Inside Out 2 (2024) | I tuned my site to load faster for this Oscar nominated flick that balances fun with emotional depth, making it a great watch for all ages. #jackmeatsflix

My quick rating - 7.0/10. Nominated for Best Animated Feature Film, Inside Out 2 continues Pixar’s exploration of the mind’s inner workings, this time diving into the chaos of teenage emotions. Riley (Kensington Tallman) is now a teenager, and her mind headquarters undergoes an unexpected renovation to make space for new emotions—most notably, Anxiety (Maya Hawke). While Joy (Amy Poehler), Sadness, Anger, Fear, and Disgust have long held things together, Anxiety’s arrival shakes up their dynamic, forcing them to confront the inevitable changes that come with growing up.

The introduction of new emotions feels like a natural evolution of the story, reflecting the complexities of puberty in a way that’s both amusing and insightful. The film does a fantastic job of portraying how emotions can conflict and even overpower one another, especially in high-pressure situations like competitive sports. The idea that emotions should be left out of the game is a great takeaway, subtly woven into Riley’s experiences.

The returning voice cast remains excellent, with Poehler once again shining as Joy and Lewis Black delivering a perfectly grumpy Anger—though his comedic talents are somewhat restrained in this family-friendly setting. The animation is as vibrant and dynamic as ever, and the inclusion of Pouchy (James Austin Johnson), a nostalgic callback to childhood imagination, adds a clever mix of traditional animation within the CGI world.

While Inside Out 2 retains the heart, humor, and creativity of its predecessor, it doesn’t quite capture the same groundbreaking magic. Still, it’s an entertaining and meaningful film that balances fun with emotional depth, making it a great watch for all ages.

A handful of streamers along with Amazon have this animated sequel for you.

Inside Out 2 (2024)

Plenty of streaming options to choose from including Amazon.

Would love to hear your thoughts on this one taking the Oscar for animated feature or not?

https://jackmeat.com/inside-out-2-2024/

Any time you read the cast list, if you saw Gene Hackman on it, you knew you were in for a good performance. #jackmeatsflix RIP Mr. Hackman | Any time you read the cast list, if you saw Gene Hackman on it, you knew you were in for a good performance. #jackmeatsflix RIP Mr. Hackman

Gene Hackman

https://www.nbcnews.com/news/us-news/gene-hackman-wife-found-dead-investigation-santa-fe-sheriffs-rcna193960

https://jackmeat.com/gene-hackman-2025/

Wicked (2024) | This nominee is a well-made, captivating adaptation that does justice to its source material while creating a unique vision of Oz. #jackmeatsflix

My quick rating - 7.5/10. I was quite pleased to see this flick bring the land of Oz to life in a dazzling and beautifully realized way, crafting a compelling backstory that adds depth to the classic Wizard of Oz lore. The film follows the unlikely friendship between the green-skinned, misunderstood Elphaba (Cynthia Erivo) and the bubbly, aristocratic Galinda (Ariana Grande) as they navigate their destinies at Shiz University, eventually transforming into the Wicked Witch of the West and Glinda the Good. The joke here did get dragged out a bit too much LOL.

Visually, the world of Oz looks absolutely stunning, with rich production design, breathtaking costumes, and seamless CGI that enhances the magic rather than overwhelming it. It’s no surprise the film received Oscar nominations for its visuals and sound design—every scene is meticulously crafted to pull us deeper into this enchanting world.

The cast is another major highlight. Erivo brings a quiet intensity and confidence to Elphaba, while Grande fully embodies the self-centered yet charming Galinda (later Glinda), making for a dynamic duo that carries much of the film’s emotional weight. Jeff Goldblum as the Wizard of Oz is a perfect casting choice—his signature charisma and enigmatic presence add layers to the character. And, of course, Michelle Yeoh as Madame Morrible is simply fantastic, as she always is.

The film also excels at weaving in elements of Wizard of Oz while still standing on its own, giving more depth to familiar characters and their journeys. The musical numbers, while impressive in scope and execution, weren’t necessarily my thing (musicals peaked at Little Shop of Horrors for me), but they serve the film well and will undoubtedly please fans of the genre.

One minor drawback is the runtime—I found it slightly too long, though the pacing is generally strong. I was also caught off guard that this was only Part One (guess I’ve been living under a rock), but that only speaks to how invested I was in the story.

Overall, Wicked is a well-made, captivating adaptation that does justice to its source material while creating a unique vision of Oz. It’s deserving of the praise and award recognition, and even for those who aren’t die-hard musical fans, there’s plenty to enjoy.

Wicked (2024)

Amazon along with a list of streamers are airing this for the upcoming Oscars.

What were your thoughts on the length, was it too long or was that just me?

https://jackmeat.com/wicked-2024/

Conclave (2024) | Time to watch more of these Oscar nominees starting with this well-acted, and visually impressive film, featuring a stellar performance from Ralph Fiennes. #jackmeatsflix

My quick rating - 7.1/10. This best-picture nominee is a gripping political-religious thriller that delves into the secretive and high-stakes process of electing a new Pope. With the sudden death of the current Holy Father, Cardinal Lawrence (Ralph Fiennes) finds himself at the heart of a centuries-old tradition, navigating not just the sacred rituals but also the power struggles and hidden agendas that could shake the very foundations of the Catholic Church.

What makes Conclave particularly compelling is its timeliness. Given the real-world issues surrounding Pope Francis, the film feels eerily relevant, and one can’t help but wonder if it will sway Oscar voters. The film provides an informative and meticulous look into the papal selection process while reinforcing the idea that conspiracy, ambition, and corruption are not exclusive to politics alone—religious institutions are just as vulnerable. And, frankly, that’s not surprising to me at all.

