I pointlessly waited for Devil's Night this #Shocktober to watch this remake and it has nothing to do with it nor did it do justice to the 1994 cult classic. #jackmeatsflix

My quick rating - 4.5/10. This was one movie I had prayed they would just leave alone and not remake but here it is. I was fine with sequels and reimagines for this but didn't want a remake so I watched apprehensively. I have been holding off on watching this until Devil's Night for my tradition. Here is my review of The Crow from 1994 for reference and I hope this one does it some justice. This remake takes the beloved tale of Eric Draven's vengeance and love and reimagines it with a darker, more mystic twist—but, unfortunately, it misses the mark on what made the original so compelling. This version opens with a longer buildup of Eric and Shelly’s (FKA Twigs) relationship, yet ironically fails to develop the romance as powerfully as the original’s fleeting flashbacks. The added screen time barely gives depth to their love, making the eventual tragedy feel less impactful, even mechanical. Once Eric crosses into the afterlife, he awakens in an eerie limbo, where he’s introduced to Kronos, played by Sami Bouajila. Here, the iconic crow’s role is explained with a heavy dose of black magic shit—a new, forced addition to the story. Rather than embarking on a passionate quest for Shelly’s memory, Eric turns into more of a supernatural detective hunting down his killers. This change sidesteps the raw emotional pull of vengeance for love, focusing instead on grim mysticism that feels disconnected from the heart of the story. I don't know if James O'Barr had anything to do with this story or if other graphic novels he penned were anything like this but I doubt it and don't believe he would be a fan of this. Bill Skarsgård as Draven brings the brutal violence expected in the action scenes, but instead of feeling like an unstoppable force of retribution, his character seems more like a target in a shooting gallery. The visceral fight scenes are well done, adding brutal touches, but they lack emotional payoff when the story itself doesn’t anchor them in anything memorable or meaningful. Visually, Rupert Sanders delivers some beautiful scenes, and the cinematography deserves credit, offering moments of style and atmospheric richness. But that can only go so far when the story’s foundation is flawed. The guitar-playing artist that defined Draven in the 1994 version is notably absent here, making the character feel almost entirely new but not in a way that serves the story. It’s almost as if Eric and Shelly could have been removed without changing much at all. In the end, this version suffers from a story that misses the essence of its own legacy. This retelling feels more like a miss than a tribute, making it hard to understand why they even called it The Crow if they weren’t going to honor the spirit of Eric and Shelly’s tragic, passionate bond. As my initial worry pointed out, I just wish they left this one alone and I am not going to be "that guy" and give this a 1 out of 10 just because I am so disappointed in what they did with this film. RIP Brandon Lee.

There are a few streaming options for this one including Amazon.

https://jackmeat.wixsite.com/jackmeat/post/the-crow-2024

I wanted to get at least a "Halloween" flick reviewed on the #Shocktober day (here) and since I hadn't ever posted this review, that will do. #jackmeatsflix

My quick rating - 6,5/10. Rob Zombie has proven himself as an astute admirer of the horror genre and takes a legit classic down a slightly different path. More a film of two parts, this tells the whole story of Michael Myers with a bit more to the story part. Some find that as a drawback, I just see it as different storytelling. Instead of a complete mystery as to why Michael is who he is, part one of this movie explores his upbringing and road to becoming the ominous killer. In the second part, Zombie also gives reflection to his obsession with his sister and even makes sense to why it continues further down the road. I won't give spoilers, since I never do, but it is worth watching for sure. As Zombie does, the characters are vivid and well-portrayed. Malcolm McDowell is a superb choice as Loomis and Daeg Faerch is a great young Michael. The things fans of the original don't like is also what makes it good. Don't be closed-minded and you will enjoy.

You can basically pick your streamer to check this one out.

https://jackmeat.wixsite.com/jackmeat/post/halloween-2007

This is a damn good #Shocktober showcase for fans of psychological horror and Nicolas Cage’s unique brand of creepiness. #jackmeatsflix

My quick rating - 6.5/10. The good news for myself is I went in without dealing with the marketing onslaught that apparently the USA had for this flick so I more or less went in blind. This movie takes us on a dark journey through the lens of rookie FBI Agent Lee Harker (Maika Monroe), who’s assigned to track down a twisted serial killer with ties to occult practices. As Harker delves deeper, she finds herself caught in an unexpected personal connection to the killer. Osgood Perkins, as writer and director, brings a haunting vision to the screen with atmospheric cinematography and a chilling performance from Nicolas Cage as the eerie, enigmatic Longlegs. I read some people called Cage unrecognizable in this flick, I had no problem picking him out in a heartbeat without knowing firsthand he was in it. I agree the makeup hides his appearance but his acting and voice are a dead giveaway. While the film nails the unsettling, indie aesthetic and teases a tantalizing twist worthy of #Shocktober, it unfortunately stops short of delivering the gut-punch tension it sets up. It doesn't lean fully into either the supernatural or the raw intensity of serial killer horror, which leaves it somewhat diluted in both departments. The kills themselves, while appropriately dark in implication, are tame in execution, and there’s a surprising lack of urgency driving the story, making it feel more like a slow-burn mystery than the nail-biting thriller it aspires to be. The flick still remains an interesting watch, especially for fans of psychological horror and Cage’s unique brand of creepiness, but it ultimately falls short of its full potential. The haunting visuals and promising setup are there, but it may leave you wanting a bit more intensity and impact by the end. That was my opinion since as entertaining as it was, I really wanted more out of it.

Amazon and a few other streamers have this one for you.

https://jackmeat.wixsite.com/jackmeat/post/longlegs-2024

I review this annually but it has never made it here. The Crow (1994) and my published review from back then plus additions since. #jackmeatsflix

My quick rating - 9,1/10. A masterpiece.

