This flick struggles to balance its humor and chaos but still generates a few laughs in a silly entertaining way. #jackmeatsflix

My quick rating - 4.2/10. In Hemet we are thrown into the chaotic microcosm of a quirky residential complex in Hemet, California. Here, a tyrannical landlady, Liz, manipulates her tenants into a deadly web of paranoia and schemes. With an outbreak of a strange "bathsalt" epidemic turning the homeless into zombies, the story mixes dark comedy, murder plots, and absurdity with varying levels of success. The film’s strength lies in its ambition and occasional creativity. The practical effects are a fun highlight in the few scenes where they are used, and the makeup for Liz, played by Brian Patrick Butler, deserves a special nod. Liz’s barking, over-the-top delivery of lines like, “You better get a second job sucking dick or selling bath salts because your rent just went up a hundred dollars a month...” or “I drink four things: blood, cum, coke, and rum... and I’ve already had three of those today,” pushes the character into the realm of grotesque comedy. Butler’s performance is undeniably memorable, anchoring a film that otherwise struggles to find its footing. The humor is dark and raunchy, peppered with social and political jabs. Some jokes land with a clever satirical edge, but others veer into cringe-worthy territory. The film teeters on the edge of camp but never fully commits, leaving it stuck in a liminal space between intentional absurdity and trying-too-hard comedy. Where this flick falters most is in its uneven tone and reliance on overacting. The tenants are a colorful bunch, but their exaggerated antics often feel forced, detracting from any emotional or comedic impact. The plot—a not-so-complex murder scheme for monetary gain—feels thin, serving more as a backdrop for chaotic interactions than as a cohesive narrative. While Hemet, Or The Landlady Don’t Drink Tea won’t win awards for subtlety or sophistication, it’s ambitious for its budget and offers a few genuine laughs. Fans of raunchy dark comedy with an appetite for crude jokes and outrageous characters might find something to enjoy here. For others, it’s a mixed bag that doesn’t quite deliver on its potential.

Amazon currently has this one while TubiTV will offer this on 01.27.25 (thanks to Dan Butler for allowing me to check this out)

https://jackmeat.wixsite.com/jackmeat/post/hemet-or-the-landlady-don-t-drink-tea-2024

I hadn't heard of Vertex, but their latest release "The Purest Light" made my new release list and sounds like it is worth checking out. I got tied up with server issues tonight so this is all I've got. #jackmeatsotn

https://www.youtube.com/watch?v=UMOPwQt72qQ

This show sets a high bar for science fiction adaptations and gives us alternative perspectives on our reality. #jackmeatstv

My quick rating - 7.8/10. The CCTV adaptation of Three-Body (2023) is an exemplary case of how to faithfully bring a complex and beloved science fiction narrative to life. This 30-episode series focuses on humanity's response to the looming invasion of the advanced alien civilization known as the Three-Body, and it does so with a level of care and thoughtfulness that respects the intelligence of its audience. The series avoids the pitfalls of unnecessary melodrama and unfunny comedic moments that can often detract from serious adaptations. Instead, it takes its time, allowing scenes and plot points to breathe and develop naturally. The pacing is deliberate but never sluggish, building a sense of intrigue and tension without rushing or compromising the depth of the story. This balance ensures that viewers are fully immersed in the narrative without feeling like their time is wasted. One of the standout aspects of this adaptation is its adherence to the source material. Even for someone unfamiliar with the original trilogy, it's clear that the creators approached this project with reverence, ensuring nothing was butchered or lost in translation. The series also introduces fascinating alternative perspectives on our reality, encouraging viewers to think deeply and expand their mental horizons. The production values are top-notch, with impressive visuals and a polished aesthetic that enhance the storytelling. I cannot say I was familiar with any of them but the main actors deliver fabulous performances, bringing authenticity and emotion to their roles. The only real flaw I noticed in this series is the occasional sound issues that arise, particularly with music that sometimes drowns out key scenes. Despite this minor gripe, the overall experience remains highly engaging. Three-Body sets a high bar for science fiction adaptations, proving that a well-crafted series can both entertain and challenge its audience intellectually. I look forward to exploring the Netflix version 3 Body Problem soon to compare the two approaches.

Good new for you is these freebies including Amazon have this version for you.

https://jackmeat.wixsite.com/jackmeat/post/three-body-2023

If a visually striking flick involving a Chilean dictator as a centuries-old vampire yearning for death sounds fun, here you go. #jackmeatsflix

