Godzilla Minus One (2023) This flick stands out as the best overall Godzilla movie I’ve seen. It’s visually stunning, emotionally engaging, and a welcome addition to the franchise. #jackmeatsflix

My quick rating - 8.0/10. I’ve been eagerly awaiting my chance to see Godzilla Minus One, especially since it clinched the Oscar for Visual Effects, and it did not disappoint. This latest installment in the Godzilla saga takes us back to postwar Japan, where the iconic monster wreaks havoc on a nation already devastated by war. The story is grounded in the human experience, centering on survivors who, with no military or government support, must band together to confront this unstoppable force of nature. The visual effects are breathtaking, and it’s easy to see why the film won its Oscar. From the meticulously recreated 1940s cityscapes to the terrifyingly lifelike Godzilla, the effects team managed to bring the monster to life in a way that’s both modern and nostalgic. There’s a particularly striking scene where Godzilla marches upright through a downtown area, toppling buildings in a clear homage to the original films. It’s a powerful blend of old and new, honoring the franchise’s roots while pushing the boundaries of what modern technology can achieve. But this movie isn’t just about the spectacle. The human characters are given depth and significance, with the story focusing on their struggle for survival and their determination to fight back. The little girl’s role is especially poignant, adding an emotional layer that’s often missing in monster movies. The war cry speech, delivered to rally the citizens, is well-written and genuinely stirring, encapsulating the film’s theme of resilience in the face of overwhelming odds. The period recreation is also spot-on. Everything from the buildings and military equipment to the everyday costumes feels authentic, transporting the audience back to the 1940s. The decision to portray Godzilla as the villain again, a force that humanity must figure out how to stop, brings the franchise full circle, echoing the tone of the original 1954 film. The movie wraps up with a feel-good ending that’s both satisfying and true to the spirit of the Godzilla legacy. While I’ve enjoyed the Godzilla vs. Kong films from Hollywood, Godzilla Minus One stands out as the best overall Godzilla movie I’ve seen. It’s a visually stunning, emotionally engaging, and thematically rich addition to the franchise.

There are a few streamers to pick from along with Amazon.

https://wix.to/8PayIAL

I admittedly haven't heard of this band but Lidarr has, so now I have and this song convinced me to check out their latest release "Melodies of Atonement" #jackmeatsotn

https://youtu.be/fAFPje41KtY?si=Oj6hkxczPpqZCE90

The Ministry Of Ungentlemanly Warfare (2024) Guy Ritchie brings us a straightforward action movie with an ensemble cast creatively dispatching Nazis that I found entertaining enough. #jackmeatsflix

My quick rating - 6.6/10. I generally enjoy movies directed by Guy Ritchie,and this is no exception as it takes a fascinating slice of World War II history and brings it to the big screen with a solid ensemble cast including Alan Ritchson and Henry Cavill. The film tells the story of a clandestine combat organization formed by Winston Churchill and Ian Fleming, whose unconventional and entirely "ungentlemanly" fighting techniques against the Nazis played a pivotal role in the war and laid the groundwork for modern black ops units. On the surface, the film has all the elements of a great war movie. The cast is strong, with Ritchson delivering a good performance as a Scandinavian character more like Jack the Ripper as opposed to Jack Reacher-type, leading a ragtag group on a Nazi-killing spree. Cavill brings his usual charm and intensity, adding weight to the fascinating narrative. The story itself is compelling, rooted in real events that could have made for an unforgettable cinematic experience. However, the film doesn't quite nail it completely. The pacing feels off, with moments that drag unnecessarily and the scenes with Eiza González seemed disjointed to me. Nothing wrong with her portrayal of Marjorie who is in cohorts with the team, just the situations she was in. The film also suffers from a lack of the stylistic flair that I expected from a Guy Ritchie production. It feels more like an "action movie by numbers" than a passionate retelling of a significant historical chapter. Compared to classics in the genre, this flick doesn't quite measure up. It lacks the charm and humor of Kelly's Heroes, the gravitas of The Guns of Navarone, the historical credibility of The Longest Day, and the sheer star power and likeability of The Great Escape. While it has its moments, the film struggles to establish a unique identity or deliver the emotional resonance that these films achieved. But it does say something that my mind even drifted off and compared this movie with those timeless classics. I'd say if you're in the mood for a straightforward action movie and enjoy watching Alan Ritchson's no-nonsense approach to dispatching Nazis with the help of some friends, you'll find this entertaining enough. However, those looking for something with more depth, style, or historical weight might find themselves underwhelmed.

