This two-part, Giallo-inspired horror utilizes an intriguing psychic concept to assist in the pursuit of a serial killer. #jackmeatsflix

My quick rating - 4.9/10. I found this one after accidentally watching the sequel. It takes a stab at blending supernatural horror with slasher elements, delivering a low-budget but effective thriller. Directed by Chad Ferrin, the film follows telephone psychic Clementine Carter (Susan Priver), whose abilities place her in the crosshairs of a serial killer. As she begins predicting his murders before they happen, she must use her gifts—and those of her clairvoyant co-worker—to stay ahead of a deeply disturbed individual. The film carries a definite Giallo influence, though it doesn’t fully commit to the signature neon-soaked aesthetic of the genre. Ferrin leans more into grimy, atmospheric tension rather than the bold color palettes typically associated with Giallo, which might feel like a missed opportunity. However, the live-action sequences blending into Clementine’s visions are a highlight, effectively creating an eerie sense of premonition. The practical effects, while clearly low-budget, do their job. The kills, which ultimately set up the sequel Scalper, are serviceable, though some of the gore comes across as rubbery. Still, considering the constraints, it's hard to fault the effort put into practical effects over CGI. The killer himself is intentionally more deranged than intimidating, which might not sit well with those expecting a more menacing presence, but the film’s use of flashbacks to flesh out his motives is a nice touch. Bai Ling, who plays a secondary psychic in Night Caller, later returns in Scalper, and she brings an interesting energy to her role here. Her performance stands out in a film that otherwise relies on more restrained character work. Overall, this flick isn’t groundbreaking, but for a low-budget horror flick, it delivers a solid setup for its sequel. The concept is intriguing, the execution is decent, and while it doesn’t fully embrace its Giallo influences visually, it still manages to carve out its own unsettling atmosphere.

You can check out Amazon or any of these streamers for this one. I went with Tubi.

https://jackmeat.wixsite.com/jackmeat/post/night-caller-2021

Moana 2 has just reached the billion-dollar mark at the box office, check out this slideshow of the 56 movies in that prestigious club. #jackmeatsflix

https://www.imdb.com/list/ls063095038/mediaviewer/rm4264454145/

Going back to a scifi flick that didn't quite catch on despite creating a spectacular-looking dystopian Chicago. #jackmeatsflix

My quick rating - 6.8/10. Settling into this film, I expected to see the Hunger Games again. Set in a near-future Chicago, what we see is another take on the dystopian society. The central plot here is that growing up in this walled-in world, everyone must fit into one of five classes. But of course, the question here is what if you don't fit into the nicely packaged definition of a single class, then you must be Divergent, or in this movie, a danger to the perfect society. When our main character, Tris (played very well by Shailene Woodley) finds out she is divergent she must hide this secret and discover the reasons why it is such a secret and why society fears divergents. I'll leave all of that for you to watch unfold in the various physical and psychological training exercises that are portrayed on screen. In a nutshell, the world painted is similar to that of Equilibrium but with much less action. This is not a bad thing, since this allows the cinematographer to reveal a wonderfully crafted view of this world. The pacing of this movie moves along nicely as we plod through Tris trying to fit in as a part of the Dauntless clan. Friendships are made, lost, and so on as expected. Even more so is the romantic involvement with the mysterious Four (or 4) played by Theo James (who I believe overacted his part entirely too much). So the mystery of why the government wants to kill all divergents must be unraveled and this leads to the majority of the story. I was happy with just sitting back and enjoying the view during many of the scenes that were almost breathtaking. Not reading the book, I hope that the movie did well to portray the story but I also know it is a trilogy so they couldn't go from start to finish all at once. Stand alone, I believe the movie was quite well made and under-appreciated, swept under the rug by the highly successful Hunger Games series. You will be hard-pressed not to see the similarities between them. I am looking forward to seeing what else this world has in store for us and would recommend that moviegoers join me to find out. Will you see silly acted parts, and scenes that are just there to draw you in with nice landscapes and perfectly choreographed music, YES. But why would anyone complain about something like that? I know I wouldn't. Enjoy this film, you won't regret the time you spent on it.

A handful of streamers are carrying this flick including Amazon.

https://jackmeat.wixsite.com/jackmeat/post/divergent-2014

Do yourself a favor and steer clear of this supposed horror flick trying to honor Jimmy Buffet but more insulting the poor man. #jackmeatsflix

My quick rating - 1.9/10. Even Jimmy Buffet wouldn’t be a fan of this poor attempt of a flick. That pretty much sums up Murdaritaville, a 62-minute disaster that might only seem tolerable after watching something like Cocaine Werewolf. No amount of drugs could make this mess worth your time. The plot, if you can call it that, revolves around a group of trop-rock fanatics on their way to an impersonator contest. Their fun is cut short when they start getting picked off by a killer dressed as a parrot man in a floral shirt that looks like it was picked up from a clearance rack at a party store. The costume is laughable—though whether that’s in a good or bad way is up for debate, as it’s so cheap it’s almost endearing. Any fan of B-budget horror can put that aside if there is some creative practical gore or amusing kills but this movie has neither. The acting, for the most part, is as lackluster as the plot, but Jenna-Francis Duvic stands out, albeit for the wrong reasons. She looked like she wanted to be anywhere but on this set, and that’s painfully obvious, except in the credit scenes where she appeared to be happy probably because she knew this stain on her IMDB resume was finally over. Speaking of credits, the filmmakers tried to be clever, but they couldn’t even get that right. How could they not just proofread their lame attempts at humor and see they clearly meant "DRIVER" for this supposed joke?

The end credits are a mess, much like the rest of the movie, leaving you to wonder if the mistakes were intentional or just a sign of how little anyone cared about this project.

I am warning you now, this is 62 minutes of your life you’ll never get back. The only reason it doesn’t have a lower rating is because I’ve seen worse, believe it or not. If you’re in the mood for something utterly ridiculous and painful to watch, this might be your thing, but for everyone else, it’s best to avoid this one.