My review from 1994: It is only about 4 hours removed from the theater as I find myself at my computer to type up this weekends Flick Pick. Unfortunately for this night, it is more in memoriam. I'll give a slight bit of background to this. As many of you may know, this is Brandon Lee's final film, as he was accidentally shot during the filming. This is a gut-wrenching loss to many, especially the Lee family. It was only a little over 10 years ago, I realized that the amazing martial artist my grandfather had shown me movies of as a kid, Bruce Lee, had mysteriously died as well. Now some 10 years later, I sit and write this review in hopes that as you read the newspaper today, you may come to see this is much more than an entertainer that has passed away, but a family that is cursed. The task at hand is to review the movie without reflecting much on the fact that this is likely to be another finale to a career cut far too short.

The story begins with the resurrection of a dead rock star named Eric Draven (Lee) after being murdered, along with his fiancee, on the eve of their wedding. His soul is transported to the next world (according to the narration) by a crow; but when a spirit is unhappy there because of unsettled business on earth, sometimes the crow will bring him back again. And so a year later, on All Hallows Eve, Eric reappears on earth, vowing vengeance on those who committed the murders - and the evil kingpin who ordered them. This basically sums up what storywise you need to know. What you see though is a stunning work of visual style (the best version of a comic book universe I've seen) and Brandon Lee clearly demonstrates in it that he was well on his way to being the next big action star. All of this merely exists to allow Alex Proyas to delve headfirst into a surreal and gothic world rarely seen or imagined to this stunning extent.

The visual style is top notch full of miniatures, the camera swoops high above the city or dips low for extreme-angle shots. Shadows cast fearsome daggers into the light. Buildings are exaggerated in their architectural detail of film noir. "The Crow," with its fast pace and its countless camera set-ups, evokes comics much more than the more good-looking but allows the actors to be adapted in appearance to this graphic noir vision; their appearances are as exaggerated as the shots they appear in. The breasts of women in comic books always seem improbably perfect but sketched in and the villainess Myca (Bai Ling) in this story has the same look. As the half-sister of the villain, she represents a drawn image, not a person, and so do many of the other characters, including a thin Brandon Lee as the hero appearing somewhat like the anime vampires in manga. The cast itself was perfectly chosen to fit the ragtag mold of thugs in this fictional world. Rochelle Davis as Sarah, a neighbor of the Dravens, often steals the show with her piercing eyes and believable dialogue. At times the film looks like a violent music video, all images and action, no content with a soundtrack is wall-to-wall hard rock including NIN, Pantera, and My Life with the Thrill Kill Kult. The action scenes are choreographed to near perfection often leaving you in awe of what you are seeing evoking a world where the bizarre reality, not the story, is the point. Even a scene with a nod to John Woo gets its own dark take with its intense double-handed flair.

I left the theater sad, knowing what his father had accomplished and never was able to see his son accomplish as well. Both careers seemed cut short just as early potential was being realized. As both Bruce and Brandon Lee's legacies will continue on after death, for now, their works have been preserved on film for us to enjoy. In irony, the whole movie is about a hero who is resurrected to take care of unfinished business. If any form of the supernatural exists, I, for one, would love to see Brandon return. But for now, RIP

If you have never seen this flick, check these streamers since it is that good.

Not a bad deal for the 10-disk Saw franchise set. #jackmeatsflix. Here is the article that prompted me to bring it up.

When we think of long-running horror franchises, traditionally we're talking about strings of movies that don't have much to do with each other beyond the ongoing premise. This stuff is supposed to be cheap, disposable thrills that never makes you think too hard about anything--or at least this is how movie studios have usually treated them. But that's not the case with Saw--which, despite being known mostly as "torture porn," sent us down an incredibly intricate seven-movie rabbit hole with its story during its original run. Saw isn't just horrifying and gross--it's smart, too. And now, at 20 years old, it deserves to be revisited. Read on....

https://www.gamespot.com/gallery/why-saw-is-the-greatest-horror-movie-franchise-ever/2900-5893/

https://amzn.to/3C4INRO

This film may scratch the itch if you crave Halloween-themed content during #Shocktober involving a mutated killer pumpkin. #jackmeatsflix

My quick rating - 4.0/10. This flick, aptly named Carved, is a #Huluween entry set on Halloween night in 1993, spinning a bizarre and somewhat entertaining tale of a monstrous killer pumpkin wreaking havoc on the staff of a historic pioneer village. The premise is as wacky as it sounds: a revenge-fueled pumpkin comes to life two years after a deadly nuclear spill, aiming to unleash chaos. The film feels confused about its identity, teetering between a family-friendly Halloween movie and a gore-filled horror. The plot seems aimed at a younger audience with its lighthearted and absurd tone, yet the gory deaths throw off that balance. Some kills are surprisingly brutal, making it feel out of place for a more kid-appropriate flick. While it is far from a cinematic masterpiece, it has its own quirky charm. The absurdity keeps things interesting, and this film may scratch the itch for those who crave Halloween-themed content during #Shocktober. However, its inconsistent tone and lackluster execution keep it from being anything more than a quick, seasonal distraction.

As you see, this one is currently on Hulu

https://jackmeat.wixsite.com/jackmeat/post/carved-2024

I am always leery when Bigfoot shows up for #Shocktober but this is a scenic view of the Northwest with a nice touch of mystery. #jackmeatsflix