My quick rating - 6.4/10. I read good things about this one so time to see for myself. This flick is a bold and ambitious film that takes a darkly satirical look at Augusto Pinochet, reimagining the infamous Chilean dictator as a centuries-old vampire yearning for death. With its sharp political commentary, stunning visuals, and genre-blending narrative, the film dares to tackle history and myth in a way that’s both provocative and polarizing. While it earned its 2024 nomination for Best Achievement in Cinematography, the movie doesn’t entirely live up to its potential, falling short in areas where it could have truly shined. Visually, it is mesmerizing. Its black-and-white cinematography lends a timeless, almost gothic quality to the film, perfectly suited for the vampire lore intertwined with Pinochet's legacy. Jaime Vadell’s portrayal of Pinochet is hauntingly effective, enhanced by devilish makeup that mirrors the character’s monstrous nature. The atmospheric settings and striking aerial shots add to the film’s sense of grandeur, while the incorporation of historical elements, such as Pinochet’s encounters with revolutionaries in places like Haiti, Cuba, and Russia, adds depth. The exploration of Pinochet’s vampire origins during the Ancien Régime is one of the movie’s highlights. These sequences are both eerie and captivating, offering a fresh twist on the vampire mythos while tying them to broader themes of power and exploitation. The timeline that traces Pinochet's opposition to revolutionaries across different nations is fascinating and offers glimpses of a deeper story, though it feels underdeveloped. The film’s greatest strength lies in its dark humor and biting political satire. The depiction of Pinochet’s greedy and morally bankrupt family, as well as the sinister presence of the torturer-turned-butler, adds layers of grotesque comedy and underscores the rot within his inner circle. It’s an indictment of corruption and complicity, brought to life with moments of sharp wit and gore-laden horror. However, El Conde is not without its flaws. The script feels unbalanced, and the pacing is inconsistent, oscillating between moments of brilliance and sluggish, drawn-out scenes that test your patience. While the film successfully traverses multiple genres—gore horror, dark comedy, political satire, and even thriller—it struggles to find a cohesive tone, leaving the experience feeling fragmented at times. The character development also leaves something to be desired. While their moral corruption is evident, the motivations and behaviors of many characters, including Pinochet himself, often feel inconsistent or underexplained. This lack of clarity diminishes the emotional impact of their actions and detracts from the film’s overall strength. In the end, it is a visually striking and thought-provoking film that deserves credit for its ambition and originality. Its political satire and unique take on vampire lore make it a memorable experience, even if it falls short of greatness due to its uneven pacing and character inconsistencies. While it didn’t fully meet my expectations, it’s still a film worth watching for its bold approach and exceptional visuals. My verdict: intriguing but flawed.

This one is currently only available on Netflix. Maybe Justwatch will have more by the time you read this.

https://jackmeat.wixsite.com/jackmeat/post/el-conde-2023

Took almost 4 years and scattered notes but I finally can say this is an unforgettable experience in the zombie genre. #jackmeatstv

My quick rating - 8,5/10. I can confidently say this series is worth every bit of the praise it receives. I recently finished watching Seasons 1 and 2, along with the special feature-length episode, Kingdom: Ashin of the North, which serves as a powerful prequel that expands on the series’ lore. My first thought upon finishing was, “Bring on Season 3!” Unfortunately, the likelihood of another season seems slim, but that doesn’t take away from the brilliance of what’s already available. Set during the Joseon Dynasty in Korea, Kingdom effortlessly combines historical drama with the undead horror genre. The story begins with rumors surrounding the ailing King and a mysterious plague that is spreading through the kingdom. Crown Prince Lee Chang, played with commanding intensity by Ju Ji-hoon, embarks on a perilous journey to uncover the truth about the disease. What he discovers is a horrifying epidemic that transforms the dead into ravenous, fast-moving monsters. In contrast to traditional zombie tropes like those in The Walking Dead, the zombies in this show are relentless, forcing the living to adapt quickly and utilize primitive tools, mainly those used in farming, to survive. The series’ production value is outstanding. From the stunning landscapes and atmospheric sets to the intricate costume design, Kingdom creates an immersive world that feels both authentic and larger-than-life. Every scene is beautifully shot, whether it’s a quiet moment of political intrigue in the royal palace or a chaotic, heart-pounding sequence of survival against a horde of zombies. One of the most remarkable aspects is its layered storytelling. Beneath the surface of thrilling action and gore lies a sharp commentary on the deeply hierarchical structure of Korean society. The show cleverly portrays the plague as a metaphorical disease consuming the nation, originating with the King himself, who serves as the series’ patient zero. The way the ruling class and commoners approach the outbreak reflects the rigid class divides and moral decay of the era. The acting is superb across the board. Ju Ji-hoon delivers an outstanding performance as the Crown Prince, and Bae Doona is equally captivating as Seo-bi, a determined physician trying to find a cure. The special, Ashin of the North, offers a fascinating look at the origins of the plague through the tragic story of Ashin, played brilliantly by Jun Ji-hyun. Her journey of vengeance and survival adds a darker, more personal dimension to the narrative. It’s a slow burn compared to the main series, but it pays off with a haunting exploration of revenge and despair.

