If you are a fan of slow-burn psychological horror this is a film with ambition that ultimately left me wishing for more cohesion and depth. #jackmeatsflix

My quick rating - 4.4/10. Well, this flick is a slow-burn journey into psychological horror as Grace (Megan Bell), a grief-stricken woman, returns to her family farm only to face haunting apparitions and a growing sense of dread. While the film showcases some intriguing visuals and solid craftsmanship for its budget, its narrative falters, leaving an underwhelming impression by the time the credits roll. The film's final act carries a distinct giallo vibe, with moody lighting, tense atmosphere, and a dramatic climax. However, unlike the works of Argento or other genre masters, where intricate storytelling leaves you with a satisfying “aha!” moment, this movie stumbles in connecting its pieces. Instead of an impactful resolution that ties earlier events into a cohesive whole, the ending leaves you shrugging with a “yeah, whatever” feeling, as if the preceding story was merely decorative. On the technical side, the film punches above its weight. The cinematography captures the isolation and eeriness of the rural setting, while the practical effects are commendably executed, particularly the creative ghostly visuals. The aesthetic choices effectively build an atmosphere that’s both haunting and beautiful, a testament to Mike Horan making the most of their limited resources. The acting, while not groundbreaking, is decent for a cast comprised largely of unknowns. Bell’s portrayal of Grace is believable, with just enough vulnerability and grit to carry the story, though the script doesn’t give her—or the other characters—much depth to work with. The pacing, however, is a mixed bag. While slow burns can be rewarding, this one sometimes drags, with stretches of uneventful scenes that tested my patience. This uneven rhythm detracts from the tension the film is trying to build. Additionally, the story occasionally falls into the trap of overused horror clichés, which feel out of place in a movie that otherwise strives for creativity. The "check the body to make sure they are dead" kind of cliche. It does have flashes of creativity and aesthetic flair that make it worth a look for fans of slow-burn psychological horror. However, its uneven storytelling and unsatisfying conclusion prevent it from reaching its full potential. It’s a film with ambition, but one that ultimately leaves you wishing for more cohesion and depth.

There are a few streamers and freebies to check this one out on.

https://jackmeat.wixsite.com/jackmeat/post/remnant-2024

Quite busy tonight but I thought these Netflix codes may come in handy for some of you. #jackmeatsflix

https://www.tvguide.com/galleries/netflix-secret-codes/

I recently reviewed a very good "Thanksgiving" horror by that name so I revisited this silly holiday flick to potentially put a smile on your face. #jackmeatsflix #thankskilling

My quick rating - 3,9/10. This flick has "wannabe Troma" written all over it—a crude, absurd, and self-aware attempt to recreate the gleeful chaos of low-budget classics like The Toxic Avenger. While it doesn’t quite capture the campy magic of Troma’s finest, it dives headfirst into the same vein of outrageous absurdity. This is a movie that knows exactly how bad it is, leans into that identity, and invites us to laugh along with it. The premise is ludicrous: a murderous ancient turkey embarks on a wisecracking rampage, slaughtering a group of college kids on Thanksgiving break. From the moment the turkey speaks its first line—complete with eye-roll-inducing puns—you know you’re in for a no-holds-barred parody of the "animals attack" subgenre of horror. The acting is laughably bad, bordering on nonexistent, and the budget feels like it was cobbled together with pocket change and sheer willpower. Yet somehow, all these flaws become part of its charm. It’s purposely dumb, with scenes so ridiculous that they become unexpectedly funny. A killer turkey wearing a human face? That kind of ludicrousness is where this movie thrives. At just over an hour, the film wisely doesn’t overstay its welcome. While it’s no cinematic masterpiece (a term that feels inappropriate in this context), it’s more entertaining than many movies that actually try to be good. At least ThanksKilling owns its badness and runs with it, unlike some unintentionally terrible films that end up as unwatchable disasters. This movie is best suited for anyone who actively seeks out so-bad-it’s-good cinema. If you’re in the mood for absurd humor, intentionally awful effects, and a relentless barrage of silliness, this might just carve out a spot on your “bad movie night” list. For everyone else, consider this a warning: this turkey’s best left untouched.