Sorry to admit this but Amazon is the only place to see this one according to Justwatch.

https://jackmeat.wixsite.com/jackmeat/post/murdaritaville-2024

Sisu (2023) A thrilling and brutal action film that delivers exactly what it promises, high-octane thrills and an indestructible hero. #jackmeatsflix

My quick rating - 7.1/10. This movie I checked out a while back by Jalmari Helander is a relentless, pulse-pounding ride through the Lapland wilderness during the waning days of World War II. The premise is simple but wildly effective: a grizzled ex-soldier discovers gold and sets out to bring his fortune to the city, only to be pursued by a unit of ruthless German soldiers. What follows is an adrenaline-charged spectacle of survival, vengeance, and sheer determination. Jorma Tommila shines as the nameless protagonist—a character whose stoicism and unstoppable nature feel like a fusion of Rambo’s raw resilience and the Terminator’s indestructible force. Tommila’s performance is a masterclass in physical acting, relying less on dialogue and more on action and expression. The film brilliantly encapsulates the titular concept of "sisu," a Finnish term that denotes a kind of unyielding grit and courage. By the end of the film, you’ll find yourself rooting for this seemingly invincible force of nature through every brutal and blood-soaked step of his journey. Director Jalmari Helander, known by me for the quirky holiday horror Rare Exports, brings his unique touch to this gritty action thriller. Helander’s direction ensures there’s never a dull moment in the film’s brisk 91-minute runtime. From harrowing minefields to heart-stopping aerial confrontations, the action is explosive and ceaseless, pushing the boundaries of plausibility in ways that demand some suspension of disbelief. But let’s face it, when you’re watching a gold-toting warrior mow down Nazis with whatever tools he can find, realism takes a back seat to sheer entertainment. While the film lacks the snappy one-liners often associated with similar action heroes, it compensates with brutal choreography and an unwavering sense of purpose. Helander skillfully uses the desolate landscapes of Lapland to heighten the tension, turning the wilderness into both a battleground and a character in its own right. The minimal dialogue and haunting score amplify the film’s raw, primal energy, allowing the visuals and action to take center stage. Still, the over-the-top feats occasionally verge on the cartoonish, which might pull some of you out of the otherwise grounded brutality. But in a film like this, where the protagonist is less a man and more a mythic embodiment of determination, these moments feel oddly fitting. It is a thrilling and unapologetically brutal action film that delivers exactly what it promises: high-octane thrills and an indestructible hero you can’t help but cheer for. Helander’s tight direction and Tommila’s commanding presence make this a must-watch for fans of gritty, no-holds-barred cinema. Just be prepared to leave your sense of realism at the door and enjoy the ride.

You can check this out on these streamers or just click Amazon.

https://jackmeat.wixsite.com/jackmeat/post/sisu-2023

Prometheus (2012) Another cleanup review of a great sci-fi flick that was a bit misunderstood when not mentioning the Alien connection. #jackmeatsflix

My quick rating - 7.5/10. This is an excellent sci-fi flick. Interesting way to start a review, eh? It looks spectacular visually and in terms of editing. The story itself is unique (I believe it was a comic book at some point) but either way, the plot will draw you in. Noomi Rapace does an excellent job in the lead, but no surprise there, she is a great actress. I did find the other characters a tad bit irritating aside from the Captain. Charlize Theron was used sparingly so not much to say (I read she was also considered for the lead). The action scenes are paced nicely and are used when needed but not overdone. When the action scenes were used, they were filmed so well even with the mix of CGI but I almost didn't even notice, well, almost lol. The obvious influence of the late H.R. Giger was also a nice touch, giving homage to the great artwork he graced us with. At 2 hours long, I was hard-pressed to even notice how long it was since I was that into the film. One way to end this short blurb is I am looking forward to the sequel which is coming in 2017. I believe any sci-fi fan would agree and will be looking forward to it as well. Non-sci-fi fans most likely will appreciate an interesting story and well-made movie so my final thought, see it.

Justwatch has several streaming options or you can just buy it from Amazon.

https://jackmeat.wixsite.com/jackmeat/post/prometheus-2012

The Oscars are coming up on March 2nd and even though Conan O'Brien will be hosting, I thought another way to add to the enjoyment would be a pick'em contest for all the bragging rights. Good luck and hope to see you on the red carpet. #jackmeatsflix

https://fantasy.espn.com/free-prize-games/sharer?challengeId=255&from=abc&context=GROUP_INVITE&edition=espn-en&groupId=10a47a71-7b2f-4262-a259-e66d63fcbb42

Nosferatu (2024) This flick is a visually stunning remake of a classic 1922 silent horror film with an epic feel. #jackmeatsflix

My quick rating - 7.7/10. Robert Eggers’ reimagining of Nosferatu is a hauntingly beautiful and meticulously crafted gothic horror film. Anchored by a tragic romance, this retelling of the classic tale dives deep into obsession, terror, and despair as a young woman becomes entangled with a fearsome vampire, leaving a trail of horror in its wake. From the very first frame, the visual grandeur is unmistakable. Eggers demonstrates his unparalleled ability to recreate a bygone era with painstaking attention to detail. The costumes, set design, and overall atmosphere transport viewers to a shadowy, late-19th-century world dripping with dread and allure. The lighting and use of shadows are nothing short of extraordinary, evoking a sense of creeping unease that lingers long after the credits roll. Lily-Rose Depp shines as Ellen, delivering a deeply convincing performance as a young woman torn between fear and fascination. Her portrayal captures both vulnerability and quiet strength, making her a compelling focal point for the narrative. Opposite her, Bill Skarsgård once again proves his mastery of playing complex, unsettling characters. As Count Orlok, Skarsgård is terrifying and magnetic, his performance balancing menace and sorrow in a way that humanizes the monster while maintaining his otherworldly menace. The special effects deserve special praise. The seamless blend of CGI and practical makeup enhances the vampire's chilling presence without ever feeling overdone. The cinematography is equally stunning, featuring sweeping camera movements and uncomfortably intimate close-ups that draw you into the film’s brooding, oppressive atmosphere. Every shot feels deliberate and artful, reflecting Eggers’ keen eye for detail and his commitment to visual storytelling. Unlike the jump-scare-heavy horror films that dominate the genre, this flick leans into a more unsettling and atmospheric style of terror. It’s a slow burn, relying on creeping dread, eerie silences, and haunting imagery to leave its mark. While this might not satisfy fans of gore or traditional scares, it’s a refreshing and effective approach for those who appreciate psychological and aesthetic horror. At its heart, Nosferatu is a tale of doomed romance, and it’s this emotional core that elevates the film beyond mere horror. Eggers weaves themes of love, obsession, and sacrifice into the narrative, making the story as poignant as it is chilling. The film received several Oscar nominations, including Best Cinematography, Best Production Design, and Best Makeup and Hairstyling, further cementing its status as a visual and technical triumph. I am slightly surprised it didn't hit the Best Picture nod although 2 horror films in one year might force the board to actually respect the "horror" genre. In summary, this is a visual masterpiece and a triumph of gothic horror. While its pacing and style might not appeal to everyone, those who appreciate atmospheric, artfully constructed horror will find much to admire. This is a must-watch for fans of Eggers and anyone seeking a horror film that’s as visually stunning as it is emotionally resonant.