Ralph Fiennes delivers yet another powerhouse performance, embodying Cardinal Lawrence with a restrained intensity that makes every line of dialogue feel weighty. His ability to command the screen in any role is undeniable (though Strange Days still holds a special place as my personal favorite performance of his). His presence elevates the film, adding depth and tension to each scene. Isabella Rossellini, nominated for Best Supporting Actress, brings a quiet but undeniable authority to her role, and the rest of the cast is equally up to the challenge of carrying such a dialogue-heavy film.

The cinematography is striking, particularly the scene of the cardinals walking through the Vatican courtyard, their faces shadowed beneath umbrellas—I thought one of the film’s most visually arresting moments. The careful framing and lighting choices contribute to the movie’s sense of solemnity and intrigue, making even the quietest scenes feel charged with meaning.

However, where this film falters is its ending. The film builds tension beautifully, layering secrets and power plays with precision, only to stumble in its final moments. The conclusion doesn’t quite deliver on the film’s promises, leaving a sense of unfulfilled potential.

Overall, Conclave is a smart, well-acted, and visually impressive film, bolstered by a stellar performance from Fiennes. It’s thought-provoking, timely, and rich with sharp dialogue, even if the ending doesn’t quite stick the landing.

Conclave (2024)

Amazon along with plenty of other streamers are showing this during the Oscar season.

https://jackmeat.com/conclave-2024/

Strange Days (1995) | One of my FAVORITE movies, all-time, and needed to make it to my new site for reference later on tonight, so two reviews today :) #jackmeatsflix

My quick rating - 7.9/10. (previous review) So if you have or have not seen it, watch it. Spectacular movie.

2021 update: Lenny (played extraordinarily well by Ralph Fiennes) is a drug dealer and ex-cop, peddling the latest high, "jacking in" which are illegal VR clips that put you in the event and you can hear/feel/smell everything. Think of the possibilities! Anyway, this mystery is that of a blackjack video (think snuff flick) that captures a political murder, he must team up with his limo driving buddy Angela Basset and his still cop friend Tom Sizemore to piece together the whole conspiracy. In doing so he must figure out how his ex girlfriend (Juliette Lewis) and scumbag boyfriend (Michael Wincott, "The Crow") are involved in the whole cover-up. The all-star cast also includes Vincent D'Onfrio as a beat cop who may be more than just that. Along with a lengthy explanation of what you are about to see, I will just say that the scenery is phenomenal. Camera angles swoop in and out to really get you in the feel of what is happening, not just in the VR clips. So much attention to detail in this one, to the point I can watch it every year and still not get bored of it. It is a true testament to the brilliance of director Kathryn Bigelow and not much was ever really said about this, but this flick was brilliantly written by James Cameron. Still holds up as one of my favorite movies for rewatch ever made. (This was the picture from the cover of my VHS, then DVD copy of this one.)

Strange Days (1995)

Enjoy if you can get your hands on it, worth the purchase from Amazon.

https://jackmeat.com/strange-days-1995/

Canvas (2021) | This flick is more of a stylish but flawed experiment of an artistic showcase and not a compelling horror story. #jackmeatsflix

My quick rating - 5.4/10. Canvas presents itself as a visually striking arthouse experience, blending rotoscope-style animation (reminiscent of A Scanner Darkly) with live-action elements. Directed by Ryan Guiterman, the film follows FBI agent George Rohan (Stephen R. Key) as he attempts to cover up the murders of a demonic entity known as "The Painter," while journalist Reila Martin (Isabel Ellison) works to expose the truth.

The animation style is undeniably one of the film’s strongest aspects, creating an eerie and surreal aesthetic that effectively blurs the line between reality and nightmare. The occasional use of live-action interviews is an intriguing touch, though the execution is marred by poor sound mixing—making much of the dialogue difficult to hear. This issue is further compounded by "The Painter" speaking in a foreign language, requiring subtitles to grasp its true intentions.

Despite being categorized as horror, this flick lacks the necessary tension or scares to justify the label. The story feels muddled, with scattered religious references and an overarching narrative that never fully comes together. While the film offers some intriguing ideas and strong visuals, the lack of coherence makes it easy to lose interest. Ultimately, Canvas is a stylish but flawed experiment—more of an artistic showcase than a compelling horror story.

Canvas (2021)

Amazon and a few other streamers have this one to check out.

https://jackmeat.com/canvas-2021/

Popeye's Revenge (2025) | A forgettable cash-in on the public domain horror trend. While the gore has its moments, the film does nothing with Popeye’s legacy. #jackmeatsflix

My quick rating - 2.9/10. ITN Studios has jumped on the public domain horror train with this Popeye flick, giving the iconic sailor man a bloody, slasher-flick makeover. With Winnie the Pooh: Blood and Honey paving the way for reimagining childhood favorites as horror monsters, Popeye joins the fray—but unfortunately, he’s bringing little more than cheap makeup, giant forearms, and a bad attitude.

The film kicks off with a surprisingly charming hand-drawn intro that sets up the reimagined Popeye legend before transitioning into modern-day ghost hunters investigating the story. Of course, this being a slasher, their curiosity (and hormones) get the better of them. Apparently, no one told these councilors that horror movie survival 101 is to avoid sex because they waste no time going at it. Cue the obligatory nudity, cheap gore, and average kills.

Steven Murphy’s Popeye is less of a supernatural menace and more of an angry guy in costume, complete with oversized forearms that look straight out of a Spirit Halloween clearance bin. His kills are fairly standard, though one particularly absurd moment involves him literally bursting a victim’s boob with sheer strength—a moment that seems tailor-made to get a reaction out of the cast and audience alike. The mix of practical and digital blood effects is a slight improvement over some of ITN Studios’ past efforts, though the prop blood always seems to fire directly at victims’ faces regardless of where the actual hit lands.