My quick rating - 4.2/10. This flick kicks off in true retro style, setting an 80s vibe with its synth score that plays in the background. This atmospheric beginning really sells the premise that we’re about to dive into something unique. Despite its modest $15,000 budget, this film manages to deliver a visual quality that exceeds expectations. Rather than leaning on shaky handheld camerawork, director James Chick uses steady, scenic shots to set the mood, capturing the beauty of the Pacific Northwest with sweeping views of lush forests and looming mountains—Mount St. Helens even makes a cameo, a nice touch for a movie that builds on local folklore. The story follows Jason Esterly, a USFS ranger played by Andrew Jacob Brown, who has to snap out of his grief after his wife’s passing to face an unsettling possibility: could Bigfoot actually be real? He’s forced to consider this after a paranormal social media influencer, Chris Dixon (Eric Berger), winds up dead near Mount St. Helens under mysterious circumstances. It's a classic horror trope, yet the storyline refrains from adding any of the usual comedy or gimmicks you might expect in a Bigfoot flick, and instead opts for a straight-up murder mystery tone. While the cinematography feels refined, the acting is serviceable. The cast, though unknown, does a solid job within the film’s somewhat limited dialogue and predictable horror scenarios. Their choices, however, stretch believability. Time and again, the characters fall into the classic horror traps: splitting up to search the dense, dark forest in pairs, even with a supposed deadly creature lurking. It’s one of those head-scratching moments where you question if anyone on set has ever actually watched a horror movie. That said, the movie’s creature reveal is skillfully restrained. Instead of the typical bigfoot jump scares, Chick wisely uses tight editing and strategic camera angles, allowing just enough mystery to keep you intrigued without giving too much away. There’s a notable campfire scene that pays subtle homage to The Thing, creating a tense atmosphere that makes you appreciate the effort put into the film’s mood-setting. However, the title Feet of Death remains a bit of a puzzle. With a bare-footed character in the end scene, it feels like an attempt to tie things together, though it’s unclear whether it’s meant to hint at a potential sequel, playing off what we already know or just a nod to Bigfoot’s legendary footprint. And yes, there’s a post-credit scene, so if you're still hoping for more clarity or a final scare, stick around. Overall, this isn’t your typical Bigfoot horror. It’s more of a love letter to the eerie beauty of the outdoors with a hint of myth, rather than a full-on creature feature. It may not give you the scares or laughs, but for those who appreciate a scenic thriller with a tinge of mystery, it's worth a watch. Thanks go out to James Chick for providing me with this flick for our #Shocktober entertainment.

It seems you'll need to check Amazon for this one, if there are others, add in comments.

https://jackmeat.wixsite.com/jackmeat/post/feet-of-death-2024

Quite a few new releases this #Shocktober including the latest from Fit for an Autopsy, The Nothing That Is. #jackmeatsotn

https://www.youtube.com/watch?v=srBNOoOvwXo

I realized I never returned with any review for this #Shocktober flick, 4 years ago LOL. It wasn't terrible but definitely not worth the wait. #jackmeatsflix

My quick rating - 4.6/10. This one was off to a good start. Hokey, but still good. Not sure about true events btw. The kid that gets bullied seeks revenge on those who beat him up (yeah, I saw Trick or Treat before and this one is not nearly as good or creative). When he finds a pumpkin in a field and drips a spot of blood in it after reading some curse, the Trickster is released. Then they can exact revenge.....and the makers proceed to give up on the whole movie. All of a sudden it was a race to the finish to get everyone killed. Not that anyone was particularly memorable enough to want to save. Big letdown for a third act since they proceed to then spend more time after the finale to lead into a sequel. I bet that part was filmed first and that is why it got more screen time then the actual finale. And without a spoiler, what the Trickster became was beyond stupid.

Amazon is carrying this one along with some freebies.

https://jackmeat.wixsite.com/jackmeat/post/the-terror-of-hallow-s-eve-2017

Another #Shocktober music release by The Silverback with a suitable video (reminds me of someone.....) #jackmeatsotn

https://www.youtube.com/watch?v=cIvbP5QNGxM

@EliRoth presents a chilling tale of Irish folklore about Lady Hodnett haunting a castle and viewing her visitors through the mirrors, all in immersive 3D. #jackmeatstv #Shocktober

My quick rating - 7.5/10. Presented by one of my favorites, Eli Roth, caught my attention right away when I saw the ad on my headset. It’s an incredibly well-made, fully immersive #Shocktober experience that dives into the myths surrounding Lady Margaret Hodnett, who is said to haunt Belvelly Castle. The idea of her watching visitors through mirrors and reflective surfaces sets up some very effective jump scares that work well in this format. The acting is what you'd expect from a stereotypical horror movie cast, which is fine given the nature of the story. As one of the first mass-market, movie-quality 3D VR series, it’s a standout and definitely worth watching. The lighting, colors, and camera angles truly shine, making the most of the 180-degree 3D VR setup, adding layers of immersion that standard formats simply can't deliver. Being in episodic format, I will admit I was eagerly awaiting my notification informing me the next episode would be available. The sound design is also impressive, adding to the intensity and atmosphere. While the series is relatively tame, likely by design, I’m excited to see what Roth could do with fewer restrictions. This project sets a strong foundation for future high-quality 3D VR180 content, and I hope it inspires more in the same vein. If rated on the sheer tech aspects alone, it would be a 10.

It will NOT do it justice, but you can watch this on Facebook.

https://jackmeat.wixsite.com/jackmeat/post/the-faceless-lady-2024

How you can take the idea of a giant zombie kangaroo killer and screw it up for #Shocktober even on the campy level, is beyond me. #jackmeatsflix

My quick rating - 3.7/10. This flick has the fun idea of a zombie kangaroo terrorizing a town which sounds like a perfect setup for a wild ride, either as a campy, self-aware romp or a brutal slasher. However, first-time feature writer/director Ryan Coonan seems torn between both approaches, leaving the film in a strange limbo. The plot centers around Maddy (Tess Haubrich), a determined young police officer living in her deceased father's shadow, who must protect her town from a rampaging undead kangaroo. She teams up with her eccentric Uncle Schmitty (Michael Biehn) and resilient Aunt Donna (Angie Milliken) to confront the menace, but the film never fully embraces the ridiculousness of its concept. The tension-filled soundtrack and the more serious tone suggest the filmmakers were aiming for a slasher vibe, but the moments when the CGI kangaroo, "Red," appears undermine any genuine suspense with unintentional humor. The cast's performances are competent enough, with Haubrich giving a solid portrayal of a character who wants to prove herself, and Biehn's Uncle Schmitty adding a quirky edge. Still, they can't elevate the uneven tone of the movie. The CGI used for Red is laughable, and instead of inducing fear, it pulls you out of the moment. The intended terror is overshadowed by the absurdity of the creature’s design and execution. In terms of gore, "Rippy" doesn't deliver anything memorable or shocking. The kills feel generic, lacking the creativity or brutality you'd expect from a film in this vein. Unfortunately, the movie feels like it's trying to play both sides of the fence—neither fully campy nor fully frightening, which leaves the viewer unsure of how to react. If the film had embraced its inherently silly premise from the start, it could've been a fun cult flick. But as it stands, it is an oddball horror film that doesn’t quite work as a slasher or a comedy. And with the door left wide open for a sequel, there’s potential for more zombie kangaroo madness, but I’m not sure the first outing did enough to warrant a second.