The whole series also excels in its depiction of action and horror. The zombies are not just a mindless threat but a terrifying force of nature that adds urgency and unpredictability to every episode. The gore is satisfyingly brutal, and the choreography of the fight scenes is both creative and intense. Despite its many strengths, there is an undercurrent of disappointment knowing that a third season may never come to fruition, likely due to financial disputes. Nevertheless, Kingdom stands as a masterpiece of its genre. It’s a testament to how historical settings can be seamlessly combined with supernatural horror to create something truly unique. For anyone who hasn’t seen it yet, I recommend watching it before Netflix decides to pull it, though its popularity suggests that might take some time. Thanks to finally getting glasses, I was able to fully appreciate the subtitles, and I’m glad I did because this series is worth the effort. This is an unforgettable experience, and even if it ends here, it has left an indelible mark on the zombie and historical drama genres.

Netflix is the only game in town for streaming this, so to speak.

https://jackmeat.wixsite.com/jackmeat/post/kingdom-netflix-series

Chipping away on the pending reviews and luckily last New Year I took notes, although I didn't much need them. #jackmeatsflix

My quick rating - 6.9/10. I finally got around to watching this one on New Year’s Eve (12/31/23) — happy new year, everyone! It was an interesting pick for the occasion, though I could’ve done without the opening scene of a massive car crash, given the circumstances. That said, the film is an engaging and suspenseful thriller that easily surpasses the original Cloverfield in the story department although they are totally different types of movies. One reason for this improvement lies in the film’s origins. 10 Cloverfield Lane began as a standalone script (The Cellar) and was later adapted into the Cloverfield universe. While the connection feels a bit forced, particularly in the rushed and tacked-on ending, it doesn’t significantly detract from the overall quality. The movie remains a well-crafted psychological thriller with a sharp focus on character-driven tension. Set primarily in a confined, claustrophobic bunker, the film thrives on its small, core cast and their evolving dynamics. Mary Elizabeth Winstead shines as the protagonist, pulling us into her perspective as the story unfolds with subtle twists and turns. John Goodman is a standout as Howard, delivering an unsettling performance that blurs the line between paranoia and reason. His portrayal ensures that we’re constantly questioning his motives and the truth of the situation. The film wisely prioritizes story over special effects, building suspense through character interactions and the ever-present tension of the unknown. Its ability to keep you on edge is a testament to strong writing and direction (Dan Trachtenberg). However, one drawback is an unresolved plot point (or maybe I missed it) that left me scratching my head. In summary, 10 Cloverfield Lane is an intriguing and tightly executed thriller that keeps you guessing until the end. While its connection to the Cloverfield universe might feel a little forced, the film’s compelling mystery and excellent performances make it well worth a watch.

Amazon along with these streamers carry this one.

https://jackmeat.wixsite.com/jackmeat/post/10-cloverfield-lane-2016

If you’re a fan of experimental art-house films and can overlook some glaring flaws, this might be worth a watch. #jackmeatsflix

My quick rating - 4.5/10. When i saw "Steven Soderbergh presents" I had a feeling of what I was in for. This flick is an avant-garde exploration of dystopian themes, but it struggles to maintain the balance between art-house presentation and coherent storytelling. Directed by Eddie Alcazar, the film revolves around two brothers crashing into a desolate Earth in an effort to stop a capitalist’s heinous exploitation of humanity for the sake of an immortality serum. The premise undoubtedly had me intrigued, but its execution leaves much to be desired. The film’s black-and-white cinematography is its strongest feature, providing a visually striking and atmospheric aesthetic. However, this polished visual style feels like a mask for the film’s deeper shortcomings. The ambitious tone and abstract presentation clash with the underdeveloped writing, leading to a story that, while heavy on allegories, lacks the emotional depth and narrative coherence needed to truly resonate. Scott Bakula stands out as the only cast member who seems genuinely invested in his role. Unfortunately, the same can’t be said for the rest of the ensemble. Performers like Stephen Dorff and Bella Thorne, who typically deliver solid work, come across as stiff and disengaged. This lack of enthusiasm saps the film of much-needed energy and further disconnects us from the story. Thematically, the film offers straightforward metaphors about the dangers of unchecked capitalism and humanity’s self-destructive tendencies. While these ideas are relevant and compelling, the film doesn’t delve into them with the depth they deserve. Instead, it seems overly reliant on its visual elements to carry the narrative, leaving the story feeling hollow and disjointed. One of the film’s most glaring issues is its pacing. Certain scenes drag on unnecessarily, while others feel rushed or incomplete, giving the impression that key moments were either trimmed down or omitted altogether. This uneven pacing makes it difficult to fully engage with the characters or their journey. Ultimately, Divinity is a film tailored to a niche audience, one that appreciates ambitious, experimental filmmaking even when it falters. While I can respect its creative risks and allegorical aspirations, the lackluster performances, disjointed storytelling, and inconsistent pacing weigh it down. It’s a visually interesting piece of cinema, but one that fails to leave a lasting impression. If you’re a fan of art-house films and can overlook some glaring flaws, this might be worth a watch. For everyone else, it’s likely to be a frustrating experience that doesn’t quite live up to its potential.