Danielle Scott is the only familiar face in the cast, but this isn’t the kind of film meant to showcase strong performances. Instead, it sticks to the usual slasher tropes: a disposable group of young adults, gratuitous nudity, and a monster that doesn’t do much to honor its original source material. Unlike Blood and Honey, which at least attempted to build a twisted mythology around Pooh and friends, Popeye’s Revenge does nothing with the character’s rich history. He’s just an angry brute killing people at a summer camp.

While this movie isn’t officially part of ITN’s so-called “Poohverse” (which includes Bambi and Pinocchio horror reimaginings), it follows the same formula: grab a well-known public domain character, slap together a low-budget slasher, and hope for some viral curiosity. If that’s what you’re looking for, this delivers in the most basic way possible. Otherwise, there’s nothing particularly memorable here. It is just a forgettable cash-in on the public-domain horror trend. While the gore has its moments, the film does nothing with Popeye’s legacy and offers little beyond the usual ITN slasher formula.

Popeye's Revenge (2025)

To the surprise of no one, Amazon is the only place to check this one out right now.

https://jackmeat.com/popeyes-revenge-2025/

The Third Saturday In October (2022) | Testing email submission for posting and here is how this #Shocktober flick came out. Doesn't look as good as my new format IMO. #jackmeatsflix

My quick rating - 4.0/10. This came along with part 5 from the same year (part of the joke I guess, it is horror/comedy) so I may as well check it out. This movie spends entirely too long on these 4 characters who are the local pot-heads and their way over-acted interactions with one another and the local towns folk. On one hand, this flick does a decent job of being a throwback to the 70s in the look of it. The film stock looks grainy, and the background artifacts like posters and signs look damned authentic. It is a slasher-type film which is also fitting in that we have a botched execution that takes place seemingly at the local school. They also must kill a lot of criminals in this small town since the electric chair has its own nickname and a little spot for the audience to watch. After the switch has been thrown and the body gets taken away presumably dead, old Harding played by Antonio Woodruff hops out of his coffin and is back to his old tricks. I am also sure that his non-threatening appearance and mannerisms are also part of the joke which I missed. That is how this movie can be summed up really. It is not funny enough to be a comedy but not nearly scary enough to be a horror flick. So it more or less fails on both levels while still being mildly entertaining. I found that scenes at the Bronco Burger were stretched out way too long while scenes involving someone actually being slaughtered were way too short and budget-restricted. For a movie that the killer is on the loose nearly from the get-go, there is so little paid attention to him roaming around stabbing and a lot more time worrying about what the oblivious locals are up to. At 98 minutes, I don't want to be thinking about how slow it is going but that is exactly what was happening. The biggest draw to this movie is the authenticity of it since I felt like I just found a movie that literally was made in the 70s not just emulating it. Those kudos I cannot deny but the rest of the flick just didn't deliver on the aspects it was shooting for. I guess onto the sequel to see if it redeems itself. The ending made sure you knew another story was on the way for Harding.

Amazon and a few other streamers have this one for rent or buy if it is any good.

Enclosures:

file.png https://static.wixstatic.com/media/0ba947_d2e4a60ed3c34da4895d71f139b6379e~mv2.webp/v1/fit/w_420,h_626,al_c,q_80/file.png

https://jackmeat.com/the-third-saturday-in-october-2022/

Crispy (2024) | My tagline exists for movies like Crispy—I sat through this 76-minute disaster so you don’t have to. I better stop writing now before I just get mean. #jackmeatsflix

My quick rating - 2.0/10 Awful. Just awful. I don’t know what’s worse—the story, the acting, or the fact that someone thought this was worth making. The premise? A witty (debatable) teen drags his friends into the woods on a treasure hunt despite warnings from his telepathic sister. Naturally, they get lost and find themselves hunted by a cannibalistic killer. Sounds promising, right? Yeah, not even close.

The entire movie is filled with painfully dumb moments, but one scene in particular stands out: a character struggling to climb out of a shallow hole, using a stick, as if it’s some insurmountable pit of doom. Just climb up the damn dirt mound! That moment alone encapsulates the level of intelligence this movie operates on.

The acting? Abysmal. The story? Even worse. This is the kind of zero-budget, no-effort filmmaking that gives indie horror a bad name. No scares, no tension, and certainly no inventive kills—hell, barely any kills at all. It’s a horror movie that forgets to be horrifying. Or entertaining.

The only reason this isn't scraping the bottom of my rating scale is Jessica Frew. She’s easily the best part of the film, delivering a performance that’s at least watchable and serving as a much-needed representation of actors with disabilities. She deserves way better than this and alone boosts this by 1 point. Yes, that is how bad this flick is.

My tagline exists for movies like Crispy—I sat through this 76-minute disaster so you don’t have to. I better stop writing now before I just get mean, so do yourself a favor and skip it.

Crispy (2024)

Justwatch doesn't have any streamers listed for this and I am sure that is a blessing in disguise.

https://jackmeat.com/crispy-2024/

The Day of the Jackal: Season 1 (2024) | Season 1 is a thrilling ride that delivers suspense, intrigue, and great visuals for anyone looking for a solid binge to check out. #jackmeatstv

My quick rating - 7.6/10. This show delivers a gripping, high-stakes thriller that successfully reimagines the classic assassin-vs-intelligence chase for modern audiences. This adaptation is extremely well put together, with tight direction, stunning cinematography, and a steady rhythm that keeps the tension high throughout each episode. The ever-changing locales add depth and atmosphere to the story, immersing viewers in a thrilling game of cat and mouse across Europe.