Amazon and a couple of other streamers have this flick for you.

https://jackmeat.wixsite.com/jackmeat/post/rippy-2024

This Cronenberg-inspired body horror flick delivers on all fronts with great performances leading up to an insane #Shocktober finale. #jackmeatsflix

My quick rating - 7.8/10. This flick, directed by Coralie Fargeat, presents a chilling, grotesque, and satirical take on vanity, celebrity culture, and the obsession with youth. The story follows a fading celebrity, portrayed by the ever-stunning Demi Moore, who turns to a black-market drug—a bizarre cell-replicating substance that temporarily creates a younger, seemingly better version of herself. The truly horrifying aspect of this narrative isn't the twisted side effects, but the terrifying reality that many would still embrace this drug to maintain their vanity and cling to their youth. One of the film’s most unsettling moments comes when the younger version of herself, Sue, played by Margaret Qualley, literally crawls out of her back in a scene that is both visually nauseating and deeply symbolic. The practical effects and makeup work are outstanding, selling the grotesque transformation with convincing realism. Watching both Moore and Qualley interact as mirror images of vanity and insecurity makes for a fascinating dynamic. Demi Moore's performance is raw and brave, showing her willingness to expose her own vulnerability while embodying the pressures of maintaining youth in a world obsessed with appearance. Qualley is equally exceptional, portraying the body-obsessed Sue with chilling precision. Both actors are magnetic on screen, parading through beautifully shot scenes that showcase both the glamour and horrors of their world. It is a highlight when the two finally get to occupy the same space later in the film. Coralie Fargeat's direction shines, combining stunning cinematography with moments of extreme body horror that echo Cronenberg’s style. Every grotesque sound and visual detail is meticulously crafted to unsettle and disturb, and Fargeat expertly uses this sensory assault to explore themes of misogyny, the fleeting nature of celebrity, and society's insatiable hunger for youth. The film’s satirical edge bites deeply into our cultural obsession with preserving youth and the price people will pay for it. The ending, in true #Shocktober fashion, is absolutely over-the-top and fittingly insane—bold, shocking, and leaving you reeling. Fargeat's vision brings a sharp critique of how society feeds off the young, yet also exploits the aging. Overall, The Substance is a daring and unsettling body-horror film that refuses to hold back. It’s a must-watch for fans of Cronenberg and his style of horror, offering not only gruesome imagery but also a deep commentary on vanity and the human cost of chasing eternal youth. I would easily place this one in top ten of the year if I were making a list and potentially the rare Oscar nomination for a horror actor, Demi Moore.

Justwatch doesn't have any streamers as of 10.23.24 so hit the theater.

https://jackmeat.wixsite.com/jackmeat/post/the-substance-2024

I watched the latest movie from Coralie Fargeat last night (review incoming) so I thought I should introduce a double #Shocktober feature today. #jackmeatsflix

My quick rating - 5,8/10. I am always good for a "Revenge" type flick, one where the woman is raped, and in this case, left for dead in the middle of nowhere. But the group of guys who thought they were going hunting, end up being hunted when instead of dying, she comes after them. This is sort of a spoiler but this movie really doesn't explain if it is supposed to be supernatural or not. If you watch, you will get what I mean. Anyway, Jen (Matilda Anna Ingrid Lutz) does a good job in acting this one out and being pretty believable. She doesn't just turn into a superwoman gun-toting chick, she just takes out her vengeance and learns as she goes. There are some parts of this movie that are incredibly ridiculous (the supernatural question could help explain) but putting that aside, the movie delivers quite well. Oh, and if you are looking for blood, there are loads of it to be had. Under IMDB trivia, one of the creators of the effects stated they often ran out of fake blood during the shoot. After watching, you will see why. I classified this as Action but there are some Horror elements to it.

Streamers are very limited but Shudder does have this one.

https://jackmeat.wixsite.com/jackmeat/post/revenge-2018

After years of anticipation, I ended up with a watchable update for #Shocktober that just doesn't do enough things right to be memorable. #jackmeatsflix

My quick rating - 5.8/10. I’ve been anticipating the 2024 remake/reimagining of this flick for years, especially since one scene from the original 1979 mini-series still gives me chills to this day. The 2024 version captures the 1975 time period perfectly, but it doesn’t carry the same weight as the original or even the novel. I’d compare it to the 2004 Rob Lowe version since it’s decent but lacks the lasting impact that made the original a horror staple. The scene that haunted me in the 1979 version https://www.youtube.com/watch?v=w1unHCE_Npw where the kid taps on the window with that eerie sound—was recreated here but didn’t even come close to the same level of creepiness. That moment in the original is so chilling, and this version just couldn’t replicate it. That said, there are some positives. The movie offers genuine scares, and the effects are solid. The acting is serviceable, but they skimped on character development and left out important backstories. While the movie keeps you rooting for the heroes, they always seem to jump to the correct conclusions way too easily. The pacing is rushed, especially the drive-in finale, which felt like it could’ve been much more impactful with a bit more time and care. Overall, this updated version is worth a watch, especially if you don’t have the book or the original mini-series to compare it to. However, for long-time fans, it might fall short of being memorable. In 44 years, I doubt I’ll remember much from this version.