Your choices are Amazon and a few other streamers associated with them.

https://jackmeat.wixsite.com/jackmeat/post/divinity-2023

This is an exceptional fantasy series that stands out for its charm, heart, and creative world-building. #jackmeatsflix

My quick rating - 7.5/10. I went into this show without any prior knowledge of its premise or the comics it’s based on, but I’m so glad I gave this show a shot. Over three seasons ( I started shortly after the third had finished), Sweet Tooth delivered a heartwarming, gripping, and visually stunning journey that blends post-apocalyptic survival with fantasy in a way that feels fresh and emotionally resonant. The story follows Gus (Christian Convery), a boy who is half-human and half-deer, navigating a world devastated by a viral pandemic that also led to the emergence of hybrid children like himself. Gus teams up with Tommy Jepperd, also known as “Big Man” (Nonso Anozie), as they embark on an adventure filled with danger, discovery, and the search for belonging. Along the way, the show introduces a host of endearing characters, intense conflicts, and unexpected twists. Convery delivers a fantastic performance as Gus, embodying the character’s innocence, determination, and resilience. Anozie as Big Man is equally impressive, bringing depth and warmth to his role as a reluctant protector. Their chemistry forms the emotional core of the series. The supporting cast, including Adeel Akhtar, Stefania LaVie Owen, and Dania Ramirez, further enriches the story, creating a compelling ensemble that’s easy to root for. Visually, Sweet Tooth is stunning. From lush forests to crumbling remnants of civilization in the tundra, the show’s post-apocalyptic world feels both magical and grounded. The hybrid children are brought to life with seamless CGI and practical effects, making them believable without overshadowing the human drama. What sets it apart is its ability to balance tones effortlessly. It’s a fantasy series filled with action, suspense, and mystery, but it also has moments of humor, warmth, and deeply emotional storytelling. The twists are smartly executed, and the drama feels earned, not forced. Perhaps the most satisfying aspect of the series is that it actually has a proper ending—a rarity in today’s landscape of prematurely canceled shows. The final season ties up loose ends while delivering a poignant conclusion, making the entire journey feel worthwhile. Overall, this is an exceptional fantasy series that stands out for its charm, heart, and creative world-building. Whether or not you’re familiar with the comics, this is a story worth watching, filled with drama, action, and hope. It’s a testament to the power of storytelling and the resilience of the human (and hybrid) spirit.

Season 1 is on Amazon, the whole series is a Netflix show.

https://jackmeat.wixsite.com/jackmeat/post/sweet-tooth-3-seasons-2021-2024

In cleaning up the archives, I found a missing review for a very impressive action/comedy that is worth a watch. #jackmeatsflix

My quick rating 7,3/10. A very impressive movie to say the least. Melissa McCarthy again is hilarious and does so by juggling the part of a Midwest everyday woman and immediately changes on the fly into raunchy one-liners so well. The ease she demonstrates on the screen is wonderful and so fresh in seeing what she calls "big women" movies as not being some stupid vehicle or drawback, just another performance. Along the way in good performances is Jason Statham completely making fun of his own character/real-life persona he is typecast into. It is obvious to tell he enjoyed poking fun at himself. That is only a single name while the rest of the cast top to bottom is extremely solid. Just the beginning of course since the story itself was a nice throwback to the spy genre movies with double-crosses and who is on whose side twists. I am not saying any of these elements were all that surprising but still added to the entertainment value. The action scenes are nicely edited together and make sure to be just unbelievable enough to also elicit a laugh from them. Overall along with sprawling scenes around the globe and production values being top-notch, it is hard to find flaws in such a surprisingly good flick so I'll leave it at, "Check this one out", you will not be sorry. 

Amazon and a couple of other streamers have this one at $4.

https://jackmeat.wixsite.com/jackmeat/post/spy-2015

A Visually Stunning Quirk-Fest That Balances Art and Entertainment that is very typical Wes Anderson. #jackmeatsflix

My quick rating - 6.2/10. Wes Anderson’s latest flick is an unmistakable product of his singular vision, blending meticulous craftsmanship with his trademark whimsy. Set in a 1955 American desert town, the story follows a Junior Stargazer/Space Cadet convention disrupted by world-changing events. This premise sets the stage for Anderson’s signature blend of quirky humor, visual spectacle, and narrative eccentricity. The cast is nothing short of exceptional, featuring heavyweights like Jason Schwartzman, Scarlett Johansson, Tom Hanks, Bryan Cranston, and Edward Norton to just name a few! At least ten members of the ensemble could lead their own films, making for a densely packed showcase of talent. While their performances are solid, the sheer volume of characters occasionally feels overwhelming, with some left underutilized amidst the chaos. As expected from Anderson, the visuals are breathtaking. The pastel color palette, symmetrical compositions, and meticulous set designs are a feast for the eyes, transforming the film into a living piece of art. The aesthetic is so captivating that even those who find the story lacking might be drawn in by its visual charm. Narratively, the film unfolds as a meta-melodrama—a play within a film—adding layers of storytelling that invite deeper interpretation. This approach highlights Anderson’s knack for blending art with entertainment, though it risks alienating newcomers to his work. Hardcore fans will likely relish the intricate structure, while others may find it semi-frustrating or overly pretentious. The story itself oscillates between intriguing and overly self-aware, and I found it occasionally testing my patience. While it raises interesting questions about art, legacy, and existential uncertainty, it often feels more like a vehicle for Anderson’s artistic indulgences than a fully realized narrative. At its core, Asteroid City exemplifies the balance of art versus entertainment, leaning heavily into the former while still offering moments of levity and charm. However, it also commercializes its artistry to a degree, diluting its impact for those expecting a more immersive emotional experience. In summary, it is a visually stunning, highly stylized film that will delight loyalists while potentially perplexing newcomers. It’s a pretty film with a unique aesthetic and clever storytelling, though its slightly pretentious tone and uneven pacing may limit its appeal. If you’re a fan of Anderson’s previous works, you’ll likely enjoy the ride, otherwise, it might be a bit of an acquired taste.