Here is the list of streamers you can check this at including Amazon.

https://jackmeat.wixsite.com/jackmeat/post/nosferatu-2024

The Umbrella Academy: All (2024) What started out so strong really gave me a slap in the face with the final season of this superhero action show. #jackmeatstv

My quick rating - 7.3/10. This show was, for much of its run, a standout in the crowded field of superhero content. Seasons 1-3 were incredibly entertaining, wildly inventive, and brimming with complex characters. It was a fresh, personal, and daringly unique take in a genre that often leans on formulaic storytelling. But Season 4—ouch. A rushed, confused finale that lost focus on what made the show so special. Let’s start with the good. The first three seasons brought something extraordinary to the table. The series’ core strength lay in its ability to dig deep into the personal and emotional lives of its heroes. Unlike many superhero stories that prioritize grandiose battles and world-saving exploits, "The Umbrella Academy" dared to make its characters' personal struggles, relationships, and traumas the main focus. The casting was spot on, with every actor bringing their A-game and forming a cast with undeniable chemistry. The series was also visually stunning. The cinematography during its action sequences was often breathtaking, with dynamic camera work that added excitement and creativity. Add to that the great use of music, with memorable needle drops that perfectly underscored key moments, and you had a show that didn’t just tell a story but created an immersive experience. The writing and directing in Seasons 1-3 were often sharp and insightful, delivering delightful twists and moments of emotional resonance. The series balanced humor, heartbreak, and action masterfully. Even the special effects, though slightly diminishing in quality over time, perhaps due to budget constraints, were largely impressive. But then came Season 4, and it’s hard to overstate how disappointing it was. The final season felt like a slap in the face after everything the first three seasons built. It rushed through storylines, leaving little room for the emotional depth and character development that once set the show apart. The story was muddled and confused, seemingly more concerned with tying up loose ends quickly than giving the characters or the audience the satisfying resolution they deserved. The show lost focus on what made it special, flying through its plot as though the creators just wanted to get it over with. Gone were the inventive storytelling, the character arcs, and emotional beats that had defined the series. Instead, we were left with a hasty and unpolished conclusion that didn’t live up to the show’s earlier greatness. Despite its disappointing ending, The Umbrella Academy remains a show worth watching, especially for its stellar first three seasons. I can’t help but feel I missed out by not reading the comics, as they might provide some of the depth and resolution the final season lacked. To explain my rating: Seasons 1-3 earn a solid 8/10 each for their creativity, heart, and craftsmanship. Season 4, however, stumbles to a 5/10, weighed down by its rushed pacing and lack of focus. It’s unfortunate that such an excellent series ended on such a sour note, but I’ll always remember the brilliance of its earlier seasons.

Netflix has all four seasons for you.

https://jackmeat.wixsite.com/jackmeat/post/the-umbrella-academy-all-2024

Dawn of the Dead (2004) Somehow, I missed this #Shocktober remake with fast-moving zombies, intense action sequences, and solid acting. #jackmeatsflix

My quick rating - 7.1/10. As far as remakes go, this 2004 Dawn of the Dead is about as good as one could expect when tackling a beloved horror classic. Directed by Zack Snyder in his feature debut and written by James Gunn, the film takes George A. Romero's 1978 masterpiece and injects it with adrenaline, ramping up the action, tension, and, of course, the speed of the zombies. While it doesn't reach the sociopolitical heights of the original, it carves its own bloody, suspenseful path. First, let’s address Ving Rhames—because when Ving Rhames actively seeks out a role, you know he’s bringing something special. Back in 2004, his presence was a stamp of quality assurance, and he doesn't disappoint here. His character, along with the rest of the ensemble, offers solid performances that give the audience enough to root for, even if the film leans more on action and thrills than deeply nuanced character arcs. The zombies, a major departure from Romero's shambling hordes, are terrifyingly fast, which ups the stakes and keeps the tension high throughout. The action is relentless, and Snyder wastes no time with a shocking, chaotic opening sequence that throws you into the apocalypse. It’s a clear signal that this version isn’t interested in the slow-building dread of the original—it’s a high-octane ride meant to keep your pulse racing. That said, the film does struggle to capture the social critique that made Romero’s Dawn of the Dead such a timeless piece of filmmaking. The original's exploration of consumerism, racial dynamics, and human nature during a crisis is mostly replaced with straightforward survival drama. The result is a visually impressive, fast-paced spectacle that entertains but lacks the philosophical depth of its predecessor. It feels like a prom night version of the original: polished, stylish, and eager to impress, but missing the substance that made Romero’s work resonate beyond the genre. There are a few head-scratchers along the way—most notably the ending. Starting outside Racine, Wisconsin, makes sense geographically, but the plan to escape via boat to an island? Lake Michigan doesn’t exactly have a lot of islands to hide on. Maybe there’s a throwaway line explaining a cross-country journey that I missed, but it’s a detail that always leaves me chuckling. What this flick lacks in sociopolitical insight, it makes up for with sheer entertainment value. With James Gunn’s script maintaining some of the core elements of the original and Snyder’s penchant for stylish visuals and breakneck pacing, it’s a worthy remake that stands tall among the wave of 2000s zombie flicks. The fast-moving zombies, intense action sequences, and solid acting make it a thrilling watch, even if it doesn’t quite reach the iconic status of Romero’s original. Ultimately, it’s a movie that prioritizes fun and frights over depth—and for that, it’s a success. Just don’t expect the sharp observations that made the 1978 version a true classic.