Amazon and a couple of other streamers have this one for your holiday fun. 

https://jackmeat.wixsite.com/jackmeat/post/thankskilling-2009

Also the latest from Aussie Nu Metal revival Ocean Grove was released last week. Oddworld is out now. Don't think it'll take many guesses on which band they were influenced by. #jackmeatsotn

https://www.youtube.com/watch?v=Sta66py3abE

This flick is a decent follow-up that offers a mix of laughs, action, and picturesque settings. #jackmeatsflix

My quick rating - 5.5/10. This latest sequel reunites Dave Bautista’s gruff but lovable CIA operative JJ with Chloe Coleman’s sharp and spirited Sophie for another action-comedy adventure. This time, the stakes are higher as a high school choir tour in Italy takes a dangerous turn, leading to a frantic mission to thwart a nuclear plot targeting the Vatican. While the film offers some lighthearted fun and scenic backdrops, it struggles to recapture the heart and humor that made the original so entertaining. The core dynamic between JJ and Sophie, which drove much of the charm in the first film, feels a bit diluted here. In My Spy, their relationship blossomed as they got to know each other, blending Dave Bautista’s stoic demeanor with Coleman’s precocious energy. In The Eternal City, the mentor-protégé bond is already established, leaving little room for growth or fresh emotional beats. Without that spark of discovery, their interactions feel like a shadow of their former brilliance and much more mundane. That said, the movie revives some of the previous flix CIA team members, and their casting is a highlight. The supporting characters add much-needed comic relief, offering moments of levity that prevent the film from becoming overly formulaic. Their banter and antics help keep the energy alive, even if the main plot occasionally drags. Visually, it takes full advantage of its Italian setting. From the streets of Rome to the grandeur of the Vatican, the scenery is undeniably beautiful and adds a layer of sophistication to the action sequences. However, the story doesn’t quite match the splendor of its backdrop. The plot is serviceable but also predictable and lacks the originality or stakes to elevate it above standard action-comedy fare. The action sequences are competently executed, and the humor lands often enough to keep things enjoyable. However, it’s hard to shake the feeling that everything is just a step down from the fun and freshness of the first installment. The sequel doesn’t bring much new to the table, and instead of building on what worked before, it feels like a watered-down version of its predecessor. Still it is a decent follow-up that offers a mix of laughs, action, and picturesque settings. However, it doesn’t live up to the bar set by its predecessor, with less heart and fewer standout moments. While fans of the original may find it an enjoyable watch, it’s unlikely to leave a lasting impression.

You can stream this free with an Amazon prime trial, and now is a good time to sign up.

https://jackmeat.wixsite.com/jackmeat/post/my-spy-the-eternal-city-2024

This flick may lure you in with its quirky premise but don’t expect the fun it promises. Instead, you’ll get a poorly executed film that’s as forgettable as it is frustrating. #jackmeatsflix

My quick rating - 3.4/10. This is just an oddball, low-budget horror-comedy that takes a deep dive into the absurd — and sadly, it doesn’t come up for air. Despite the potential for a campy, over-the-top romp, it feels more like a haphazard experiment in silliness gone wrong. The movie kicks off with an uptight yuppie, Conor Sweeney (character and actual actor name, real creative huh?) calling a late-night party hotline that promises “out-of-this-world fun.” Instead, he ends up battling an army of pint-sized evil led by Frankie Freako, a rock 'n' roll goblin straight out of some twisted fever dream. While the premise sounds like it could lead to a fun, chaotic adventure, the execution falls flat at almost every turn. First, let’s talk about the music. The softcore porn-style intro seems to be aiming for ironic humor but lands with a thud. It builds up as if something wild or hilarious is about to happen—only for nothing to follow. If this was intended as a joke, it completely missed the mark. Instead, it feels like a frustrating tease. The puppetry is another glaring issue. While some might argue that cheap puppets are part of the charm in movies like this, here, they’re an eyesore. Frankie Freako himself is a far cry from the more polished and entertaining practical effects seen in Psycho Goreman which was by the same director, Steven Kostanski. The goblin looks less like a maniacal party leader and more like a failed Halloween decoration. The acting, particularly from lead Sweeney playing Conor, is abysmal. His performance swings between wooden and overacted in the worst ways, making it difficult to care about anything his character does. The rest of the cast doesn’t fare much better, as the dialogue is littered with inside jokes that are likely amusing to the filmmakers but alienating to the audience. I am sure the naming is hilarious to someone on the crew. One bright spot is the silly “clean-up-after-the-party” montage. Set to fittingly energetic music, it’s the kind of playful, ridiculous sequence that this film desperately needed more of. Unfortunately, this moment of fun doesn’t save the rest of the movie. The ending tries to bring the chaotic narrative full circle, but the absurdity only highlights how incoherent the story has been. The film’s conclusion is so dumb and over-the-top that it feels like a parody of itself and not in a good way. In the end, Frankie Freako feels like an amateurish attempt at capturing campy magic, but without the wit, charm, or skill needed to pull it off. It’s a bizarre mess with few redeeming qualities. If you’re a fan of so-bad-it’s-good cinema, you might get a chuckle or two, but for most, this is a skip.