A handful of streamers have this one giving you options.

https://jackmeat.wixsite.com/jackmeat/post/asteroid-city-2023

Only one week left until we get season 2 of Severance. If you didn't catch season 1, hurry up and binge it out, the show is phenomenal. #jackmeatstv

Stephen Colbert Was Supposed To Star In 'Severance' - Here Are His Deleted Scenes

https://www.youtube.com/watch?v=7DGOgvxP7LE&t=24s

If you’re a fan of the games or just a fan of great storytelling this is a strong contender for one of the best new shows of the year. #jackmeatstv

My quick rating - 8.5/10. As someone who never played the Fallout games, I approached this adaptation purely as a TV show—and it absolutely delivers. Set in a post-apocalyptic Los Angeles ravaged by nuclear destruction, the series immerses you in a world where survivors cling to life in underground bunkers to escape the perils of radiation, mutants, and ruthless bandits. What makes the show stand out is its captivating blend of dark humor, action, and storytelling. The retro-futuristic aesthetic, so iconic to the game series, is brought to life with painstaking attention to detail in the production design. From the cracked and desolate landscapes to the eerie yet nostalgic remnants of pre-apocalypse culture, the visual world-building is phenomenal. The story strikes an impressive balance between heavy themes of survival, morality, and humanity, and lighter moments that bring levity to the dire setting. The characters are richly developed, with a diverse ensemble cast that ensures every episode feels fresh and engaging. Walton Goggins as Cooper was fantastic and creepy, completely deserving of all the awards and nominations given to him. Lucy, played by Ella Purnell, was also a treat with her naive approach turned hero role. Their personal arcs are intricately woven into the larger story, creating emotional stakes that resonate deeply. Even as a newcomer to the franchise, I found the story accessible and compelling. Fans of the games will undoubtedly appreciate the nods to the source material, but the series stands on its own merits, making it equally enjoyable for those unfamiliar with the Fallout universe. Season 1 of this series is yet another testament to the growing success of video game adaptations (The Last of Us being another recent triumph). It’s a strong contender for one of the best new shows of the year, with its memorable characters, impeccable world-building, and gripping narrative. Whether you’re a fan of the games or just a fan of great storytelling, this series is worth the watch.

This is a Prime video exclusive so either sign up or check Freevee with ads. 

https://jackmeat.wixsite.com/jackmeat/post/fallout-season-1-2024

If you're in search of a gripping murder mystery, this film, unfortunately, does not extend that invitation. #jackmeatsflix

My quick rating - 4.3/10. I had to go with the English dubbed version. This movie attempts to lure us into the world of mystery and intrigue, but unfortunately, it falls flat, offering a bland and uninspired take on the murder mystery genre. The film follows the story of Olivia Uriarte (Maribel Verdú), a woman with a troubled past, who concocts an elaborate plan to orchestrate her own murder. However, what could have been an intriguing flick ultimately dissolves into a convoluted and predictable story. One of the film's significant drawbacks is its lackluster execution of the murder mystery elements. The plot unfolds with tedious predictability, and I was left waiting for a twist or turn that never arrived. The characters lack depth, making it challenging to invest emotionally in their fates. Verdú's character Olivia, despite being at the center of the story, fails to evoke empathy or interest and left me detached from her plight. The film heavily relies on the protagonist, who conveniently assumes the role of both investigator and manipulator. The police's willingness to heed her every command, simply because she hosts a podcast on solving cases, feels contrived and unrealistic. The lack of a credible and competent law enforcement presence undermines the film's credibility, making it difficult to suspend disbelief. Furthermore, the film's setting—a confined mansion where everyone else is restricted while the lead character freely roams outside—feels forced and artificial. The constraints imposed on the supporting cast limit their ability to shine, leaving them with little room to develop their characters or contribute meaningfully to the plot. The lack of dynamic interactions and engaging dialogue further stifles the film's potential, resulting in a stagnant narrative. It also suffers from a lack of visual and thematic creativity. The cinematography fails to capture your attention, and the film lacks the atmospheric tension that is crucial for a successful murder mystery. The absence of a compelling soundtrack further diminishes the film's impact, leaving scenes devoid of the necessary emotional resonance. In conclusion, A Deadly Invitation struggles to engage its audience, offering a mundane and uninspired take on the murder mystery genre. With its lack of compelling characters, predictable plot twists, and unconvincing police procedures, the film fails to leave a lasting impression. While it attempts to weave a web of intrigue, the execution ultimately falls short, resulting in a forgettable streaming experience. If you're in search of a gripping murder mystery, this film, unfortunately, does not extend that invitation.