Eddie Redmayne shines as the enigmatic and calculating Jackal, bringing a chilling presence to the role. His methodical precision and ability to stay one step ahead make him a compelling protagonist—or rather, antagonist—who commands attention in every scene. However, the series fails when it comes to his counterpart. Lashana Lynch, portraying the MI6 agent tasked with hunting him down, unfortunately delivers a lackluster performance that feels out of place amid an otherwise strong cast. Her portrayal lacks the intensity needed to truly sell the high-stakes pursuit, leaving a noticeable gap in the dynamic between hunter and hunted.

While the show’s pacing is spot-on—never feeling rushed or dragging—it does lack some of the signature elements that made previous Jackal adaptations stand out. The assassin’s ability to don disguises, a crucial aspect of his elusive nature in the original film and novel, is underutilized. Additionally, the focus on the assassination process itself feels somewhat reduced, leaving a desire for more insight into the Jackal’s deadly craft.

Despite these minor shortcomings, The Day of the Jackal is a thrilling ride that delivers suspense, intrigue, and beautiful visuals. If the missing puzzle piece—Lynch’s miscasting—is addressed in a potential second season, this series could reach even greater heights. A continuation would be more than welcome, especially if it leans further into the Jackal’s disguises and methods.

The Day of the Jackal: Season 1 (2024)

Currently playing on Peacock

https://jackmeat.com/the-day-of-the-jackal/

Don't worry, this is a list, not a slideshow LOL. | New and Upcoming Superhero Movies and Series. #jackmeatsflix

https://www.imdb.com/list/ls591750182/?view=detailed&ref_=pe_3369030_1181331470_trnd_eml_hero_cta

And here is a Youtube compilation to watch if you are interested.

https://jackmeat.com/upcoming-superhero-stuff-2025/

Jiu Jitsu (2020) | This is in no way a good movie but you still might have some fun with this Predator/Mortal Kombat hybrid as I did. #jackmeatsflix

My quick rating - 4,1/10. A guilty pleasure movie for sure. Apparently the recent spat of "Kickboxer" movies have done just enough to get this director (Dimitri Logothetis) a bit of budget. So he takes the helm on this poorly written mosh of "Predator" and "Mortal Kombat" This one involves the predator-like alien that travels to Earth every 6 years to honorably fight 9 (or was it 8) warriors Mortal Kombat style. That is how the ripoff goes. This has been going on for centuries (with no explanation of how it keeps going. Are the earthlings winning every 6 years?) and this ancient warrior passed along the art of jiu-jitsu. They may as well have just called it "martial arts" since they are using the term as a generic description anyway. So half or more of the movie is them not explaining why the star has no memory or what he is even there for. This really is all just filler to get us to some decent fight scenes, at times I must stress, at times. Other times they are downright terrible.

There are a couple of interesting showcases done using a GoPro-style camera that looked good but just wasn't utilized properly. And then there is the money man (for many reasons) Nicolas Cage. He plays "Raiden" basically lol. Wise, speaks in riddles, tries to help you without telling you shit. That guy. Perfect for Cage really. If you are a fan like me, you'll be fine with his performance. No extended painful expressions, just trying to stomach him being a skilled swordsman and "jiu jitsu-er". They basically make fun of it, so I suppose I can as well. Then there is the predator. It is in the invisible mode for a short bit, and then stops caring and is seen past that. Has a cool-looking face thing that appears to show the faces of previous victims. Oh, yeah, if you don't fight him, or fight dirty, guns, etc. he/she, IT? will destroy EVERYTHING. They stress that so I will as well. How is the Earth still existing? The movie is a frustrating mess that would not stand a chance in a theater in any other year but 2020. The story flips on through comic book art-styled pages, which I am always a sucker for, and the action is hit or miss. In the end, you'll love or hate it, but for me it is just a guilty pleasure. Bottom rated flick on IMDB? Not even close, there are just not enough ratings for the real #turkey material out there.

Jiu Jitsu (2020)

Amazon among other streamers carry this title.

https://jackmeat.com/jiu-jitsu-2020/

The Baker (2023) | This was a serviceable action film with solid performances and moments of entertainment watching the old man slap around the cocky thugs. #jackmeatsflix

My quick rating - 5.8/10. Right away I saw this flick brings together a cast of seasoned actors, headlined by Ron Perlman as an elderly baker turned reluctant drug smuggler, Harvey Keitel as a menacing kingpin, and Elias Koteas as his loyal henchman. With such acting power on board, the film sets the stage for what could have been an unforgettable action drama. While the performances shine at moments, the film itself sticks too closely to a well-worn formula.

The plot revolves around Perlman's character, a baker who finds himself in possession of a giant bag of drugs which he stashes in a loaf of bread after his estranged son steals them from a dangerous criminal organization. Now burdened with the responsibility of protecting his mute granddaughter (played by Emma Ho) while being hunted by the kingpin's men, the baker must fight his way through a series of confrontations to ensure her safety.

Perlman is undeniably enjoyable to watch (oh Hellboy, do we miss you), especially when he's taking down young, cocky thugs with brutal efficiency. There's a certain charm in seeing an older protagonist hold his own in physical combat, even if some of the fight scenes rely heavily on close-up shots to mask the inevitable limitations that come with age.

Emma Ho delivers a commendable performance as the granddaughter who cannot speak, a trope that seems to be increasingly common in action films. Despite the lack of dialogue, she effectively conveys her emotions through expressions, adding an emotional depth to the otherwise standard narrative.

The action sequences are well-choreographed for the most part, but they don’t bring anything new to the table. The story feels familiar—a reluctant hero protecting a vulnerable loved one while fending off relentless villains—a formula we've seen countless times before. Unfortunately, Harvey Keitel's presence is underutilized, leaving me wishing for more screen time from the veteran actor.