Justwatch has several streamers to watch this one including Amazon.

https://jackmeat.wixsite.com/jackmeat/post/frankie-freako-2024

It always seems like bad things happen if you stay at school during a holiday break especially for these 2 during this December to dismember. #jackmeatsflix

My quick rating - 5.8/10. This flick is an entertaining modern-day slasher set during Christmas break, 1971. The film follows Samantha (Madison Baines) and Clara (Georgia Acken), two students who are left behind at their boarding school for the holidays, only to face the arrival of some very uninvited visitors. Right from the opening, the movie establishes an intense tone, kicking things off with some well-executed stab sequences and throat slashes that set the stage for the bloodbath to follow. One of the strengths is its solid gore and blood splatter, which fans of the genre will appreciate. The kills are graphic and creative, complemented by clean cinematography that makes the carnage visually striking without feeling overly gratuitous. The dark atmosphere and mounting tension help maintain the film’s intensity, drawing us into the isolated and dangerous world these characters inhabit. The cast is well-chosen, with the villain, Jude (Mena Massoud) standing out as particularly menacing and memorable, keeping your attention while you wait for the next killing. It’s also refreshing to see a slasher that throws in a unique twist near the end, adding an extra layer of interest to the otherwise straightforward plot and one I didn't see coming. While it does an excellent job at creating tension and delivering on the gore, it doesn’t break any new ground in the slasher genre. It’s a solid entry with a relatively dark atmosphere, but not quite enough to elevate it to a standout status. Nevertheless, it’s worth checking out for slasher fans who appreciate good bloodshed and a bit of a twist in their horror this holiday season.

This one is a Shudder flick so the usual Amazon and AMC streams are there.

https://jackmeat.wixsite.com/jackmeat/post/the-sacrifice-game-2023

This movie couldn't be bothered with entertaining me so I won't be wasting my time rewriting my notes but you will get the jist of it when reading. #jackmeatsflix

My quick rating - 1.3/10. Ok, I just have to check this out with absolutely no intentions of it being any good LOL. I mean it has to be funny, right? "The world faces a horrific onslaught of tornadoes, each unleashing spiraling hordes of enraged and deadly cats upon humanity. As chaos reigns, a disparate group of individuals have one mission: to stop this feline fury. But against such odds, and with only one life to spare per person, their battle becomes a cat-astrophic struggle to weather the storm. And when the fur flies it will be a meow-ssacre." The synopsis reads like a singular story but this is actually a poor attempt at an anthology. This starts off with some masterclass level of acting for all you aspiring actors out there. Just awful. The only laughing I did was AT this pathetic attempt at a film. The special effects are insanely bad and blaming the budget has nothing to do with a sheer lack of creativity or attempt at hiding the financial burden. I have literally seen better effects at junior high school plays. The story involving a plane is a new level of amateur. The catnado itself is just horrendous looking and luckily they didn't try showing it often. Some scenes appeared like the caught the characters by surprise yet the director just kept rolling with it. Not sure if you blame editing or I really am wondering why I am rationalizing it since everyone involved is to blame. I often could not even tell if there was a story attempt going on or just random scenes thrown in. I expected to at least get a laugh when they are punching at the ferocious cats attacking but instead get a pan out to see grown adults pretending to be mauled by stuffed animals like you see a 4-year-old do with their teddy bears. And the sound is just terrible, especially when they are outside picking up every bit of electrical noise for miles around. Dialogue is difficult to hear, it is not like anything profound is being said anyways. Half of their after-credit scene features a woman talking that you cannot hear in the slightest. Hey, Vespa, it is "galaxy" not "gaxy." I guess they couldn't be bothered giving her another take on pronouncing it right. Just another example of the production quality, or complete lack of any. There is just so much wrong with this movie and these are just my notes. I am not bothering to rewrite this since they didn't bother entertaining me.

Stream it from Amazon is your only choice that works on Justwatch.

https://jackmeat.wixsite.com/jackmeat/post/catnado-2022

Surgery went smoothly and Rebecca is at Armidale Hospital now so I can put a bit of time back into my reviews including a favorite of mine newly animated. #jackmeatsflix