This one is a Netflix exclusive so you know what to do.

https://jackmeat.wixsite.com/jackmeat/post/a-deadly-invitation-2023

Decent performances and a creepy atmosphere carry this low-budget horror flick with a message. #jackmeatsflix

My quick rating - 4.0/10. I was alerted to this low-budget horror film that brings together a modest but effective cast and delivers a grim story with atmospheric tension. Directed by Harley Wallen with an eye for detail, the film offers a harrowing glimpse into the foster care system while intertwining supernatural terror into its story. The story centers on Julie (Angelina Danielle Cama), a foster child nearing her 18th birthday, who stumbles upon a buried artifact with something horrific inside. Julie’s journey is emotional and tense, as she grapples with her circumstances and the sinister presence she has unleashed. Cama gives a decent performance, portraying Julie as a resilient yet flawed protagonist, though some of her character's decisions may leave you questioning her logic. Sean Whalen and Maria Olsen shine as Julie’s neglectful foster parents, Todd and Janelle. Their performances create a realistic depiction of the darker side of foster care, giving the film a grounded and uncomfortable edge. Kaiti Wallen as social worker Rebecca adds a compassionate counterbalance, highlighting the struggles of trying to protect children in broken systems. Yan Birch is hauntingly effective as Frey, the film's monstrous figure, for the short amount of time he is used. The film's aesthetic and technical aspects elevate the narrative. The camera work is solid, capturing the oppressive atmosphere of the foster home and the chilling events that unfold. The limited budget is used wisely, with effective lighting, moody visuals, and well-placed sound design adding to the tension. However, the film does stumble in its pacing and logic. Some of Julie’s decisions require you to suspend disbelief, which detracts from the immersion. Additionally, while the foster care theme feels personal and authentic—perhaps influenced by someone on the crew's firsthand experience—it occasionally overshadows the supernatural elements, creating an imbalance in the story. Once the monsters true nature is revealed, the movie as a whole veers off course and loses the positive momentum it had built. Overall, it is a commendable effort that stands out for its atmosphere, performances, and thoughtful incorporation of social commentary. While not without flaws, it’s a film that fans of low-budget horror with a message might appreciate. Had it stayed the course of the film's first half, it may have been a hit. Thanks to Joe Williamson for the consideration and opportunity to view this flick.

You can check this one out on Prime Video or a few other streamers.

https://jackmeat.wixsite.com/jackmeat/post/beneath-us-all-2023

This is a forgettable flick in the mystery genre that squanders its idea with weak execution and a disappointing conclusion. #jackmeatsflix

My quick rating - 4.0/10. This Nigerian whodunnit is a by-the-numbers mystery that struggles to leave a lasting impression. The premise of an amateur group trying to solve a murder has potential, but the execution falls flat, offering little intrigue or depth. The film’s biggest misstep is its lack of a compelling detective figure or a structured investigation. Instead, the characters’ attempts to unravel the mystery feel disorganized and arbitrary, with the blame-shifting dynamics becoming repetitive and frustrating. While the concept of a "democratic" approach to solving a crime is interesting, this flick doesn’t capitalize on this unique angle, leaving it feeling like a missed opportunity. The pacing drags, with little suspense to keep you engaged. By the time the resolution arrives, it feels rushed and underwhelming, failing to tie together the story’s loose threads in a satisfying way. The ending, in particular, is a letdown, lacking the cleverness or closure one expects from a mystery. While it might work as a casual TV movie, A Weekend to Forget doesn’t offer enough to stand out. The production values and performances are serviceable, but they can’t overcome the film’s lackluster script and uninspired storytelling. While it might pass as background viewing for die-hard mystery fans, it’s unlikely to win over a broader audience. I could only recommend it if you like low-stakes mystery and might enjoy exploring Nigerian cinema. Everyone else may want to skip this weekend getaway.