There are several streamers carrying this flick along with Amazon.

https://jackmeat.wixsite.com/jackmeat/post/dawn-of-the-dead-2004

Fabricated City (2017) In my cleanup, I realized I never posted about this excellent Korean flick with a bit of everything (but horror) and all done well. #jackmeatsflix

My quick rating - 8.8/10. WOW. It has been a long time since I have seen a movie that hits on all cylinders like this. Each aspect, be it drama, action, sci-fi, mystery, basically, you name it minus horror gets touched upon brilliantly. I can't say anything about the acting since it most likely is fine, but reading it takes away from that. I don't judge acting when I don't understand the actors and can't trust the subtitles to be accurate. The movie is about a virtual reality online game champion, and team leader (I say that since it has to do with the movie) who gets framed for a murder. To the extent the frame job would be criminal for me to describe, you just have to see it. Basically, he is imprisoned for this, and while there, he insists on his innocence and befriends a serial killer to get some advice on how to get out. Well, the movie would be ok with it being just about that, but he does of course need to prove his innocence, so once out he hooks up with his online team to do just that. Now my description is vague, at best, for a good reason. To give up anything more would not do justice to how well this movie works. The visuals are fantastic, each scene either perfectly believable in the real world, completely out there on a tech level, or even a bit beautiful in a fantasy world. The action scenes are top-notch, and as with most movies from Asia, this being Korean, the scenes are long and very detailed. Do yourself a favor and check this movie out, one of the few times I hope Hollywood gets their hands on this and can even close to touch the quality of this with some English-speaking actors. I don't need to pick anyone out, I could just see this being a phenomenon in the right hands (easier to follow for us who only speak English). Then again, it already was phenomenal.

Amazon is the only listed streaming option on Justwatch.

https://jackmeat.wixsite.com/jackmeat/post/fabricated-city-2017

Almost caught up on director submissions. Here is an atmospheric horror-lite that's games don't have any consequences worth playing for. #jackmeatsflix

My quick rating - 3.7/10. I was given the chance to watch this flick, directed by Nicolas Wendl, which spins a tale of a dinner party gone awry, where a young woman’s attempt to assess a one-night stand leads her and her friends to the unleashing of a malevolent force. Despite an intriguing premise and a few sparks of potential, the film ultimately struggles to deliver a satisfying experience. The story’s setup initially holds promise. A candle-lit dinner party setting combined with the mysterious series of tasks and challenges suggests a mix of social tension and supernatural intrigue. However, the execution falls flat. The narrative takes far too long to gain momentum, and even when it does, the stakes feel remarkably tame. The lack of clear rules or purpose behind the events diminishes any sense of urgency or consequence, making the "game" feel inconsequential. Characterization is another weak point. With a total of six characters, only Stanley (Grant Terzakis) manages to stand out as a noteworthy presence. The rest are forgettable and lack any meaningful development, coming across as little more than cardboard cutouts. This lack of compelling characters makes it difficult to invest emotionally in the unfolding events or their outcomes. One of the better aspects of the film is its atmospheric setting. The candle-lit ambiance and occasional background creep factor add a layer of moodiness that hints at what could have been a truly eerie experience (you can thank Wendl for that, I am sure). Unfortunately, these moments are few and far between, leaving you wanting more in terms of suspense and horror. The horror elements, while present, are ultimately underwhelming. There’s a noticeable lack of consequences for the characters’ losses or actions, which severely undercuts any tension. Without meaningful stakes, the horror feels diluted and fails to leave a lasting impact. While I appreciate the opportunity to watch Stupid Games and acknowledge director Nicolas Wendl’s efforts, the film falls short of its potential. With a more focused narrative, stronger character development, and higher stakes, this could have been a memorable entry in the supernatural thriller genre. As it stands, it’s a mildly atmospheric but largely bland experience.

Got some freebie options to watch this one along with Amazon prime.

https://jackmeat.wixsite.com/jackmeat/post/stupid-games-2024

Just so much fun for comic geeks (like me), this flick is a fantastic blend of humor, action, and meta-commentary. #jackmeatsflix

My quick rating - 8.3/10. How awesome was this movie? Deadpool & Wolverine is an energetic ride of humor, action, and meta-commentary that fans of both characters will absolutely love. The film delivers on its promise of fun mayhem, blending sharp wit with spectacular action sequences, all while poking fun at its own existence within the larger Marvel Cinematic Universe. From the get-go, I was picking out Easter Egss this movie is jam-packed with and will have fans scouring every scene for hidden gems (this second viewing made it easier to do so). The humor is spot-on, maintaining the irreverent tone that has become synonymous with Deadpool. Ryan Reynolds and Hugh Jackman’s chemistry is electric, and their on-screen banter, echoing their real-life friendly feud, is nothing short of hilarious. The constant zingers, especially those aimed at Disney's ownership of the franchise, add a layer of meta-humor that keeps you laughing throughout. This and the jabs left and right at the whole multiverse saga is quite amusing. The action scenes are exceptionally well-choreographed, combining Deadpool's chaotic fighting style with Wolverine's brutal efficiency. Each set piece is thrilling and inventive, ensuring that the action never feels repetitive. The duo’s dynamic in combat is a highlight, showcasing their distinct styles while working together seamlessly. The plot revolves around Deadpool being offered a place in the Marvel Cinematic Universe by the Time Variance Authority. Instead of accepting, he recruits a variant of Wolverine to save his own universe from extinction. This storyline is clever and engaging, providing a perfect backdrop for the characters' antics. It cleverly balances being part of the larger Marvel picture with enough standalone elements and references to ongoing stories, making it enjoyable for both dedicated MCU fans and casual viewers. This flick could easily fit into the broader Marvel phases, but it also works perfectly well as a self-contained adventure. The film manages to reference the ongoing Marvel stories without being bogged down by them, allowing it to stand on its own merits. This balance is one of its strengths, ensuring that it appeals to a wide audience. In conclusion, this film is a fantastic blend of humor, and action, leveraging the strengths of its lead actors and the beloved characters they portray, delivering a movie that is both a great addition to the Marvel Cinematic Universe and a highly entertaining standalone film. For fans of either Deadpool or Wolverine or like me, both, you'll enjoy a good superhero romp with plenty of laughs. This movie is a must-watch.