My quick rating - 7.0/10. I decided to dive back into the gritty, morally complex universe of one of the most iconic graphic novels of all time. As a massive fan of Alan Moore and Dave Gibbons' Watchmen, I approached this animated adaptation with high expectations—and for the most part, it delivered, offering a solid start to what promises to be a faithful multipart adaptation. Set in an alternate 1985, the story unfolds as The Comedian (voiced by Rick D. Wasserman), a once-celebrated hero turned government agent, is murdered, sparking an investigation by Rorschach (voiced by Titus Welliver), the last active vigilante. His grim, unyielding pursuit of truth not only resurrects unresolved conflicts among his former colleagues—Nite Owl, Silk Spectre, Dr. Manhattan, and Ozymandias—but also raises the stakes, hinting at a deeper conspiracy. The adaptation succeeds in capturing the shadowy, heavy atmosphere of a world on the edge of nuclear annihilation, where heroes aren’t what they seem, and where no one can be trusted. The animation does justice to the dark, iconic visuals of the original comics. The art style is suitably gritty, and the character designs stay close to the original, making it feel like the pages have come to life. The voice acting deserves praise as well, with each character's voice fitting their distinct personalities—Rorschach’s narration is especially well done, capturing his cynical worldview and giving his internal monologues the weight they need. The pacing works well for a first chapter, covering the essentials without feeling rushed, though the episodic structure might test the patience of fans used to the depth of the graphic novel. As a first installment, it doesn’t dive too deep but lays out an intriguing mystery that leaves you eagerly anticipating the next chapter. The adaptation maintains the essence of Watchmen’s critique of power, identity, and morality, themes that only seem more relevant with each passing year. Overall, this is a promising start, true to the source material while bringing a fresh energy to the narrative. It’s not easy to capture the depth of a work as legendary as Watchmen, but this adaptation clearly respects its origins. It might not yet reach the heights of the graphic novel, but for fans like me, it’s enough to keep us hooked and waiting for what’s next. (Click on Watchmen anywhere on this page to read the original comics online)

Amazon along with a couple of other streamers have this one right now.

https://jackmeat.wixsite.com/jackmeat/post/watchmen-chapter-1-2024

Here was another release that I had no idea was coming, OAUG - Chapter 1 from Marilyn Manson is out now. #jackmeatsotn Can I tag this with #jackmeatshows since I HEARD them playing while in the medical tent awaiting an ambulance at Ozzfest 1997 LOL.

https://www.youtube.com/watch?v=WnsGa7wQgTg

Checking through emails and this is a damn good deal you may not want to miss if you are a fan of the Saw flix. #jackmeatsflix

https://amzn.to/4i1GCij

Quite a bit of new music dropping today so I'll try and give one a day instead of all at once. Let's start off by saying how much I miss early Lollapalooza days when music such as this was commonplace. #jackmeatsotn #jackmeatshows

https://www.youtube.com/watch?v=hcm2o3Hhpc8

Definitely wanted to share this especially since i am limited in content while in Newcastle. I am anxiously awaiting the sequel and this series looks like a nice continuation of the groundwork laid in #CrawlorDie #jackmeatsflix

https://www.youtube.com/watch?v=3oFgJQe-lQQ

Bec Vickery's surgery was a success so I just wanted to post up the notes I took while I watched this one a few days before we left. #jackmeatsflix

My quick rating - 4.4/10. I remember seeing this in the theater and being angry about them making a sequel. Now that I have seen the remake, I would like to revisit this and see how they compare. The fact that Sarah (Mia Kirshner) is in this flick already has proven more dedicated to the original 1994 movie. After playing an integral part in that flick, it was a wise decision to use her character to bridge the gap for the newly dead soul resurrected by the crow to bring about vengeance. Some time ago, Ashe Corven and his son Danny were killed when they stumbled across a pack of drug dealers murdering a fellow dealer. Great soundtrack again. Not much buildup, just straight to revenge killings. Iggy Pop as one of the victims. It was clear Vincent Perez was cast as the avenging angel because of his similarity to Brandon Lee which I complained about then as I do now for being a mistake. The point of The Crow is it could resurrect anyone who has been wronged to return to the living so there was no reason to try and imitate his look. Some well-done symbolic scenes such as him retrieving his son and burying him but it plays out more as scenes than a single fluid film. The blood splatter in the shape of the crow was a nice touch. Silly ending. (these were just my notes while watching)

Amazon and a couple of other streamers have this one including PlutoTV

https://jackmeat.wixsite.com/jackmeat/post/the-crow-city-of-angels-1996

We are safely in Newcastlel so I'll just give a rating from earlier this year on this Joel McHale comedy flick remotely. #jackmeatsflix

My quick rating - 4.4/10. Overall this one ended up being a cliche-filled dud. And I will also add, I am a fan of Joel McHale typically so it isn't any bias.