This one is included with Amazon Prime

https://jackmeat.wixsite.com/jackmeat/post/a-weekend-to-forget-2023

I got sidetracked adding my new site to Cloudflare last night. Here is a psychological thriller with strong performances and cinematography. #jackmeatsflix

My quick rating - 5.5/10. This is a film that promises psychological depth and thrilling suspense but doesn't quite hit the mark. Set against the bleak backdrop of a 1964 Massachusetts winter, it follows its titular character Eileen (Thomasin McKenzie), a young secretary at a prison, as she becomes infatuated with Rebecca Saint John (Anne Hathaway), the captivating new counselor. Their relationship takes a dark and twisted turn when Rebecca shares a disturbing secret, propelling Eileen into an unsettling moral quandary. The highlight of the movie lies in the performances of Hathaway and McKenzie, who bring their characters to life with nuance and intensity. Hathaway’s Rebecca exudes a magnetic charm, while McKenzie’s Eileen conveys a quiet desperation that perfectly mirrors the film’s wintry, oppressive atmosphere. The cinematography is another highlight, effectively capturing the starkness of the 1960s setting and the emotional coldness of the story. The film’s willingness to delve into disturbing themes and shocking twists may resonate with fans of the source material, though familiarity with the book is not required to grasp its themes. I unfortunately had not read it through so I cannot say that with too much confidence. As expected, these strengths are undermined by significant flaws. The pacing is slow and uneven, with long stretches where little happens to build suspense or drive the story forward. What should have been a tense and gripping psychological thriller instead feels inert, with a lack of urgency or intrigue. The climax, which should have tied the story’s threads into a meaningful resolution, instead leaves much to be desired. The ending feels implausible and unsatisfying, raising questions about the film's overall purpose. While it aims for ambiguity, it instead lands in frustration, leaving you wondering, “What exactly was the point here?” Despite stellar performances and an evocative setting, Eileen struggles to deliver on its psychological thriller premise. Its sluggish pacing, lack of tension, and unsatisfying conclusion hold it back from being a truly memorable experience. Fans of the book or those intrigued by its unsettling premise may find some value, but others may be left cold. I still was entertained enough by the positives even though I expected more from such a talented cast.

Part of the Hulu bundle or a few other streamers are choices for this one.

https://jackmeat.wixsite.com/jackmeat/post/eileen-2023

This movie's dark humor and unique vision make it worth a watch for fans of experimental indie horror. #jackmeatsflix

My quick rating - 5.5/10. This flick carves out a unique niche in the indie horror space with its bizarre story and dark sense of humor. Following a family of murderous sideshow performers on the dying carnival circuit, the movie thrives on atmosphere and visual appeal but stumbles in storytelling. One of the features of this film that I noticed right away is its dedication to practical effects, which lend a raw, gritty edge to the grotesque world it builds. The visuals are undeniably captivating, creating a surreal, hallucinatory aesthetic that pairs well with the film’s twisted tone. Unfortunately, these hallucinatory sequences occasionally feel tedious, detracting from the narrative's momentum. When CGI is used, it falls short of the film’s overall quality, breaking the immersion created by its otherwise impressive visuals. The quirky characters, played by largely unrecognizable but committed actors, are a strong point. Each performer brings a distinct charm to their role, enhancing the eerie carnival atmosphere. The film’s dedication to its indie roots is commendable, as it represents a clear labor of love from the Adams family who clearly are passionate about horror filmmaking and no, that isn't an Addams Family joke. While the movie isn’t a slasher, it offers a subtler, more atmospheric brand of horror. The twisted ending leaves a lasting impression, though the bizarre narrative sometimes feels more like a loosely connected series of vignettes than a cohesive story. In the end, Where the Devil Roams stands out for its creativity and ambition, offering a step above your typical homemade horror flick. Its dark humor and unique vision make it worth a watch for fans of experimental indie horror, though its pacing and inconsistent effects work may deter others.

This is a Tubi film. Check Justwatch or head to Amazon to find where to view it yourself.

https://jackmeat.wixsite.com/jackmeat/post/where-the-devil-roams-2023

Here is my spoiler-free take on this dark, symbolic horror story with a philosophical edge, and excellent performances. #jackmeatstv

My quick rating - 7.1/10. This one isn't just another horror show, it's an experience that demands your full attention. A gritty, atmospheric blend of crime drama and symbolic storytelling, this series follows Detective Lois Tryon (Niecy Nash) and a nun, Sister Megan (Micaela Diamond), as they investigate a series of gruesome and deeply personal crimes. What starts as a straightforward pursuit of a killer spirals into a haunting exploration of personal demons, societal decay, and the complex web of human suffering. Its layered narrative unfolds slowly, morphing from a crime thriller reminiscent of Se7en into something far more abstract and thought-provoking. This transition may alienate casual viewers but rewards those who stick with it. Niecy Nash delivers an award-deserving performance as the alcoholic Detective Tryon, infusing the character with grit, vulnerability, and a sense of weariness that anchors the story. Her chemistry with Sister Megan, whose role offers a spiritual counterpoint to Tryon's pragmatic approach, adds richness to the series' dynamic. Surprisingly, Travis Kelce shines as Ed, breaking away from his athletic background to deliver a solid performance that complements the show's dark tone. The series doesn’t shy away from brutality, both in its physical violence and the emotional toll it exacts on its characters. The crimes are horrifying, but they serve a purpose beyond shock value, reflecting broader societal issues in a way that feels disturbingly relevant. The symbolism is heavy, and the show often feels like a mirror reflecting the nightmare of modern existence, particularly in the U.S. However, Grotesquerie isn’t without its flaws. The pacing can feel stretched, with some episodes dragging as they weave their intricate web. Its abstract nature, especially in later episodes, may leave you either fascinated or frustrated. This isn't a series to watch while multitasking; it demands your full engagement to appreciate its depth and unravel its mysteries. Overall, Ryan Murphy delivers a bold and polarizing series that refuses to spoon-feed its audience. It’s brutal, symbolic, and deeply unsettling, but for those willing to commit, it offers a uniquely rewarding journey. Whether you view it as a critique of modern society or simply a chilling crime drama, it’s an experience that will linger long after the final credits roll.