Amazon has this along with many others and Justwatch has a new look to help navigate.

https://jackmeat.wixsite.com/jackmeat/post/deadpool-wolverine-2024

This flick struggles to balance its humor and chaos but still generates a few laughs in a silly entertaining way. #jackmeatsflix

My quick rating - 4.2/10. In Hemet we are thrown into the chaotic microcosm of a quirky residential complex in Hemet, California. Here, a tyrannical landlady, Liz, manipulates her tenants into a deadly web of paranoia and schemes. With an outbreak of a strange "bathsalt" epidemic turning the homeless into zombies, the story mixes dark comedy, murder plots, and absurdity with varying levels of success. The film’s strength lies in its ambition and occasional creativity. The practical effects are a fun highlight in the few scenes where they are used, and the makeup for Liz, played by Brian Patrick Butler, deserves a special nod. Liz’s barking, over-the-top delivery of lines like, “You better get a second job sucking dick or selling bath salts because your rent just went up a hundred dollars a month...” or “I drink four things: blood, cum, coke, and rum... and I’ve already had three of those today,” pushes the character into the realm of grotesque comedy. Butler’s performance is undeniably memorable, anchoring a film that otherwise struggles to find its footing. The humor is dark and raunchy, peppered with social and political jabs. Some jokes land with a clever satirical edge, but others veer into cringe-worthy territory. The film teeters on the edge of camp but never fully commits, leaving it stuck in a liminal space between intentional absurdity and trying-too-hard comedy. Where this flick falters most is in its uneven tone and reliance on overacting. The tenants are a colorful bunch, but their exaggerated antics often feel forced, detracting from any emotional or comedic impact. The plot—a not-so-complex murder scheme for monetary gain—feels thin, serving more as a backdrop for chaotic interactions than as a cohesive narrative. While Hemet, Or The Landlady Don’t Drink Tea won’t win awards for subtlety or sophistication, it’s ambitious for its budget and offers a few genuine laughs. Fans of raunchy dark comedy with an appetite for crude jokes and outrageous characters might find something to enjoy here. For others, it’s a mixed bag that doesn’t quite deliver on its potential.

Amazon currently has this one while TubiTV will offer this on 01.27.25 (thanks to Dan Butler for allowing me to check this out)

https://jackmeat.wixsite.com/jackmeat/post/hemet-or-the-landlady-don-t-drink-tea-2024

I hadn't heard of Vertex, but their latest release "The Purest Light" made my new release list and sounds like it is worth checking out. I got tied up with server issues tonight so this is all I've got. #jackmeatsotn

https://www.youtube.com/watch?v=UMOPwQt72qQ

This show sets a high bar for science fiction adaptations and gives us alternative perspectives on our reality. #jackmeatstv

My quick rating - 7.8/10. The CCTV adaptation of Three-Body (2023) is an exemplary case of how to faithfully bring a complex and beloved science fiction narrative to life. This 30-episode series focuses on humanity's response to the looming invasion of the advanced alien civilization known as the Three-Body, and it does so with a level of care and thoughtfulness that respects the intelligence of its audience. The series avoids the pitfalls of unnecessary melodrama and unfunny comedic moments that can often detract from serious adaptations. Instead, it takes its time, allowing scenes and plot points to breathe and develop naturally. The pacing is deliberate but never sluggish, building a sense of intrigue and tension without rushing or compromising the depth of the story. This balance ensures that viewers are fully immersed in the narrative without feeling like their time is wasted. One of the standout aspects of this adaptation is its adherence to the source material. Even for someone unfamiliar with the original trilogy, it's clear that the creators approached this project with reverence, ensuring nothing was butchered or lost in translation. The series also introduces fascinating alternative perspectives on our reality, encouraging viewers to think deeply and expand their mental horizons. The production values are top-notch, with impressive visuals and a polished aesthetic that enhance the storytelling. I cannot say I was familiar with any of them but the main actors deliver fabulous performances, bringing authenticity and emotion to their roles. The only real flaw I noticed in this series is the occasional sound issues that arise, particularly with music that sometimes drowns out key scenes. Despite this minor gripe, the overall experience remains highly engaging. Three-Body sets a high bar for science fiction adaptations, proving that a well-crafted series can both entertain and challenge its audience intellectually. I look forward to exploring the Netflix version 3 Body Problem soon to compare the two approaches.