You will have to check MAX for this one which you can ofc get through Amazon.

https://jackmeat.wixsite.com/jackmeat/post/salem-s-lot-2024

If you're a fan of surreal narratives with noir influences and don’t mind something a bit offbeat, it’s worth a watch this #Shocktober if you're a fan of David Lynch. #jackmeatsflix

My quick rating - 5.4/10. I recently checked out this indie film directed by Adam Hulin, which blends elements of crime, noir, and surrealism into a David Lynch-like experience. Knowing that upfront may have you itching to see it or running for the exit already. The plot centers around a man’s frantic journey to get home in time for his wife’s birthday, but he ends up entangled in a bizarre mix-up with two criminals who believe he’s their heist’s drill man. As time ticks down, his path grows more complicated, with a strange lawman closing in, and the weight of his decisions pulling him further from his goal. Aaron Dunlap, as the supposed drill man, spends much of the film looking like a "deer in the headlights," which adds to the surreal vibe of the movie. While his portrayal fits the disoriented and desperate tone, it can feel a bit repetitive at times. Jessica Blaustein, on the other hand, shines as she takes on multiple female roles, adding depth and versatility to the quirky ensemble. One of the film's highlights is a black-and-white sitcom-style segment that feels straight out of the 1950s—a fun and creative detour that adds a Lynchian edge to the narrative. The surreal elements, like a talking cockroach, make this movie a trip for anyone expecting a conventional crime or horror flick. The non-linear storytelling and noir presentation, paired with a synth-heavy score, evoke a sense of homage to classic cinema, but the film doesn’t quite stick the landing. Visually, this flick impresses for an indie production. The cinematography stands out with its well-timed close-ups and strong use of camera angles, adding to the film’s overall aesthetic. However, while it achieves a lot with its budget, the story leaves something to be desired. There’s a lack of cohesion that could make it hard for some viewers to stay engaged. Overall, Blackest Darkness feels like an ambitious indie project that overachieves in style but stumbles with substance. If you're a fan of surreal narratives with noir influences and don’t mind something a bit offbeat, it’s worth a watch. Just don't go in expecting a straightforward experience. I received a request from director Adam Hulin to check this one out on Tubi, so just FYI, it must be Tubi USA to watch this (VPN came in handy down here). And I completely understand why some of you may disagree with my rating since I have known people who just cannot stand the Lynch style so if you fit into that category, consider this fair warning.

Looks like Amazon, Tubi or something called Reveel to stream this one.

https://jackmeat.wixsite.com/jackmeat/post/blackest-darkness-2024

What a fun concept, a vampire live streaming his feedings in all their bloody glory but this flick completely wastes that potential. #jackmeatsflix

My quick rating - 3.6/10. In this flick, a modern-day vampire takes advantage of advanced technology to hunt his prey in both the real world and virtual spaces, all while live-streaming his brutal feasts to a bloodthirsty online audience. As his fanbase grows, a trio of young supernatural investigators picks up his trail, only to find themselves becoming the hunted. The premise is undeniably unique, bringing a fresh, tech-driven twist to the vampire genre. Unfortunately, the execution falls short. Sean Ohlman as the vampire is an odd casting choice—he comes off more like a quirky Youtuber than a menacing creature of the night. His lack of a commanding presence strips away much of the dread you’d expect from such a role, making it hard to take his villainy seriously. One thing Full Moon Productions delivers, as expected, is gratuitous nudity, but it stands out here for its hilariously absurd use. There's actually a scene where breasts are used almost as weapons, which speaks volumes about the film's over-the-top, tongue-in-cheek nature. The finale is where the film truly collapses. The swarm of bats feels like a low-budget afterthought, a CGI mess that’s laughable rather than climactic. It's unclear if the ending was setting up a sequel or if the filmmakers simply ran out of ideas, as the abrupt finish leaves you unsatisfied. Despite a few laughs, the movie has more dialogue than action. The concept had potential, but it gets bogged down by clunky delivery, weak performances, and a lackluster script. The balance between horror and humor is uneven, leaning too far into the absurd. Ultimately, this film is another miss from Full Moon saved only by some scattered moments of fun.

You can also check this one out on Amazon and Tubi.

https://jackmeat.wixsite.com/jackmeat/post/death-streamer-2024

The latest #Shocktober entry in the Alien franchise is technically impressive in every way, from its beautiful cinematography to its tight pacing. #jackmeatsflix

My quick rating - 7.1/10. Set after the events of Ridley Scott's original Alien (1979), this flick brings a fresh yet familiar entry into the franchise, blending modern filmmaking with the classic horror tone that made the original such a success. The premise follows a group of young space colonizers scavenging the deep ends of a derelict space station, only to come face to face with the deadliest creature in the universe—the Xenomorph. The first thing I noticed about this film was its cast, which fits well with a Disney Studios production due to the youthfulness of the characters. However, despite my initial skepticism, I was pleasantly surprised by how well it worked. The cast may skew younger, but their performances were effective, and the tension remained high throughout. David Jonsson stands out as Andy, delivering the most compelling performance, while Cailee Spaeny as Rain—who almost seems like a Ripley stand-in—felt a bit flat and lacked the intensity I personally wanted to see. Still, the film is more about atmosphere and suspense than it is about deep character arcs. Visually, the universe is stunning. The space station setting is beautifully realized, filled with dark corridors and an eerie sense of isolation. Fede Alvarez clearly did his homework, as the film remains faithful to the lore of the Alien franchise while also delivering some genuine scares and intense action sequences. The special effects, particularly in rendering the Xenomorph, are top-notch, and the practical and CGI blend seamlessly to create an immersive experience. It also seemed like every other scene contained some easter egg or reference to a plot point that was left hanging in a previous film. The scares are well-executed, building tension through slow-burn moments that erupt into chaos when the Xenomorph appears. Alvarez captures the claustrophobic dread of the original while adding some modern touches to keep it fresh. The film is technically impressive in every way, from its beautiful cinematography to its tight pacing, ensuring there’s rarely a dull moment. However, there are a few drawbacks. While the film stays within the established lore, it doesn’t break new ground or explore anything truly bold for the franchise. Additionally, some characters, like Rain, feel underdeveloped, leaving them as more archetypes than fully fleshed-out figures. But these issues are minor in comparison to the film’s overall success as a solid entry into the Alien saga. For fans of the franchise, Alien Romulus is a worthwhile watch. It may not reach the iconic heights of its predecessor, but it’s a well-crafted, thrilling addition to the universe that pays respect to its roots while still managing to entertain. If you can overlook a few minor shortcomings, it’s an exciting ride from start to finish.