The Baker (2022)

Overall, The Baker is a serviceable action film with solid performances, particularly from Perlman and Ho, but it fails to break any new ground. It offers fleeting moments of entertainment but ultimately feels like another by-the-numbers addition to the action genre.

Amazon along with a handful of streamers are carrying this one right now.

https://jackmeat.com/the-baker-2023/

The Painted (2024) | In the crowded haunted house category, this one isn't too bad with some decent scares and creative effects. #jackmeatsflix

My quick rating - 5.3/10. I was pleasantly surprised that this flick offers a straightforward haunted house setup with a refreshing twist, a family that actually decides to leave at the first sign of trouble. Evelyn Elster’s unexpected windfall from an estranged cousin’s fortune initially seems like a dream come true for her struggling family. However, the inheritance comes with strings attached—a sinister family curse lurking within the eerie confines of her cousin's home.

The film delivers some genuinely creepy moments, thanks in large part to the well-executed visual effects. The titular paintings are the real stars here, their haunting transitions and menacing “coming to life” sequences providing most of the scares. The editing shines during these moments, blending practical effects and CGI in a way that maintains tension without going overboard.

While the supernatural occurrences are given a reasonable backstory, the film stumbles with its portrayal of the family’s handling of the curse. The introduction of a hokey ritual, which the family somehow becomes experts at almost overnight, stretches believability even within the context of a supernatural thriller.

The cast delivers serviceable performances—nothing stellar, but nothing that detracts from the overall experience. The dialogue and emotional reactions are par for the course in the genre, avoiding the kind of melodrama that often undermines similar films.

Unfortunately, The Painted can’t resist the modern horror trope of leaving the door open for a sequel, a decision that feels more obligatory than inspired. Still, it manages to wrap up its main narrative threads with enough clarity to keep you satisfied.

While it doesn’t break any new ground, it is a competent haunted house flick with a few standout moments and a decent blend of scares. It’s worth a watch for fans of supernatural horror, but don’t expect it to leave a lasting impression.

The Painted (2024)

Amazon along with a few other streamers have this one for viewing.

https://jackmeat.com/the-painted-2024/

Gladiator II (2024) | Well, my hand was forced so here is my first post to my new site, located on Hostinger. And quite a good sequel to start things off. #jackmeatsflix

My quick rating - 6.9/10. Years after witnessing the death of the revered hero Maximus at the hands of his uncle, Lucius finds himself thrust into the brutal world of the Colosseum when his homeland falls under the grip of tyrannical Roman Emperors. Fueled by rage and a deep sense of duty, Lucius must draw strength from his past to restore the glory of Rome.

This long-awaited sequel proves to be an entertaining ride. Denzel Washington’s portrayal of Macrinus is undoubtedly the film’s standout performance—his ruthless presence commands every scene, and his charisma is magnetic. Paul Mescal shines as Lucius, bringing both vulnerability and strength to the character’s journey, while Pedro Pascal delivers an intriguing performance as General Acacius, whose constant backstabbing and manipulation keep the audience guessing as he plays both sides for his own benefit.

Visually, this flick excels. The spectacle of the arena is brought to life with stunning CGI, immersing the audience in the gritty and grand world of ancient Rome. The action sequences are meticulously choreographed, delivering the intensity and brutality expected from a film of this caliber.

Ridley Scott’s direction is, as always, top-notch. His ability to balance epic storytelling with intimate character moments shines through once again. While Gladiator II may not surpass the brilliance of the original, it comes remarkably close, making for a worthy and thrilling follow-up.

Amazon along with Paramount+ and a handful of streamers have this one.

https://jackmeat.com/gladiator-ii-2024/

New album "Sleepless Empire" was just released by one of my favorites, Lacuna Coil. Cristina Scabbia sounds great as always! #jackmeatsotn

Premiered Feb 14, 2025

LACUNA COIL - I WISH YOU WERE D3AD (OFFICIAL MUSIC VIDEO)

https://www.youtube.com/watch?v=H86cL4NBZRg

If this movie didn't get lost in its own complexity it wouldn't have been such a frustrating experience since the idea was there. #jackmeatsflix

My quick rating - 4.9/10. This flick presents itself as an ambitious time travel thriller set within the infamous halls of Miskatonic University, a clear nod to H.P. Lovecraft’s mythos. The premise did catch my attention with a group of young scientists building a time machine, only to discover they are mere pawns of unseen, otherworldly forces. Unfortunately, while the film reaches for cosmic horror greatness, it falls short due to underdeveloped ideas and an overcomplicated narrative structure.

The film attempts to weave together grand concepts of time manipulation and Lovecraftian horror, but its execution leaves much to be desired. Miskatonic University alone signals that the writers were delving into territory far more complex than they were capable of handling. While the setting and concept have immense potential, the movie struggles to fully realize its ambitions.

One of the main challenges is its fragmented storytelling. The plot unfolds in a non-linear fashion, often moving backward, which demands the viewer's full attention. However, even the most attentive viewers will find that the pieces never quite fit together. Important plot points are left underdeveloped, and the overarching story feels incomplete.

Despite these shortcomings, it isn’t entirely without merit. There are moments where the Lovecraftian atmosphere shines through, and the tension created by unseen forces manipulating the protagonists is palpable. Even a subpar Lovecraft-inspired narrative can yield an interesting cinematic experience, and the movie occasionally delivers on that front.