Good new for you is these freebies including Amazon have this version for you.

https://jackmeat.wixsite.com/jackmeat/post/three-body-2023

If a visually striking flick involving a Chilean dictator as a centuries-old vampire yearning for death sounds fun, here you go. #jackmeatsflix

My quick rating - 6.4/10. I read good things about this one so time to see for myself. This flick is a bold and ambitious film that takes a darkly satirical look at Augusto Pinochet, reimagining the infamous Chilean dictator as a centuries-old vampire yearning for death. With its sharp political commentary, stunning visuals, and genre-blending narrative, the film dares to tackle history and myth in a way that’s both provocative and polarizing. While it earned its 2024 nomination for Best Achievement in Cinematography, the movie doesn’t entirely live up to its potential, falling short in areas where it could have truly shined. Visually, it is mesmerizing. Its black-and-white cinematography lends a timeless, almost gothic quality to the film, perfectly suited for the vampire lore intertwined with Pinochet's legacy. Jaime Vadell’s portrayal of Pinochet is hauntingly effective, enhanced by devilish makeup that mirrors the character’s monstrous nature. The atmospheric settings and striking aerial shots add to the film’s sense of grandeur, while the incorporation of historical elements, such as Pinochet’s encounters with revolutionaries in places like Haiti, Cuba, and Russia, adds depth. The exploration of Pinochet’s vampire origins during the Ancien Régime is one of the movie’s highlights. These sequences are both eerie and captivating, offering a fresh twist on the vampire mythos while tying them to broader themes of power and exploitation. The timeline that traces Pinochet's opposition to revolutionaries across different nations is fascinating and offers glimpses of a deeper story, though it feels underdeveloped. The film’s greatest strength lies in its dark humor and biting political satire. The depiction of Pinochet’s greedy and morally bankrupt family, as well as the sinister presence of the torturer-turned-butler, adds layers of grotesque comedy and underscores the rot within his inner circle. It’s an indictment of corruption and complicity, brought to life with moments of sharp wit and gore-laden horror. However, El Conde is not without its flaws. The script feels unbalanced, and the pacing is inconsistent, oscillating between moments of brilliance and sluggish, drawn-out scenes that test your patience. While the film successfully traverses multiple genres—gore horror, dark comedy, political satire, and even thriller—it struggles to find a cohesive tone, leaving the experience feeling fragmented at times. The character development also leaves something to be desired. While their moral corruption is evident, the motivations and behaviors of many characters, including Pinochet himself, often feel inconsistent or underexplained. This lack of clarity diminishes the emotional impact of their actions and detracts from the film’s overall strength. In the end, it is a visually striking and thought-provoking film that deserves credit for its ambition and originality. Its political satire and unique take on vampire lore make it a memorable experience, even if it falls short of greatness due to its uneven pacing and character inconsistencies. While it didn’t fully meet my expectations, it’s still a film worth watching for its bold approach and exceptional visuals. My verdict: intriguing but flawed.

This one is currently only available on Netflix. Maybe Justwatch will have more by the time you read this.

https://jackmeat.wixsite.com/jackmeat/post/el-conde-2023

Took almost 4 years and scattered notes but I finally can say this is an unforgettable experience in the zombie genre. #jackmeatstv

My quick rating - 8,5/10. I can confidently say this series is worth every bit of the praise it receives. I recently finished watching Seasons 1 and 2, along with the special feature-length episode, Kingdom: Ashin of the North, which serves as a powerful prequel that expands on the series’ lore. My first thought upon finishing was, “Bring on Season 3!” Unfortunately, the likelihood of another season seems slim, but that doesn’t take away from the brilliance of what’s already available. Set during the Joseon Dynasty in Korea, Kingdom effortlessly combines historical drama with the undead horror genre. The story begins with rumors surrounding the ailing King and a mysterious plague that is spreading through the kingdom. Crown Prince Lee Chang, played with commanding intensity by Ju Ji-hoon, embarks on a perilous journey to uncover the truth about the disease. What he discovers is a horrifying epidemic that transforms the dead into ravenous, fast-moving monsters. In contrast to traditional zombie tropes like those in The Walking Dead, the zombies in this show are relentless, forcing the living to adapt quickly and utilize primitive tools, mainly those used in farming, to survive. The series’ production value is outstanding. From the stunning landscapes and atmospheric sets to the intricate costume design, Kingdom creates an immersive world that feels both authentic and larger-than-life. Every scene is beautifully shot, whether it’s a quiet moment of political intrigue in the royal palace or a chaotic, heart-pounding sequence of survival against a horde of zombies. One of the most remarkable aspects is its layered storytelling. Beneath the surface of thrilling action and gore lies a sharp commentary on the deeply hierarchical structure of Korean society. The show cleverly portrays the plague as a metaphorical disease consuming the nation, originating with the King himself, who serves as the series’ patient zero. The way the ruling class and commoners approach the outbreak reflects the rigid class divides and moral decay of the era. The acting is superb across the board. Ju Ji-hoon delivers an outstanding performance as the Crown Prince, and Bae Doona is equally captivating as Seo-bi, a determined physician trying to find a cure. The special, Ashin of the North, offers a fascinating look at the origins of the plague through the tragic story of Ashin, played brilliantly by Jun Ji-hyun. Her journey of vengeance and survival adds a darker, more personal dimension to the narrative. It’s a slow burn compared to the main series, but it pays off with a haunting exploration of revenge and despair.

The whole series also excels in its depiction of action and horror. The zombies are not just a mindless threat but a terrifying force of nature that adds urgency and unpredictability to every episode. The gore is satisfyingly brutal, and the choreography of the fight scenes is both creative and intense. Despite its many strengths, there is an undercurrent of disappointment knowing that a third season may never come to fruition, likely due to financial disputes. Nevertheless, Kingdom stands as a masterpiece of its genre. It’s a testament to how historical settings can be seamlessly combined with supernatural horror to create something truly unique. For anyone who hasn’t seen it yet, I recommend watching it before Netflix decides to pull it, though its popularity suggests that might take some time. Thanks to finally getting glasses, I was able to fully appreciate the subtitles, and I’m glad I did because this series is worth the effort. This is an unforgettable experience, and even if it ends here, it has left an indelible mark on the zombie and historical drama genres.

