My quick rating - 7.4/10. The Fall Guy ends up being one of those rare reboots that actually gets it right. It's respectful to the classic TV show while cranking up the energy with massive practical stunts, charismatic performances, and a clear love for old-school stunt work. David Leitch leans into what he knows best, and casting Ryan Gosling as Colt Seavers was absolutely the right move. Gosling plays Colt with the perfect mix of charm and humor, exactly the kind of personality fans of the show, like myself, remember. His stunt sequences look and feel real because, for the most part, they are. The commitment in the film to practical effects pays off with some of the most impressive car rolls and crash work you’ll see in a modern action movie.
The Sydney setting adds a ton of visual personality, whether it’s high-speed chases skimming along the harbor or big stunt setups staged against the city skyline. The location becomes part of the fun. It also helps give the movie its own flavor instead of trying too hard to imitate the original series beat for beat.
I feel that Emily Blunt was a big highlight. She brings sharp comedic timing and plenty of attitude, and her role goes beyond the typical “supporting love interest.” Her character, a director working on a film-within-the-film called Metalstorm, actually ties into the plot in a relevant way, while the chemistry with Gosling works without feeling forced. It’s a dynamic pairing that keeps the story moving and gives the film a little more emotional weight than expected.
One thing that immediately stood out to me was the use of Kiss’ I Was Made for Lovin’ You. The song pops up multiple times and fits the tone perfectly. It gives the movie a playful pulse, and honestly, it’s hard not to smile when the soundtrack kicks in. Being a big Kiss fan, that's a fun touch that adds to the overall vibe, even if you’re not on their mailing list.
Stick around for the mid-credits scene. Without spoiling anything, it offers a satisfying little bonus that is funny and ties up a few loose ends, including an extra glimpse at the chaos behind the making of Metalstorm. It’s a nice nod to the spirit of the original series — lighthearted, a bit cheeky, and full of appreciation for the craft of stunt performers.
In the end, The Fall Guy delivers exactly what it promises with big stunts, great chemistry, and a throwback feel without leaning too heavily on nostalgia. It’s a confident, entertaining reboot-true to the show’s legacy yet standing firmly on its own. Fans of the original will have plenty to enjoy, and newcomers should have no trouble jumping right in. For someone who grew up with the series, I was rather relieved and pretty impressed that they didn't screw this one up.
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