Just a few streamers to rent this one, more to buy for some reason.

https://jackmeat.wixsite.com/jackmeat/post/office-race-2023

I just saw this bit of sad news, and had to share. His iconic role in the original Candyman was terrifying brilliance. RIP Mr. Todd. #jackmeatsflix

https://www.nytimes.com/2024/11/09/movies/tony-todd-dead.html

I'll be gone for a bit so content may be scarce. If you are seeking a gripping, well-acted thriller without the need for a jaw-dropping twist, this flick is worth the watch. #jackmeatsflix

My quick rating - 6.2/10. This flick pulls us into a tense and sinister evening as a father and his teen daughter attend a highly anticipated pop concert, only to find themselves at the center of a chilling and calculated event. Directed by M. Night Shyamalan, the film veers away from his signature shocking twist endings, offering instead a straightforward but well-executed psychological thriller. The film thrives on its tension-building, keeping viewers engaged even as the "who" and "what" of the plot becomes clear early on. It’s a testament to Shyamalan’s craftsmanship that the lack of a monumental twist doesn’t detract from the movie’s ability to maintain suspense and intrigue. I say this might even be considered the twist—there’s no unexpected revelation waiting in the wings, a refreshing departure for Shyamalan fans accustomed to his trademark surprises. Josh Hartnett delivers the goods in a standout performance as the menacing killer, oozing creepiness in every scene. His portrayal adds a palpable layer of dread, ensuring the stakes remain high throughout the film. Meanwhile, Saleka Shyamalan, the director’s daughter, impresses as the pop star whose concert serves as the stage for the unfolding terror. Her involvement isn’t limited to singing; her character has a crucial role that deepens the plot, allowing her to shine in moments of vulnerability and strength. Visually, it carries the polished aesthetic one expects from Shyamalan’s work, with meticulous attention to framing and atmosphere. While it doesn’t aim for groundbreaking innovation, it’s a solid thriller that delivers tension and drama with a sharp focus. If you are seeking a gripping, well-acted thriller without the need for a jaw-dropping twist, this flick is worth the watch. It proves that even when Shyamalan strays from his narrative trademarks, he’s still a modern craftsman of suspense.

You have a few streaming choices including part of a MAX subscription.

https://jackmeat.wixsite.com/jackmeat/post/trap-2024

Just quick thoughts on this one. You might find this Statham action vehicle entertaining if you can leave your common sense behind for the ride. #jackmeatsflix

My quick rating - 4.5/10. Chelios faces a Chinese mobster who has stolen his nearly indestructible heart and replaced it with a battery-powered ticker that requires regular jolts of electricity to keep working. I recall watching this a while back but I marked it a 1 with no information or date. I find it hard to believe an action sequel starring Jason Statham would be that bad after the first one was quite good. For some reason, a stripper on stage has a gun? Ok, I can see where some of this silliness could lead to a poor score. Writers Mark Neveldine and Brian Taylor had to be high when they wrote this script. After rewatching it, the only thing I can assume is I marked the wrong movie. This flick is filled with loads of unbelievable action, most of which is very stupid but still was entertaining. At this point, I can just leave it at that. Check it out if you can leave your common sense behind for the ride.

Amazon and a couple other streamers have this one for (b)rent. 

https://jackmeat.wixsite.com/jackmeat/post/crank-high-voltage-2009

Another busy release day yesterday. A new EP from Delain called Dance With The Devil is out now. #jackmeatsotn

https://www.youtube.com/watch?v=wC2d18Fxe4o

With a little more story development, added runtime, and some polish, this could have been a stronger #Shocktober entry (almost forgot this 1-hour flick). #jackmeatsflix

My quick rating - 4.2/10. This short horror film packs in a handful of solid ideas and a promising story, though it ultimately feels like an incomplete piece rather than a fully realized movie. The plot centers on a teenage girl determined to uncover the mystery behind her mother’s disappearance, only to come face-to-face with a recently released deranged killer on Halloween night. For horror fans, this premise sounds ripe with potential, but falls short, landing somewhere between a short film and a longer narrative feature, at just 60 minutes. It definitely has a Terrifier vibe to it which isn't necessarily a bad thing. On the positive side, Jeremy Rudd’s limited budget doesn’t hold back the gore effects, which are surprisingly well-executed. The practical effects deliver the grimy, raw aesthetic you’d hope for in a slasher, adding a bit of weight to the film’s more intense scenes. This attention to gore works in its favor, grounding the story's horror elements and giving a glimpse of the vision Rudd had for the film. However, the story feels like it stops just when it should be taking off. The movie starts out engaging enough, but it's clear that it needed more time to develop and clarify key elements. The pacing is hurried, with character motivations and backstory left underexplored. Rudd’s writing and direction hint at a twist that could've been effective with more context, but it lacks the buildup and depth required for real impact. While watching, I felt a bit like I was getting a teaser for a much more compelling film that’s still waiting to be completed. The acting, unfortunately, is shallow, which isn't uncommon in low-budget horror, but it does limit the film’s overall immersion. In short, it feels like an ambitious pitch that didn’t have enough time or budget to follow through. With a little more story development, added runtime, and some polish, it could have been a stronger #Shocktober entry. Right now, it serves as a glimpse of what could be — a rough draft of a potentially chilling Halloween story that just needs more time to hit its stride. Here's hoping it garners enough interest to expand into a more complete narrative in the future.