You can check it out on Hulu or buy it on Amazon.

https://jackmeat.wixsite.com/jackmeat/post/grotesquerie-season-1-2024

Yes, I hate slidehows as well but this gives a good look at what flix to pop onto your watchlist for 2025. #jackmeatsflix

https://www.msn.com/en-us/movies/news/the-32-most-anticipated-movies-of-2025/ss-AA1wQpGI?ocid=nl_article_link

Here is an exhaustive list of everything coming to your favorite streamers this month (if you scroll down, a new streamer pops, it isn't just MAX). #jackmeatstv

https://www.tvguide.com/news/new-on-max-hbo/

A nostalgic and heartfelt tribute, but one that plays it safe and misses the chance to explore the man behind the legend in greater detail. #jackmeatsflix

My quick rating - 6.0/10. This documentary is more of an autobiography than a traditional documentary, offering a heartfelt and nostalgic celebration of one of pop culture's most influential figures. Chronicling the life and career of Stan Lee, the co-creator of iconic characters like the Fantastic Four, Iron Man, X-Men, and The Avengers to name a few, the film serves as both a love letter to his legacy and an exploration of the golden age of comics. Much of the story is narrated by Lee himself, giving the film a personal touch that resonates with fans who have followed his career over the decades. The documentary dives into his philosophy of creating relatable heroes and compelling stories, which is fascinating and reflects his profound impact on the comic book industry. For longtime fans like me—who fondly remember biking to the comic shop every Tuesday during junior high to pick up the latest issues—the film is a nostalgic trip down memory lane. The creative use of sculptures to depict elements of the golden age of comics is visually striking and effectively captures the era's magic. It also touches on significant moments, such as Lee’s collaborations and clashes with artists Steve Ditko and Jack Kirby. While these insights are appreciated, they feel somewhat surface-level, leaving much to be desired if you are looking for deeper exploration. Unfortunately, the documentary glosses over large portions of Lee’’s life, particularly after Marvel's sale—a pivotal moment whose details are left unaddressed. The film skips a significant gap from the late 1960s to the 2010s, missing an opportunity to shed light on Lee’’s life away from Marvel and his thoughts on how his characters were handled in the years following his departure. While it briefly mentions his marriage to Joan Lee and their daughter, these personal details are fleeting and lack depth. For new fans or those unfamiliar with Lee’’s history, this flick serves as an engaging primer, but for longtime enthusiasts, it offers little new information. It feels more like a tribute than a comprehensive biography, leaving questions about the man behind the legend largely unanswered. Still, as a celebration of a true cultural icon, it succeeds in showcasing the joy and wonder he brought to millions. While it doesn’t delve as deeply into his personal life or later years as I would have hoped, the documentary remains a well-made homage to one of the greatest storytellers of our time.

This one is currently streaming on Disney+ only and I am not going to keep dating when that info is current. Here is the Justwatch link which will stay updated for you.

https://jackmeat.wixsite.com/jackmeat/post/stan-lee-2023

Such a great action/horror comic gets completely mediocre treatment in this animated adaptation. #jackmeatsflix

My quick rating - 5.0/10. I have always been a fan and this flick takes on the dark and dramatic story of Hope, a young woman accused of consorting with the Devil. When faced with a satanic deal for her life, she refuses the terms and undergoes a transformation into the powerful Lady Death, embarking on a quest to wrest control of hell from her father. Despite the rich source material of the Lady Death comics, this animated adaptation falls short of delivering the epicness it promises. The animation itself is average at best, lacking the finesse or uniqueness that could elevate the dark fantasy world. While serviceable, it feels uninspired, which is disappointing given the grand and otherworldly settings the story could have explored with more flair. The story also suffers from a lack of depth and urgency. The transformation of Hope into Lady Death should have been a pivotal and powerful moment, but it’s executed with little emotional resonance. Fans of the comics might find themselves torn. On one hand, the film doesn’t outright tarnish the reputation of the source material; on the other, it doesn’t bring the fire and drama that made the comics stand out. This adaptation lands squarely in the realm of mediocrity—a missed opportunity to translate an iconic anti-heroine into a compelling animated tale. Ultimately, I thought it was a bland rendition of a story brimming with potential. It’s not outright bad, but it’s forgettable, which may be its greatest sin.

Seems Crunchyroll is the only place to check this one out.

https://jackmeat.wixsite.com/jackmeat/post/lady-death-2004