It’s worth noting that the film has faced harsh criticism, with many low ratings on IMDb. Dismissing it outright as a one-star disaster feels unfair. I blame that on either a lack of education or patience. Yes, it’s flawed, and yes, it demands more attention than it probably deserves, but it also tries to offer something more thoughtful than your average time travel flick. Ultimately, while Intersect aims high, it gets lost in its own complexity, leaving you with an incomplete and frustrating experience.

You can check Amazon along with these streamers for this flick.

https://jackmeat.wixsite.com/jackmeat/post/intersect-2020

This movie is a fever dream mess that tries too hard to be artsy instead of developing its simple mystery story. #jackmeatsflix

My quick rating - 4.6/10. Anthony Hopkins steps behind the camera in in this flick, a surreal exploration of an aging screenwriter’s fractured mind. Felix Bonhoeffer (Hopkins) finds himself lost between reality and his own screenplay, with characters bleeding into his everyday life. It’s a bold premise and an equally ambitious effort, but one that ultimately crumbles under the weight of its chaotic editing and lack of coherent narrative. This is one of those movies that is open for interpretation but I believe there are some references to some form of brain damage going on throughout which may explain the plot's disjointed nature.

The film boasts an impressive ensemble cast—too many notable names to list—but even their talent can’t save Slipstream from its own pretentiousness. Hopkins, a legend I deeply respect, delivers a performance that’s overshadowed by the film’s relentless attempts to be strange for the sake of art. The rapid rewinds, abrupt cuts, and jarring scene shifts feel less like creative choices and more like an endurance test for the audience. In the streaming era, this constant visual disarray might even make you question your internet connection, but rest assured (or not), it’s all intentional.

There are glimpses of brilliance here, particularly in how the cast interacts within Felix’s disjointed reality. However, the plot never fully gels, leaving you with an experience akin to a David Lynch knockoff—strange, unsettling, but lacking the payoff Lynch is known for. Hopkins himself described the film as “bizarre,” and that might be the most fitting review of all. It is an interesting experiment but one that left me more frustrated than fascinated. The first thing I typed out when this ended was "A fever dream mess that tries too hard to be artsy." and I'll be copying that over for my headline/excerpt.

There are a few streaming options including Amazon airing this one.

https://jackmeat.wixsite.com/jackmeat/post/slipstream-2008

This flick is a haunting experience that is well-made, tense, and refreshingly different. #jackmeatsflix

My quick rating - 6.1/10. With his marriage on the rocks, Blake (Christopher Abbott) convinces his wife Charlotte (Julia Garner) to escape to his childhood home in rural Oregon, hoping for a fresh start—or at least a brief respite from their troubles. But their late-night arrival takes a sinister turn when a beast appears on the road, forces them to veer off their path, and ultimately wrecks their vehicle. After escaping partially unscathed from the accident, they barricade themselves inside Blake's father's farmhouse. As the hours drag on, paranoia sets in, and Blake’s behavior takes a horrifying turn.

Unlike the high-gloss Hollywood werewolf stories we’ve seen before, Wolf Man takes a more grounded, almost sorrowful approach to its classic premise. The film’s atmosphere is thick with unease, leaning heavily on its limited cast and isolated setting to keep the tension at a simmering high. The scenery is beautifully shot, making great use of Oregon’s remote, haunting landscapes, which only heighten the couple’s sense of isolation. I believe we would have director Leigh Whannell to thank for this since he also brought us a really good-looking albeit a bit unknown scifi flick, Upgrade.

One of the highlights is the transformation itself. Rather than a standard CGI-heavy spectacle, the film takes a more creative approach, offering a chilling look at how the infected perceives the world as the change overtakes them. It’s an unsettling and immersive shift, making the horror feel more personal and inevitable.

The movie does a solid job of introducing the couple’s strained relationship early on, giving just enough backstory to make their dynamic compelling without bogging down the pace. And once the horror kicks in, it doesn’t let up. The sense of dread builds steadily, and while there are moments of visceral terror, the film’s real strength is its emotional weight.

This isn’t a monster movie that revels in carnage—it’s a tragic, unflinching take on the werewolf mythos that lingers even after the credits. Well-made, tense, and refreshingly different, this flick is a haunting experience for those who appreciate a more thoughtful spin on familiar folklore.

This was going to be one of my site's "launch" trailers a couple of weeks ago but that obviously got pushed back.

Currently hitting theater prices on Amazon along with these streamers.

https://jackmeat.wixsite.com/jackmeat/post/wolf-man-2025

Valentine's Day is almost here and Full Moon is making a whole WEEK of it with their HALF OFF V-Day sale! Get 50% off almost EVERYTHING at www.fullmoonhorror.com/?AffId=115 including Blu-rays, DVDs, VHS, box sets, NECA figures, bobbleheads, DELIRIUM mags, and other monstrous merch! #jackmeatsflix

http://www.fullmoonhorror.com/?AffId=115

Here we have a stylish, well-acted crime thriller with some great action set pieces that is worth a revisit every now and then. #jackmeatsflix

My quick rating - 5.9/10. I seem to pop this one on once a decade, but for some reason, I’ve never actually reviewed it—so what better time than now while I’m updating jackmeat.com?

Directed by James Foley, this flick brings a stylish crime-thriller approach to the well-worn “veteran cop and rookie partner” dynamic, with Chow Yun-Fat carrying the movie—as expected. Mark Wahlberg plays the fresh-faced recruit, while Chow Yun-Fat’s seasoned officer navigates the murky waters of corruption within New York’s Chinatown. The story follows the duo as they attempt to take down the Chinese Triads, but moral lines blur when the criminals attempt to bribe Wahlberg’s character, leading to complications in trust and loyalty.