Justwatch only has one streamer listed for this one.

https://jackmeat.wixsite.com/jackmeat/post/die-ced-2023

This is a unique, darkly funny take on the strange consequences of unasked-for fame, buoyed by a standout performance from Nicolas Cage. #jackmeatsflix

My quick rating - 6.8/10. This flick is a dark comedy that takes a delightfully absurd premise and runs with it, delivering a clever satire on fame, paranoia, and the strange allure of social media’s spotlight. At the center of it all is Nicolas Cage, who is perfectly cast as Paul Matthews, a regular guy whose life is thrown into chaos when he inexplicably starts appearing in the dreams of millions. Cage nails the role, bringing both humor and pathos to Paul’s journey from anonymity to unwanted stardom, making this quirky story as entertaining as it is unsettling. Writer/director Kristoffer Borgli crafts a captivating concept that speaks to the age of instant celebrity and cancel culture. Though these themes linger in the background, the film’s primary focus is the creeping paranoia that haunts Paul as his dream appearances take a dark, menacing turn. The bizarre twist of millions witnessing his image each night leaves him struggling to manage the repercussions in his waking life. Borgli's script captures the surreal nature of modern fame, exploring how even the most ordinary lives can spiral out of control in a world hungry for spectacle. The film is propelled by sharp writing and solid performances all around, with Cage delivering one of his best roles in recent years. He portrays Paul with a perfect balance of befuddlement and vulnerability, inviting us to sympathize with his surreal predicament. The supporting cast adds to the hilarity, amplifying the film’s satirical undertones. However, as engaging as it is, this flick does falter in its final act. A late, somewhat jarring plot development disrupts the pacing and distracts from the strong themes established earlier in the story. This "foreign element" feels out of place, drawing focus away from Paul’s personal journey and the movie's sharp critique of fame and surveillance. It doesn't derail the entire film but does detract from the otherwise cohesive narrative. Overall, this is a unique, darkly funny take on the strange consequences of unasked-for fame, buoyed by a standout performance from Cage. Despite a misstep in its final stretch, it’s a well-executed, thought-provoking watch for fans of unconventional comedies and social satire alike.

Justwatch has a few streamers including Amazon.

https://jackmeat.wixsite.com/jackmeat/post/dream-scenario-2023

Just a rating. With Rebeccas upcoming surgery and a new website off of WIX and onto another host, I will be quite busy until, my guess, a 2025 launch. #jackmeatsflix

My quick rating - 5.4/10. A burlesque dancer with dreams of becoming a comic book artist investigates the disappearance of a close friend.

The available streamers have a varying degree of price points for this one.

https://jackmeat.wixsite.com/jackmeat/post/door-mouse-2023

I checked out this live-action adaptation of the popular manga and while I was entertained, I thought it could've been much better. #jackmeatsflix

My quick rating - 5.9/10. I had heard good things about this live-action adaptation of the popular manga and anime series, bringing to life the tale of two alchemist brothers, Edward (Ryôsuke Yamada) and Alphonse (Atom Mizuishi) Elric. Their journey begins with a tragic attempt to resurrect their deceased mother, an experiment that backfires disastrously, leaving Edward without an arm and a leg, and Alphonse's soul bound to a suit of armor. Determined to restore their bodies, they embark on a quest to find the elusive Philosopher's Stone. The film's narrative is steeped in rich lore and alchemical intrigue, reminiscent of the detailed world-building seen in the Harry Potter series. The story's depth and complexity offer an engaging premise, drawing you into a world where alchemy blends seamlessly with the fabric of everyday life. However, the execution of this intricate plot is somewhat marred by the film's tonal inconsistencies. One of the standout elements is its quirky characters, each bringing a unique flavor to the story. Yet, their portrayal often veers into the realm of over-the-top sitcom antics, which can feel jarring against the darker, more serious undertones of the story. This sitcom-like acting style detracts from the gravitas of the brothers' quest and the emotional weight of their personal tragedies, making it challenging to fully immerse in the story's more poignant moments. Visually, the film offers a mix of impressive and lackluster CGI effects. The depiction of alchemical transmutations is a visual treat, capturing the magical essence of the source material. However, some of the creature designs and action sequences fall short, occasionally pulling us out of the experience due to their inconsistency in quality. Despite not having read the manga, I was familiar with its existence, which provided some context for the film's narrative. This adaptation, while ambitious, seems to struggle with balancing faithfulness to the original story and the constraints of live-action filmmaking. The film's pacing feels rushed at times, as it attempts to condense a sprawling and complex story into a manageable runtime, leading to an uneven flow and some underdeveloped plot points. In summary, I found it a mixed bag. It succeeds in introducing the fascinating world of alchemy and its eccentric characters to a new audience. The prime-time sitcom-like acting, combined with inconsistent visual effects and a rushed narrative, makes it difficult to fully engage with the story's emotional core. For fans of the original manga and anime, this adaptation might offer some nostalgic moments, but it falls short of capturing the full magic and depth of its source material. I am still looking forward to checking out the 2 sequels sitting in my watchlist.