Amazon and a few other streamers have the latest installment for $25 as of 10.19.24 

https://jackmeat.wixsite.com/jackmeat/post/alien-romulus-2024

I know what you are thinking and this #Shocktober #turkey won't even drag a giggle out of you in relation to the SUPERB flick it parodies. #jackmeatsflix

My quick rating - 2.2/10. I came into this flick with low expectations, and even those weren’t met. This flick is clearly a parody of the classic Caddyshack, but it doesn't even come close to delivering the humor or charm of the original. The plot centers around a struggling golf course plagued by pesticide-mutated gophers, which have turned murderous, leaving the facility’s greedy owner trying to cover it up while a crazed groundskeeper declares war on the pesky critters. While the premise sounds ridiculous enough to be entertaining and very familiar, the execution is painfully bad. The gophers, which are supposed to be the stars of this carnage, look like plush toys you'd win at a fair, and it’s impossible to take anything seriously when they’re on screen. The special effects are truly abysmal, and calling them "special" is being far too generous. The acting performances are equally dubious, with many of the actors unable to hold a straight face while delivering their lines. There’s an almost palpable sense that no one involved could take the film seriously, and neither could I. One example of the absurdity is the gophers sneaking into a convenience store in trench coats to buy beer with a fake ID. It’s as stupid as it sounds, but not in the fun, campy way you'd hope for in a film like this. This film tries to embrace its low-budget, silly concept, but it fails miserably. The gophers party, the humans flounder through terrible dialogue, and the "carnage" is laughably underwhelming. I wanted to enjoy it, but even with my expectations in check, this movie was more of a chore than a guilty pleasure. Pathetic special effects and amateurish performances make this a rough watch, even for fans of so-bad-it's-good cinema like me.

There are better reasons to sign up for Amazon than watching this. Justwatch

https://jackmeat.wixsite.com/jackmeat/post/caddy-hack-2023

I was going through this weeks new releases, and I saw this #Shocktober worthy video to share. #jackmeatsotn

https://www.youtube.com/watch?v=K5NhEpZ3FE4

This #Shocktober flick has some effective horror and character drama but a stronger resolution could have made this a more memorable film. #jackmeatsflix

My quick rating - 4.9/10. We got an interesting mix of family drama and creature folk horror here, but unfortunately doesn't stick the landing. Side note: Does just showing a forest now make movies automatically "folk horror" LOL? The story follows a boy and his alcoholic stepmother as they grapple with grief, only to be terrorized by a shape-shifting creature that resembles the boy’s deceased father. This premise sets the stage for an eerie and unsettling atmosphere, but writer/director Benjamin Barfoot seems to get lost in the storytelling, ultimately leaving you a bit unsatisfied. A significant portion of the film focuses on the strained relationship between the stepmother, played by Julia Brown, and her stepson. Their dysfunctional dynamic takes up as much space as the lurking monster in the woods, which isn’t necessarily a bad thing. The film attempts to explore grief, loss, and unhealthy coping mechanisms, with Brown doing a serviceable job in portraying her flawed character. That said, her character's parenting decisions are questionable at best—using home videos of the dead father to bond with the grieving child while drowning her own sorrows in alcohol. It felt like Barfoot might be drawing from personal experience, but the execution comes across as more uncomfortable than poignant. The creature design is effectively creepy, and there are a few well-timed scares that inject some much-needed tension into the film. The setup is good, with the eerie atmosphere slowly building to what should have been a nail-biting confrontation. However, just when things seem to be getting interesting, the movie abruptly deflates with a rushed and unsatisfying ending. It felt like Barfoot had no clear idea how to wrap up the story, leaving the tension and stakes that had been built up over the previous 90 minutes or so to fizzle out in disappointment. Ultimately, the film falls into the trap of being ambiguous for the sake of ambiguity, which only makes it feel unfinished rather than profound. While there are flashes of effective horror and character drama, it struggles to find a balance between the two. A stronger resolution could have made this a much more memorable film, but as it stands, it’s another middling horror that fails to deliver on its potential.

This one is on Shudder so either there or AMC

https://jackmeat.wixsite.com/jackmeat/post/daddy-s-head-2024

I hate to call this #turkey a #Shocktober flick when the only thing scary about the movie is the fact it was ever made. #jackmeatsflix

My quick rating - 1.9/10. This is just a confused mess that fails to deliver on any front. The film follows journalist Ingrid (Rose Hakki) who returns to her ancestral home to investigate a series of child murders in the nearby woods, with the village pointing fingers at the legendary Winter Witch. She’s joined by her daughter Eleanor (Evie Hughes) and estranged grandmother Omi (Rula Lenska) as they try to unravel the curse of Frau Perchta. Unfortunately, the movie never really finds its footing, leaving you to question if they’re watching a horror movie or some sort of disjointed family drama.

The acting is appalling across the board, making it nearly impossible to care about any of the characters. The story is equally abysmal, lacking any clear direction or story. It's hard to say whether the filmmakers intended to create a horror movie with suspense and thrills or a sentimental family reunion piece. Either way, it utterly fails to deliver in both categories. For a movie about a witch’s curse and child murders, there’s hardly any tension or atmosphere. The movie drags on, with little more than terrible dialogue and wooden performances to hold it together. If this was supposed to be horror, it’s one of the most lifeless attempts in recent memory. The only thing horrifying about this flick is that it ever got made. There’s no reason to recommend this one—not even for the “so bad it’s good” crowd. It’s just bad.