The film takes clear inspiration from John Woo, showcasing stylish action sequences and well-choreographed gunfights. While nothing here is groundbreaking, the shootouts are well executed, and the tension in certain moments keeps the film engaging. Some of the dialogue can feel a bit jumbled, especially when dealing with non-English-speaking actors, but the overall narrative holds up well. The double-cross and resulting plot points all get wrapped up in a very dramatic and convenient way.

Many considered The Corruptor to be Chow Yun-Fat’s first strong Hollywood outing, though I’d argue The Replacement Killers did a better job the year before highlighting his talents. That said, this is still a solid action flick that has aged decently, even if my younger self might have rated it higher back in the day. The chemistry between the two leads is believable, and the film effectively balances action with character drama, even if it doesn’t quite hit classic status. It's a stylish, well-acted crime thriller with some great action set pieces, even if it doesn’t break new ground. Still worth a revisit every now and then.

Plenty of streaming options along with Amazon for you to check this one out.

https://jackmeat.wixsite.com/jackmeat/post/the-corruptor-1999

If you love schlocky, boob-centric horror throwbacks, this might be your kind of trash just don't expect much horror. #jackmeatsflix

My quick rating - 3.2/10. If you’ve ever thought, “What this horror movie needs is more boobs, a hot tub, and a pillow fight before the killing starts,” then this flick is here to say, “Hold my beer and watch this.”

Writer/Director Steve Hermann clearly went to the ‘80s Sorority Horror starter pack for inspiration and wasted no time diving headfirst into every single cliché possible. Our fresh-faced pledges, eager to join Gamma Rho Kappa, quickly learn that the initiation process involves more than just beer pong and hazing—it includes evil, bloodthirsty witches with a taste for new recruits (literally).

Lynn Lowry and Ann Myrna head up the sisterhood of supernatural shenanigans, chewing scenery (and possibly flesh) as they lure in their unsuspecting pledges. Lowry’s connection to Troma Studios only adds to the camp factor, making this feel like a long-lost love child of Sorority Babes in the Slimeball Bowl-O-Rama and a rejected The Bad Batch sequel.

For those wondering if there’s any actual horror in this horror movie, the practical effects are appreciated but scarce—because, let’s be honest, the budget was probably split evenly between fake blood and baby oil. The kills that do happen are fun but too infrequent, which is a shame because more ridiculous deaths might have really taken this to “so-bad-it’s-good” territory.

The acting? Exactly what you'd expect. It delivers with the same energy as a college group project where half the team forgot the deadline—but hey, that’s part of the charm. The twist? Oh, it’s there. And it’s just hokey enough to make you groan and chuckle at the same time.

If you love schlocky, boob-centric horror throwbacks, this might be your kind of trash. But if you were hoping for a legitimately terrifying sorority horror film, well, you must be new here.

Streaming choices are slim for this one which may be a blessing.

https://jackmeat.wixsite.com/jackmeat/post/night-of-the-dead-sorority-babes-2025

Usually I try to find links to the best of the Super Bowl but since IGN decided to post this article, I'll cheat. #jackmeatstv

https://www.ign.com/articles/super-bowl-2025-commercials-and-trailers-all-the-best-moments-from-the-big-game

This flick is a fun diversion for die-hard fans of the character, but it misses the mark as a compelling origin story. #jackmeatsflix

My quick rating - 5.3/10. Sony’s introduction for Kraven takes a stab at reimagining one of Spider-Man’s iconic foes, delivering an R-rated origin story steeped in blood-soaked vengeance. While Aaron Taylor-Johnson gives it his all as the titular antihero, the film struggles to rise above its predictable script, overused tropes, and uneven performances.

The movie focuses on Sergei Kravinoff (Taylor-Johnson) and his tumultuous relationship with his ruthless gangster father, Nikolai (Russell Crowe). Their strained dynamic sets the stage for Sergei’s transformation into a brutal predator, driven to become the world’s greatest and most feared hunter. Unfortunately, while the premise has potential, the execution falls flat. The story is bogged down by clichés, leaving little room for meaningful character development or engaging twists. It’s a paint-by-numbers origin tale that never strays far from what the trailer promises.

Despite the weak script, Taylor-Johnson shines. His physicality and commitment to the role inject energy into an otherwise lackluster film, especially during the action sequences. The R rating allows for some visceral, gory moments that suit Kraven’s savage nature, and these scenes are easily the film’s highlight. Crowe also brings strength to his role as Nikolai, but his talents feel wasted on a character as one-dimensional as the script renders him.

Unfortunately, the supporting cast doesn’t fare as well. Ariana DeBose’s performance is particularly underwhelming, with her scenes often dragging down the film’s momentum. Her portrayal feels out of sync with the movie’s tone, and her character lacks the complexity needed to leave a lasting impression.

The visual effects are hit or miss, with some poorly rendered CGI animals breaking the immersion. It’s disappointing, especially in a movie centered on a master hunter. While there are moments of brutal fun, the overall visual presentation leaves much to be desired.

Perhaps the most glaring issue is Sony’s continued reluctance to directly tie these spin-off films into the broader Spider-Man universe. The absence of Spider-Man—or even a meaningful connection to him—makes Kraven the Hunter feel isolated and detached. Including subtle nods or cameos would have added depth and legitimacy to the storyline, reminding audiences that these characters exist in a shared world.

Ultimately, Kraven is a mixed bag. It has flashes of excitement, mostly thanks to Taylor-Johnson’s dynamic performance and the film’s commitment to bloody action, but it never rises above being a mindless popcorn flick. For those intrigued by the trailer, what you see is exactly what you get—no more, no less. If you’re hoping for something with depth or a compelling Spider-Man connection, you’ll leave disappointed.