Netflix seems to be the only streamer for this one.

https://jackmeat.wixsite.com/jackmeat/post/fullmetal-alchemist-2017

This indie flick gives us something to think about in our always connected, need to be seen and liked by everyone at all times world. #jackmeatsflix

My quick rating - 5.2/10. I popped this on knowing nothing about it. The movie offers a timely, minimalistic look at the isolation and commodification of personal experience in the digital age. The premise is simple but engaging: a man (Melvin Gregg) wakes up in a stripped-down room, with only a primitive computer at his disposal. He quickly learns that in this new world, entertainment is currency—reminiscent of the TikTok-driven social economy where content is king. It’s an intriguing concept, even if it feels a bit like it’s trying to pack a lot into its budget constraints. One of the film’s strengths is its commitment to exploring the mental toll of isolation and the lengths people will go for validation. The performances, however, are hit-or-miss; at times, the main character’s responses feel grounded, but there’s also an underlying tone of acceptance that feels rushed. In such a bizarre situation, you’d expect a longer struggle with disbelief or frustration, but the character’s quick adaptation undermines some of the tension. The social commentary on our relationship with social media and how far we’ll go to feel “seen” is definitely at the forefront. The film raises interesting questions, like how entertainment becomes a transactional part of human existence. Yet, it doesn’t dig quite as deeply as it could, skimming the surface instead of delivering a full critique. Overall, I still found the flick to be commendable for the effort and ambition it shows with a limited budget. While the acting and pacing issues keep it from being fully immersive, it’s an intriguing watch for those interested in themes of social media’s impact on mental health and self-worth.

These streamers have this for $3-$5 to rent or $10 to also rent since you never own. 

https://jackmeat.wixsite.com/jackmeat/post/share-2023

Rebecca and I saved this #Shocktober treat for Halloween night and we ended up getting a gruesome Christmas surprise that this slasher fan adored. #jackmeatsflix

My quick rating - 7.1/10 This third installment takes Art the Clown's blood-soaked chaos to a chilling new setting, proving that the horrors of Halloween can spill right into the holiday season. Five years after surviving Art's Halloween massacre, Sienna (Lauren LaVera) and Jonathan (Elliott Fullam) are still haunted by their experiences, clinging to the hope that they can rebuild. But Christmas is no refuge from Art’s relentless violence, and soon, festive cheer transforms into a brutal nightmare. And he isn't alone as Lily has tagged along to help deliver the gruesome fate to seemingly anyone within range. Damien Leone dives fearlessly into holiday horror, delivering scenes packed with carnage and crafted with a grim, unhinged creativity. The gore here is intense, even by Terrifier standards. The practical effects are as gruesome and inventive as ever, with sequences like a deranged dinner scene (reminiscent of An American Werewolf in London) that combine horror with disturbing humor. There’s an artistry to the madness, with the cinematography and effects team working together to create shockingly detailed scenes that are both disturbing and memorable. Leone shows a willingness to push the envelope, ensuring that every scene is a disturbing masterpiece of bloodshed. This time, however, there's an added layer of story to balance the mayhem. The plot doesn't exactly reinvent the wheel, but it explores the trauma Sienna and Jonathan face as they try to move on. Leone has infused just enough story to give us stakes, making Art’s return that much more dreadful. While some of the plot elements are indeed hokey, they add to the charm, capturing the campy spirit of classic holiday horror. Ultimately, Terrifier 3 is unapologetically brutal and doesn’t shy away from shocking its audience. It’s clear Leone and Art the Clown are both here to stay, and Art (David Howard Thornton) has earned his place among modern horror icons. For those who can handle its unrelenting violence, this film is a holiday horror gift. But fair warning: this one's not for the squeamish.