Amazon and a couple of freebies have this one and I recommend if you must, FREE.

https://jackmeat.wixsite.com/jackmeat/post/the-winter-witch-2023

This is just an FYI that American Horror Stories has returned for #Shocktober with 5 new episodes as part of Season 3. #jackmeatstv #Huluween

https://jackmeat.wixsite.com/jackmeat/post/american-horror-stories-season-2-2022

Here is another #Shocktober anthology flick narrated by Richard Blake following 4 thrill-seekers coaxed into telling scary stories. #jackmeatsflix

My quick rating - 5.0/10. Four young thrill-seeking friends book a horror-themed camping excursion led by Darwin, a strange and eccentric guide, who one night encourages them to tell their scariest story around a fire. As they recount tales of sinister spirits and malevolent demons, the group soon realizes that these stories will have very real consequences for them all. Cute, there is a poster on the movie theater wall for "Lore 2." Richard Brake is our ringleader of this British anthology horror flick and they need more of him. Overall an average anthology that has its highs and lows, my favorite being "Shadows." I had only taken note of the story names but I found user kannibalcorpsegrinder from IMDB has summed up each story so thank you if you run across the credit. Here was his synopsis (he rated this a 9/10 which is asinine btw.)

The Good Stor(ies): Shadows-On the run from creditors, a small-time criminal trying to get to safety is terrified to learn the warehouse he chose as a quick sanctuary is home to a ravenous creature hunting them down one by one. This was a fairly enjoyable starting point for the film with a lot to like about it. The simplistic setup offers a fun enough time here with the reason for the group to go chasing after him and why the warehouse is chosen with the resulting reveals about the creature inside allowing a couple of solid jump-scares featuring the creature popping out of nowhere to conduct an attack. The creature itself and the attacks that follow are quite fun using the setting to it's advantage with the cheesy gore being decent enough to counteract the lone flaw here in the expected twist that occurs which is somewhat underwhelming how it all plays out yet still doesn't detract from the rest of the segment.

The Hidden Woman-Following their grandmother's death, a woman and her son are tasked with cleaning out her mansion house which soon turns the house's resident ghost after them for disturbing her space. This was a fairly fun Gothic horror throwback feature. The main setup that puts them in the creepy house and the different exploits that exist while they slowly come to realize someone else might be in the house with them carries a lot of the weight here as it moves along. With the secretive nature of everything, strange noises coming from the house that no one could've made, and hints that there's a mysterious figure there who's not a figment of their imagination offer up some chilling times here, and help hold this one up over the lone issue here of the ghostly figure never having any urgency or sense of fear about it for what it's trying to accomplish.

Cross Your Heart-Hoping to spice up their marriage, a couple decide to try out a night of swinging with a second couple but are soon thrust into a horrifying situation when the true intentions behind the meeting is revealed. There was quite a lot to like with this segment. The brief bits throughout here managing to offer up a bit on their relationship and what's going on between the two is a great start, as is the clearly one-sided meet-up that shows how the relationship is supposed to be carried out which provides for a great time in letting the reveal about their true purpose there come about. That brings about some fun chasing and stalking throughout the hotel as things go on, eventually resulting in a rather enjoyable reveal at the end that could've used more time to spell out the point of everything. Still, there's quite a lot to like with this one.

The Keychain Man-Heading to a special screening, a group of friends trying to enjoy a new movie premiere witness a concession stand clerk snap and turn into a hulking killer taking out everyone inside the theater. This was a massively enjoyable slasher outing that comes off quite well. With the great setup allowing for the kind of logical explanation and motivation for the rampage, the series of chases and ambushes throughout here bring about a string of brutal and impressively-handled kills that utilize the surroundings of the situation quite nicely alongside the fine stalking pieces inside. Given how quickly it all sets everything in motion, starts the rampage, and lets everything play out inside the theater, there could've been more time developing everything as the exceedingly brief running time doesn't do it much favors, but as with the other segments here is really all that holds it back.

The Bad Stor(ies): The Campfire-Heading out for a special trip, a group of friends on a ghostly tour of the area find themselves stranded in the woods and asked to partake in a local tradition telling stories about a fable that haunts them. This proved to be a decent enough wraparound segment but doesn't have much else going for it. The genesis of using the group's trek out into the woods as a means of using their storytelling ventures as a lead-in to tell the story for the next segment in the anthology is a highly effective one getting this one all the necessary steps to get this going. There's not much else between the stories as there's no real deviation between any of the different introductions that are used as it unjust shifts to the next one so these features feel rather simple and repetitive which knocks this down somewhat.

Check back with Justwatch later since as of 10.16.24 there are no streamers.

https://jackmeat.wixsite.com/jackmeat/post/lore-2024

A throwback to the mid-90s #Shocktober flick where Mr. Rogers punishes the naughty parents with a smile. #jackmeatsflix

My quick rating - 4.7/10. This flick starts with a fun idea but stumbles on its execution. The film centers around a single mother who stumbles upon a VHS of "Mr. Crocket's World," a seemingly innocent children's program that holds a sinister, bloody secret waiting to unleash horror into their home. It's a throwback to the mid-90s, capturing the VHS-era nostalgia with no smartphones or modern technology, and for that alone, it does a decent job of setting its atmosphere. The star of the show is of course Elvis Nolasco as Mr. Crocket. His ability to mix in humor before each kill adds a playful yet unnerving charm to the character. His comedic timing lightens the mood before things turn dark and brutal, and honestly, it's this aspect that keeps the movie watchable. The kills themselves, when they finally come, are creative and gory, with writer/director Brandon Espy clearly not holding back when it comes to punishment. However, where the film falters is in the pacing. The middle section drags with a strange, almost heavy-handed parenting message that feels out of place in an otherwise horror-focused movie. It tries to stay serious when the setup and execution scream for more of the over-the-top carnage and dark humor that Nolasco provides. Unfortunately, it’s this uneven tone that makes the movie feel disjointed. Special effects-wise, it’s a mixed bag. The low-budget, cheesy visuals make it feel like a kid’s scare flick, but the adult language and splatter pull it back into R-rated territory. The film’s identity struggles with these contrasts, and it becomes hard to tell what audience it's really aiming for. Overall, it shows promise, especially in Espy’s willingness to get creative with the kills and Nolasco's performance. However, it leans too heavily into its serious side, dragging down the pacing when it could have fully embraced its gory, campy potential. A solid first effort, though, and I’d be interested to see where Espy goes from here.