Netflix is the only game in town for streaming this, so to speak.

https://jackmeat.wixsite.com/jackmeat/post/kingdom-netflix-series

Chipping away on the pending reviews and luckily last New Year I took notes, although I didn't much need them. #jackmeatsflix

My quick rating - 6.9/10. I finally got around to watching this one on New Year’s Eve (12/31/23) — happy new year, everyone! It was an interesting pick for the occasion, though I could’ve done without the opening scene of a massive car crash, given the circumstances. That said, the film is an engaging and suspenseful thriller that easily surpasses the original Cloverfield in the story department although they are totally different types of movies. One reason for this improvement lies in the film’s origins. 10 Cloverfield Lane began as a standalone script (The Cellar) and was later adapted into the Cloverfield universe. While the connection feels a bit forced, particularly in the rushed and tacked-on ending, it doesn’t significantly detract from the overall quality. The movie remains a well-crafted psychological thriller with a sharp focus on character-driven tension. Set primarily in a confined, claustrophobic bunker, the film thrives on its small, core cast and their evolving dynamics. Mary Elizabeth Winstead shines as the protagonist, pulling us into her perspective as the story unfolds with subtle twists and turns. John Goodman is a standout as Howard, delivering an unsettling performance that blurs the line between paranoia and reason. His portrayal ensures that we’re constantly questioning his motives and the truth of the situation. The film wisely prioritizes story over special effects, building suspense through character interactions and the ever-present tension of the unknown. Its ability to keep you on edge is a testament to strong writing and direction (Dan Trachtenberg). However, one drawback is an unresolved plot point (or maybe I missed it) that left me scratching my head. In summary, 10 Cloverfield Lane is an intriguing and tightly executed thriller that keeps you guessing until the end. While its connection to the Cloverfield universe might feel a little forced, the film’s compelling mystery and excellent performances make it well worth a watch.

Amazon along with these streamers carry this one.

https://jackmeat.wixsite.com/jackmeat/post/10-cloverfield-lane-2016

If you’re a fan of experimental art-house films and can overlook some glaring flaws, this might be worth a watch. #jackmeatsflix

My quick rating - 4.5/10. When i saw "Steven Soderbergh presents" I had a feeling of what I was in for. This flick is an avant-garde exploration of dystopian themes, but it struggles to maintain the balance between art-house presentation and coherent storytelling. Directed by Eddie Alcazar, the film revolves around two brothers crashing into a desolate Earth in an effort to stop a capitalist’s heinous exploitation of humanity for the sake of an immortality serum. The premise undoubtedly had me intrigued, but its execution leaves much to be desired. The film’s black-and-white cinematography is its strongest feature, providing a visually striking and atmospheric aesthetic. However, this polished visual style feels like a mask for the film’s deeper shortcomings. The ambitious tone and abstract presentation clash with the underdeveloped writing, leading to a story that, while heavy on allegories, lacks the emotional depth and narrative coherence needed to truly resonate. Scott Bakula stands out as the only cast member who seems genuinely invested in his role. Unfortunately, the same can’t be said for the rest of the ensemble. Performers like Stephen Dorff and Bella Thorne, who typically deliver solid work, come across as stiff and disengaged. This lack of enthusiasm saps the film of much-needed energy and further disconnects us from the story. Thematically, the film offers straightforward metaphors about the dangers of unchecked capitalism and humanity’s self-destructive tendencies. While these ideas are relevant and compelling, the film doesn’t delve into them with the depth they deserve. Instead, it seems overly reliant on its visual elements to carry the narrative, leaving the story feeling hollow and disjointed. One of the film’s most glaring issues is its pacing. Certain scenes drag on unnecessarily, while others feel rushed or incomplete, giving the impression that key moments were either trimmed down or omitted altogether. This uneven pacing makes it difficult to fully engage with the characters or their journey. Ultimately, Divinity is a film tailored to a niche audience, one that appreciates ambitious, experimental filmmaking even when it falters. While I can respect its creative risks and allegorical aspirations, the lackluster performances, disjointed storytelling, and inconsistent pacing weigh it down. It’s a visually interesting piece of cinema, but one that fails to leave a lasting impression. If you’re a fan of art-house films and can overlook some glaring flaws, this might be worth a watch. For everyone else, it’s likely to be a frustrating experience that doesn’t quite live up to its potential.

Your choices are Amazon and a few other streamers associated with them.

https://jackmeat.wixsite.com/jackmeat/post/divinity-2023

This is an exceptional fantasy series that stands out for its charm, heart, and creative world-building. #jackmeatsflix

My quick rating - 7.5/10. I went into this show without any prior knowledge of its premise or the comics it’s based on, but I’m so glad I gave this show a shot. Over three seasons ( I started shortly after the third had finished), Sweet Tooth delivered a heartwarming, gripping, and visually stunning journey that blends post-apocalyptic survival with fantasy in a way that feels fresh and emotionally resonant. The story follows Gus (Christian Convery), a boy who is half-human and half-deer, navigating a world devastated by a viral pandemic that also led to the emergence of hybrid children like himself. Gus teams up with Tommy Jepperd, also known as “Big Man” (Nonso Anozie), as they embark on an adventure filled with danger, discovery, and the search for belonging. Along the way, the show introduces a host of endearing characters, intense conflicts, and unexpected twists. Convery delivers a fantastic performance as Gus, embodying the character’s innocence, determination, and resilience. Anozie as Big Man is equally impressive, bringing depth and warmth to his role as a reluctant protector. Their chemistry forms the emotional core of the series. The supporting cast, including Adeel Akhtar, Stefania LaVie Owen, and Dania Ramirez, further enriches the story, creating a compelling ensemble that’s easy to root for. Visually, Sweet Tooth is stunning. From lush forests to crumbling remnants of civilization in the tundra, the show’s post-apocalyptic world feels both magical and grounded. The hybrid children are brought to life with seamless CGI and practical effects, making them believable without overshadowing the human drama. What sets it apart is its ability to balance tones effortlessly. It’s a fantasy series filled with action, suspense, and mystery, but it also has moments of humor, warmth, and deeply emotional storytelling. The twists are smartly executed, and the drama feels earned, not forced. Perhaps the most satisfying aspect of the series is that it actually has a proper ending—a rarity in today’s landscape of prematurely canceled shows. The final season ties up loose ends while delivering a poignant conclusion, making the entire journey feel worthwhile. Overall, this is an exceptional fantasy series that stands out for its charm, heart, and creative world-building. Whether or not you’re familiar with the comics, this is a story worth watching, filled with drama, action, and hope. It’s a testament to the power of storytelling and the resilience of the human (and hybrid) spirit.