You can check this one out in theaters now, Justwatch for future reference.

https://jackmeat.wixsite.com/jackmeat/post/terrifier-3-2024

#SHOCKtober nights are supposed to be spooky, but this flick falls short of delivering even a shiver. #jackmeatsflix

My quick rating - 3.4/10. The film centers on Tim (Matt Sampere), who plans a quiet Halloween with his mother, Linda Garner (played by Monique Parent), but is soon swept into his friends’ chaotic prank-filled antics. What could have been an enjoyable Halloween hangout devolves into an unfocused mess as Tim is roped into an aimless series of pranks and bizarre encounters. Any attempt at a plot is lost in a sea of inconsistencies, and it’s hard to tell exactly what this flick is trying to be. The acting is lackluster at best, with even seasoned actors like Monique Parent seeming out of place. Sampere, who also seems to be at the heart of the production, may be aiming for a personal project, but without separation from every aspect of the film, the result feels more like an indulgence than a meaningful performance. It’s hard to root for Tim or connect with his friends, who come off as more obnoxious than mischievous, leaving any emotional stakes at zero. One interesting aspect was the reference to the Aos Sí, an ancient Celtic deity. Points for creativity on that front, though the connection to Halloween feels questionable, especially when the folklore itself is loosely addressed amidst the story's many gaps. The idea of using ancient mythology as a horror element could have been intriguing if it had been developed or tied into the storyline effectively. Instead, the folklore feels shoehorned in, just another piece in a film where nothing quite fits. Scares are minimal, with special effects that lack the "special" entirely. From cheesy masks to uninspired scenes, the supposed "horror" elements fail to create any atmosphere, and the attempts at suspense fizzle out. Ultimately, Creeping Death is an ambitious misfire—a Halloween horror flick that loses sight of its intentions and fails to deliver on scares, story, or spectacle. Perhaps in a future project, with some distance from every role, Sampere could bring something stronger to the screen. If you’re in it for the Halloween vibes, you might find some charm in thie movies attempt, but don’t expect any real chills.

Amazon plus quite a few streamers have this one for you.

https://jackmeat.wixsite.com/jackmeat/post/creeping-death-2024

#SHOCKtober never ends in October and has stragglers such as this near-silent horror flick that offers up a unique demon sacrifice tale. #jackmeatsflix

My quick rating - 5.5/10. In this flick, Samara Weaving stars as a woman trapped in a world where silence is law, and her path is one of survival and sacrifice. The story follows Azrael as she flees a cult-like society, only to be hunted down and recaptured for a ritual meant to satisfy an ancient evil in the depths of the forest. In a world where speech is forbidden, the lack of dialogue surprisingly works here, enhancing the film’s haunting atmosphere and putting focus on visual storytelling. The film has its strengths, especially in portraying brutality and raw violence when the situation calls for it, illustrating the forest creatures’ savage nature and the dangerous world Azrael must navigate. Weaving takes on the role of a fierce and resilient character, embodying the ‘badass’ protagonist with conviction, although the role limits her range. Despite the intrigue of its premise, the storyline feels stretched, more suited for a short than a full-length movie, with some repetitive moments that dampen the pacing. Overall, it is atmospheric and visually driven, but it could have benefited from a bit more depth or narrative twists. It's a watchable experience for those interested in silent, minimalist horror, but it might leave you wanting a bit more substance.

Streaming on Shudder and AMC+ as well as these streamers.

https://jackmeat.wixsite.com/jackmeat/post/azrael-2024

This #Shocktober scif-horror doesn't stray from the beaten path but still manages to be average due to its polished look and amusement of Megan Fox as a robot. #jackmeatsflix

My quick rating - 5.1/10. My first thought was "Here we go again" as this flick taps into the classic “help gone rogue” theme, where a struggling father (who’s somehow oblivious to glaring red flags) brings home a lifelike A.I., Alice (Megan Fox), who is a little too eager to integrate herself into the family. Predictably, Alice quickly escalates her role from helper to household nightmare as she sets her sights on becoming the center of this fragile family’s world—by any means necessary. Megan Fox's portrayal of Alice is deadpan and eerily robotic, while unintentionally ironic given past criticisms of her “robotic” style, fits her character here with an almost darkly comic precision. There's not much new here; Fox’s Alice goes through the motions we’d expect from a self-aware A.I. with sinister ambitions, hitting each trope right on schedule. The real surprise performance comes from Madeline Zima as Maggie, the sick wife dealing with the unsettling realization that her replacement might just be angling to replace her in every way. Zima gives Maggie a real emotional core that stands out, especially in the face of such a clichéd storyline. Visually, the flick is polished up nicely, capturing a sleek sci-fi vibe that makes the A.I. horror elements easy to digest but ultimately predictable. It’s fine as a #Shocktober watch, but it lacks the spark needed to set it apart from the crowded genre. And of course, the movie leaves the door ajar for a sequel, hinting that Alice’s “subservience” might extend well beyond one family’s unfortunate experience. At the end of the day, this is 105 minutes of straightforward sci-fi horror that does little to innovate but succeeds as a slightly above-average filler for a Halloween marathon.

Only a few streamers to choose from including Amazon.

https://jackmeat.wixsite.com/jackmeat/post/subservience-2024