As the poster says, this is a Hulu original so that is the only place to watch it atm.

https://jackmeat.wixsite.com/jackmeat/post/mr-crocket-2024

If you’re in it for the camp, nudity, and a wild concept this #Shocktober , you might find a few chuckles here. Everyone else, there’s little reason to watch this one. #jackmeatsflix

My quick rating - 2.7/10. This flick feels like it's reaching for that grindhouse vibe but misses the mark in almost every way. The story revolves around Dr. Angela Honeydew ('Sushii' Xhyette Holder), who creates a serum that allows animals to genetically fuse with their surroundings—living or inanimate. It’s a bizarre premise, but one that could have been fun if handled with more skill. Instead, what we get is a chaotic mess that barely holds together. The film’s one moment of clarity comes with the appearance of Lloyd Kaufman, which makes it obvious why this movie ended up on my watchlist. Kaufman, as a TV reporter, is a familiar face in the world of low-budget schlock, and his brief cameo adds a touch of humor to the otherwise forgettable proceedings. If there’s anything that stands out, it’s the absurd and excessive nudity. There’s even an obligatory 3-minute lesbian shower scene that exists for no apparent reason other than to check the grindhouse exploitation box. Some of it is even... green? It’s silly, stupid, and occasionally amusing if you’re looking for mindless titillation. However, even that doesn’t save it from feeling like a barely polished high school film project. In terms of entertainment, it has moments of unintentional comedy and the occasional fun, but overall, it’s an amateurish attempt that flounders. If you’re in it for the camp, nudity, and a wild concept, you might find a few chuckles here. But for anyone else, there’s little reason to recommend this film.

I have no idea where this one came from and neither does Justwatch.

https://jackmeat.wixsite.com/jackmeat/post/swamp-woman-2023

Perfect timing for #Shocktober, Ice Nine Kills latest video A Work of Art. Absolutely brutal, I love it! #jackmeatsotn #jackmeatsflix #Terrifier3 Ice Nine Kills

https://www.youtube.com/watch?v=k9TzUxGPbI0

Despite its flaws, it's an entertaining #Shocktober watch, especially for fans of anthology horror. #jackmeatsflix

My quick rating - 4.7/10. I thought this flick brought a fresh approach to the anthology genre with a creative wrap-around story that ties everything together. Set on a stormy Christmas Eve, the film introduces us to a small-town female sheriff who is secretly a serial killer. Her night takes a strange turn when a mysterious woman visits and shares four bizarre tales. The standout segment for me was the ice cream truck story, despite being the shortest. It was incredibly well-executed and left a lasting impression. The effectiveness of this scene stood out among the others, showing how much impact a tightly crafted story can have even with limited screen time. The movie’s stronger elements are in its acting and cinematography. The performances are solid, with the cast bringing enough charm to keep you engaged, especially the sheriff and the mysterious visitor. Even Bill Moseley hops into one of the stories to add his unique touch. The cinematography, meanwhile, is professional and polished, making the movie feel much more elevated than your average low-budget horror. From the stormy atmosphere to the chilling interiors, the visuals add to the immersive experience. However, where the movie falls short is in its overall coherence—"the sense" of the film. While well-acted and professional-looking, the stories sometimes feel disconnected or don't make much sense, and the anthology format occasionally lacks a strong narrative flow. Still, there's a sprinkling of humor throughout, with moments like a “Ron Jeremy” cameo that had me doing a double-take and laughing out loud. It breaks up the tension, but not always in a way that serves the movie’s darker tone. It manages to deliver an intriguing concept with standout moments but stumbles when it comes to tying all its ideas together into a cohesive whole. None of the other stories were nearly as entertaining as the initial ice cream man one. Despite its flaws, it's an entertaining watch, especially for fans of anthology horror.

Check it out with your free Prime trial or one of these streamers.

https://jackmeat.wixsite.com/jackmeat/post/night-of-the-missing-2023

I recently finished this show from 2022 that leans to horror for #Shocktober once you learn what a "Connect" does which is visually stunning. #jackmeatstv

My quick rating - 6.4/10. I thought this show presented a very unique concept but was hampered by some lazy writing. The central idea, where a man’s eye is transplanted into a serial killer, leading him to witness brutal murders, offers an exciting premise. The gang of organs hunters that were central in the removal of the main characters eye were relentless but very sloppy in their part in the story as a whole. However, the execution just didn't live up to the initial ideas' potential brilliance. The most frustrating aspect is Kyung-pyo Go as Oh Jin-Seob and his ongoing lack of communication, which feels unnecessarily forced and was constantly pissing me off throughout the show. While the show leans more toward being a thriller as the protagonist hunts the serial killer, there are distinct horror elements in the way his visions unfold. The effects that portray his "connect" ability are well-done, providing some memorable visuals. Unfortunately, the story itself feels lackluster overall. While the acting is fine for the material, the writing weakens the impact of what could have been a more compelling show. It also didn't help much that the series ends on a complete cliffhanger, leaving things unresolved, and after two full years, is especially disappointing since that means the likeliness of getting any closure to this show is minute.

Apparently it is Hulu as the only place to check this one out.

https://jackmeat.wixsite.com/jackmeat/post/connect-season-1

I honestly don't remember this #Shocktober movie that I watched 10 months ago so I am not going to insult it with a review but I stick with my rating I gave it. #jackmeatsflix

My quick rating - 3.3/10. A young woman, Naomi, finds herself alone with a tow truck driver, but instead of helping her, she becomes his next victim. This sparks a group of social justice warriors to find out who the killer is led by Ana, a part-time investigator with a mysterious past. As the team searches for the killer, each gets picked off one by one until it comes down to one person vs a prolific serial killer. I honestly don't remember this movie in the slightest and I watched it 10 months ago so I am not going to insult it with a review but I will stick with my rating I gave it that night.

This one is available on Amazon and a few other streamers.

https://jackmeat.wixsite.com/jackmeat/post/you-re-all-gonna-die-2023