who stumbles upon a buried artifact with something horrific inside. Julie’s journey is emotional and tense, as she grapples with her circumstances and the sinister presence she has unleashed. Cama gives a decent performance, portraying Julie as a resilient yet flawed protagonist, though some of her character's decisions may leave you questioning her logic. Sean Whalen and Maria Olsen shine as Julie’s neglectful foster parents, Todd and Janelle. Their performances create a realistic depiction of the darker side of foster care, giving the film a grounded and uncomfortable edge. Kaiti Wallen as social worker Rebecca adds a compassionate counterbalance, highlighting the struggles of trying to protect children in broken systems. Yan Birch is hauntingly effective as Frey, the film's monstrous figure, for the short amount of time he is used. The film's aesthetic and technical aspects elevate the narrative. The camera work is solid, capturing the oppressive atmosphere of the foster home and the chilling events that unfold. The limited budget is used wisely, with effective lighting, moody visuals, and well-placed sound design adding to the tension. However, the film does stumble in its pacing and logic. Some of Julie’s decisions require you to suspend disbelief, which detracts from the immersion. Additionally, while the foster care theme feels personal and authentic—perhaps influenced by someone on the crew's firsthand experience—it occasionally overshadows the supernatural elements, creating an imbalance in the story. Once the monsters true nature is revealed, the movie as a whole veers off course and loses the positive momentum it had built. Overall, it is a commendable effort that stands out for its atmosphere, performances, and thoughtful incorporation of social commentary. While not without flaws, it’s a film that fans of low-budget horror with a message might appreciate. Had it stayed the course of the film's first half, it may have been a hit. Thanks to Joe Williamson for the consideration and opportunity to view this flick.

You can check this one out on Prime Video or a few other streamers.

https://jackmeat.wixsite.com/jackmeat/post/beneath-us-all-2023

This is a forgettable flick in the mystery genre that squanders its idea with weak execution and a disappointing conclusion. #jackmeatsflix

My quick rating - 4.0/10. This Nigerian whodunnit is a by-the-numbers mystery that struggles to leave a lasting impression. The premise of an amateur group trying to solve a murder has potential, but the execution falls flat, offering little intrigue or depth. The film’s biggest misstep is its lack of a compelling detective figure or a structured investigation. Instead, the characters’ attempts to unravel the mystery feel disorganized and arbitrary, with the blame-shifting dynamics becoming repetitive and frustrating. While the concept of a "democratic" approach to solving a crime is interesting, this flick doesn’t capitalize on this unique angle, leaving it feeling like a missed opportunity. The pacing drags, with little suspense to keep you engaged. By the time the resolution arrives, it feels rushed and underwhelming, failing to tie together the story’s loose threads in a satisfying way. The ending, in particular, is a letdown, lacking the cleverness or closure one expects from a mystery. While it might work as a casual TV movie, A Weekend to Forget doesn’t offer enough to stand out. The production values and performances are serviceable, but they can’t overcome the film’s lackluster script and uninspired storytelling. While it might pass as background viewing for die-hard mystery fans, it’s unlikely to win over a broader audience. I could only recommend it if you like low-stakes mystery and might enjoy exploring Nigerian cinema. Everyone else may want to skip this weekend getaway.

This one is included with Amazon Prime

https://jackmeat.wixsite.com/jackmeat/post/a-weekend-to-forget-2023