Season 1 is on Amazon, the whole series is a Netflix show.

https://jackmeat.wixsite.com/jackmeat/post/sweet-tooth-3-seasons-2021-2024

In cleaning up the archives, I found a missing review for a very impressive action/comedy that is worth a watch. #jackmeatsflix

My quick rating 7,3/10. A very impressive movie to say the least. Melissa McCarthy again is hilarious and does so by juggling the part of a Midwest everyday woman and immediately changes on the fly into raunchy one-liners so well. The ease she demonstrates on the screen is wonderful and so fresh in seeing what she calls "big women" movies as not being some stupid vehicle or drawback, just another performance. Along the way in good performances is Jason Statham completely making fun of his own character/real-life persona he is typecast into. It is obvious to tell he enjoyed poking fun at himself. That is only a single name while the rest of the cast top to bottom is extremely solid. Just the beginning of course since the story itself was a nice throwback to the spy genre movies with double-crosses and who is on whose side twists. I am not saying any of these elements were all that surprising but still added to the entertainment value. The action scenes are nicely edited together and make sure to be just unbelievable enough to also elicit a laugh from them. Overall along with sprawling scenes around the globe and production values being top-notch, it is hard to find flaws in such a surprisingly good flick so I'll leave it at, "Check this one out", you will not be sorry. 

Amazon and a couple of other streamers have this one at $4.

https://jackmeat.wixsite.com/jackmeat/post/spy-2015

A Visually Stunning Quirk-Fest That Balances Art and Entertainment that is very typical Wes Anderson. #jackmeatsflix

My quick rating - 6.2/10. Wes Anderson’s latest flick is an unmistakable product of his singular vision, blending meticulous craftsmanship with his trademark whimsy. Set in a 1955 American desert town, the story follows a Junior Stargazer/Space Cadet convention disrupted by world-changing events. This premise sets the stage for Anderson’s signature blend of quirky humor, visual spectacle, and narrative eccentricity. The cast is nothing short of exceptional, featuring heavyweights like Jason Schwartzman, Scarlett Johansson, Tom Hanks, Bryan Cranston, and Edward Norton to just name a few! At least ten members of the ensemble could lead their own films, making for a densely packed showcase of talent. While their performances are solid, the sheer volume of characters occasionally feels overwhelming, with some left underutilized amidst the chaos. As expected from Anderson, the visuals are breathtaking. The pastel color palette, symmetrical compositions, and meticulous set designs are a feast for the eyes, transforming the film into a living piece of art. The aesthetic is so captivating that even those who find the story lacking might be drawn in by its visual charm. Narratively, the film unfolds as a meta-melodrama—a play within a film—adding layers of storytelling that invite deeper interpretation. This approach highlights Anderson’s knack for blending art with entertainment, though it risks alienating newcomers to his work. Hardcore fans will likely relish the intricate structure, while others may find it semi-frustrating or overly pretentious. The story itself oscillates between intriguing and overly self-aware, and I found it occasionally testing my patience. While it raises interesting questions about art, legacy, and existential uncertainty, it often feels more like a vehicle for Anderson’s artistic indulgences than a fully realized narrative. At its core, Asteroid City exemplifies the balance of art versus entertainment, leaning heavily into the former while still offering moments of levity and charm. However, it also commercializes its artistry to a degree, diluting its impact for those expecting a more immersive emotional experience. In summary, it is a visually stunning, highly stylized film that will delight loyalists while potentially perplexing newcomers. It’s a pretty film with a unique aesthetic and clever storytelling, though its slightly pretentious tone and uneven pacing may limit its appeal. If you’re a fan of Anderson’s previous works, you’ll likely enjoy the ride, otherwise, it might be a bit of an acquired taste.

A handful of streamers have this one giving you options.

https://jackmeat.wixsite.com/jackmeat/post/asteroid-city-2023

Only one week left until we get season 2 of Severance. If you didn't catch season 1, hurry up and binge it out, the show is phenomenal. #jackmeatstv

Stephen Colbert Was Supposed To Star In 'Severance' - Here Are His Deleted Scenes

https://www.youtube.com/watch?v=7DGOgvxP7LE&t=24s

If you’re a fan of the games or just a fan of great storytelling this is a strong contender for one of the best new shows of the year. #jackmeatstv

My quick rating - 8.5/10. As someone who never played the Fallout games, I approached this adaptation purely as a TV show—and it absolutely delivers. Set in a post-apocalyptic Los Angeles ravaged by nuclear destruction, the series immerses you in a world where survivors cling to life in underground bunkers to escape the perils of radiation, mutants, and ruthless bandits. What makes the show stand out is its captivating blend of dark humor, action, and storytelling. The retro-futuristic aesthetic, so iconic to the game series, is brought to life with painstaking attention to detail in the production design. From the cracked and desolate landscapes to the eerie yet nostalgic remnants of pre-apocalypse culture, the visual world-building is phenomenal. The story strikes an impressive balance between heavy themes of survival, morality, and humanity, and lighter moments that bring levity to the dire setting. The characters are richly developed, with a diverse ensemble cast that ensures every episode feels fresh and engaging. Walton Goggins as Cooper was fantastic and creepy, completely deserving of all the awards and nominations given to him. Lucy, played by Ella Purnell, was also a treat with her naive approach turned hero role. Their personal arcs are intricately woven into the larger story, creating emotional stakes that resonate deeply. Even as a newcomer to the franchise, I found the story accessible and compelling. Fans of the games will undoubtedly appreciate the nods to the source material, but the series stands on its own merits, making it equally enjoyable for those unfamiliar with the Fallout universe. Season 1 of this series is yet another testament to the growing success of video game adaptations (The Last of Us being another recent triumph). It’s a strong contender for one of the best new shows of the year, with its memorable characters, impeccable world-building, and gripping narrative. Whether you’re a fan of the games or just a fan of great storytelling, this series is worth the watch.

This is a Prime video exclusive so either sign up or check Freevee with ads. 

https://jackmeat.wixsite.com/jackmeat/post/fallout-season-1-2024