Amazon along with these streamers have this one for theater-at-home pricing.

https://jackmeat.wixsite.com/jackmeat/post/kraven-the-hunter-2024

This action/comedy is nothing groundbreaking, but a fun way to kill some time featuring a great cast. #jackmeatsflix

My quick rating - 6.1/10. A suburban couple (played by Zach Galifianakis and Isla Fisher) finds their quiet cul-de-sac life thrown into chaos when their impossibly attractive new neighbors (Gal Gadot and Jon Hamm) turn out to be secret agents. As they get entangled in an international espionage plot, hijinks and awkward situations ensue.

This is a spy-comedy that doesn’t reinvent the genre but delivers enough laughs and well-paced action to keep things moving. The cast is undoubtedly the film’s biggest strength—Gadot is always a welcome presence, and Galifianakis brings his usual comedic charm, albeit in a slightly toned-down manner compared to his more outlandish roles. Fisher and Hamm also play their parts well, adding to the chemistry and comedic energy.

While the story is one you’ve seen before, the execution is solid, and the humor lands more often than not. The action sequences are decent, never overstaying their welcome, and they serve their purpose of keeping the comedy flowing. They aren't quite as drawn out or elaborate as Mr. and Mrs. Smith, which is the first movie this reminded me of, but still kept me entertained. Overall, Keeping Up with the Joneses is a light, entertaining watch—nothing groundbreaking, but a fun way to kill some time.

You have some streaming options including Amazon but no freebies this time.

https://jackmeat.wixsite.com/jackmeat/post/keeping-up-with-the-joneses-2016

A beautifully acted, abstract film that falls short of horror but succeeds as a metaphorical deep dive into the complexities of motherhood. #jackmeatsflix

My quick rating - 5.5/10. This was a deeply introspective and artsy film that takes the concept of motherhood to wild, metaphorical extremes. Based on Rachel Yoder's novel, the story follows an unnamed mother (Amy Adams, in a career-highlight performance) as she grapples with the isolation, monotony, and identity shifts of stay-at-home parenthood. Slowly, she begins to believe she’s transforming into a dog, a bizarre but poignant metaphor for the feral instincts and untamed power that come with motherhood. Adams is exceptional, fully embodying the complexity of her character’s emotional descent. Her portrayal is raw, layered, and powerful enough to warrant serious awards consideration. The film itself is an intimate exploration of the psyche, blending motherhood, identity, and societal expectations in a surreal and symbolic package.

However, Nightbitch’s classification as a horror film is puzzling. There isn’t a single moment that evokes fear or dread, despite the premise hinting at potential body horror or werewolf-like transformations. Instead, the film plays out as a psychological drama with heavy arthouse sensibilities. Its refusal to lean into genre tropes may disappoint viewers expecting something more visceral or thrilling.

The nameless characters, referred to only as Mother, Son, and Husband, add to the film’s abstract, universal tone but also create an emotional distance that makes it harder to connect with their personal struggles. The pacing drags at times, with the narrative focusing more on themes than plot progression, leaving some sequences feeling repetitive or overly indulgent.

While Nightbitch is undeniably well-crafted and thought-provoking, it’s not for everyone. Its artsy, symbolic approach to storytelling will resonate with those who appreciate introspective dramas but may frustrate those expecting a more dynamic or genre-driven experience. I can attest to hoping for horror for much of it. For all its creativity and ambition, it’s a film that bites more than it barks, leaving you with an intriguing but ultimately uneven viewing experience.

As of now, Hulu is the only place to stream this one.

https://jackmeat.wixsite.com/jackmeat/post/nightbitch-2024

This horror/comedy is perfect for when you want to question your life choices and laugh while doing it. #jackmeatsflix

My quick rating - 4.0/10. If you’ve ever wondered what would happen if Napoleon Dynamite tried to remake Blade with a budget that couldn’t cover a decent pizza party, then congratulations, your oddly specific dream exists and it’s called Hawk And Rev: Vampire Slayers.

Philip "HAWK" Hawkins (Ryan Barton-Grimley) is a man on a mission, fueled by sheer paranoia and a headband that looks like it survived the '80s and lost the will to live. After getting kicked out of the Army for staking a fellow soldier with a two-by-four (because subtlety is for cowards), Hawk ends up as a night security guard in a warehouse so deserted it makes the office in Severance look overpopulated. Just when he’s about to die of boredom, surprise—vampires! Because why not?

Nobody believes Hawk, which is understandable because he has the energy of a conspiracy theorist who thinks pigeons are government drones. So, he teams up with Rev (Ari Schneider), a vegan-pacifist groundskeeper whose main skill is existing in a perpetual state of confusion. Together, they form the kind of dynamic duo that makes you question how humanity has survived this long.

The humor is... well, it exists. Some jokes land like a well-timed punchline, others hit the ground with all the grace of a walrus on roller skates. The “movie lines” bit feels like that one friend who doesn’t know when to let a joke die peacefully. The film clearly takes inspiration from the South Park goths vs. vampires episode, except with less budget and somehow less dignity.

Visually, it’s a blood-splattered mess—literally. There’s fun to be had with the practical effects, even if the digital blood looks like it was added in Microsoft Paint. The budget constraints are as obvious as Hawk’s desperate need for a hobby, but there’s a certain charm in its schlocky, DIY vibe.

Having recently been entertained by Ryan Barton-Grimley’s Listen Carefully, I decided to revisit this 2020 creation. It’s got the same slightly entertaining, “I can’t believe I’m still watching this” energy. Is it good? No. Is it bad? Yes. Did I laugh anyway? Unfortunately, yes.

Perfect for when you want to question your life choices and laugh while doing it.

Amazon along with several other streamers have this one.

https://jackmeat.wixsite.com/jackmeat/post/hawk-and-rev-vampire-slayers-2020