You have a few options for streaming this one including Amazon.

https://wix.to/UkTnwMA

Here is what Amazon Prime will have upcoming in September. That first episode of LOTR season 2 was quite good if you enjoyed the first. #jackmeatstv

https://www.tvguide.com/news/new-on-amazon-prime-video/

Paradox Effect (2023) Aside from the brief usage of the great Harvey Keitel, this is a watchable but ultimately forgettable action flick that Olga Kurylenko tries hard to save. #jackmeatsflix

My quick rating - 5.3/10. When I saw Harvey Keitel's name attached to this flick, I was immediately sold. Unfortunately, his role in the film is disappointingly limited, leaving much to be desired from a movie that could have used more of his gravitas. The plot follows an innocent woman who is thrust into a desperate situation when her young daughter is kidnapped by a dangerous kingpin. Forced to raise a ransom, she teams up with a corrupt Interpol agent, played by Olga Kurylenko, whose son is also being held hostage. Together, they set out to rip off various criminals, with only an hour to save their children from the kingpin's wrath. While the premise suggests a fast-paced, high-stakes thriller, it falls short in execution. The narrative is monotonous, and despite a few moments of tension, the film never truly takes off. There isn’t much action to keep the momentum going, and the pacing drags, making the one-hour window feel more like a sluggish marathon than a race against time. Kurylenko does her best to carry the film, and she manages to make it more bearable with a solid performance. However, even her efforts can’t fully elevate the mediocre script. The chemistry between the characters feels forced, and the stakes never quite feel as dire as they should. In the end, I found it to be a mediocre thriller that doesn’t live up to its potential. If you’re also a fan of Harvey Keitel, you might find his presence a brief but welcome sight but don’t expect him to save this film. It’s a watchable but ultimately forgettable experience that struggles to maintain the tension and excitement it promises.

As of 06.02.24, Justwatch doesn't have any streamers for this but check later.

https://wix.to/EPlPOwz

A Quiet Place: Day One (2024) may not be the best entry in the franchise, but it's still a well-crafted film that successfully captures the terror of the early days of the alien invasion. #jackmeatsflix

My quick rating - 6.3/10. When the bar is set so high from the previous two, just because this one isn't as good surely doesn't make it a bad movie. Day One takes us back to the very beginning of the terrifying alien invasion that brought the world to its knees. This time, the setting is New York City, where we follow a woman named Samira/Sam (Lupita Nyong'o) as she struggles to survive alongside her cat in a city overtaken by sound-hunting creatures. The film captures the frantic desperation of those first days, offering a new perspective on the chaos that ensued as society collapsed. One of the standout elements, as with its predecessors, is the exceptional use of sound. In Day One, sound once again plays a crucial role, not just as a component of the film but as a character in its own right. The way silence and noise are manipulated to create tension is masterfully done, keeping you on edge throughout. This dynamic has become a hallmark of the franchise, and it's executed just as effectively here. The camera work is another highlight, with shots that emphasize the claustrophobic environment of the city and the constant threat of the alien creatures. The cinematography captures the stark contrast between the bustling urban landscape and the eerie quiet that now blankets it. The special effects are well-executed, particularly in the portrayal of the aliens, which are given more screen time in this installment. For those who were hoping to get a better look at these terrifying creatures, this flick delivers. However, despite all of this, it doesn't quite reach the heights of its predecessors. The story, while engaging, lacks the emotional depth and originality that made the first two films stand out. Sam's journey is compelling, but it doesn't resonate as deeply as the family dynamics that were central to the earlier films. The film does a good job of expanding the world of A Quiet Place, but it doesn't offer many new surprises or insights. In conclusion, it is a solid addition to the franchise, even if it doesn't quite live up to the high expectations set by the previous films. It maintains the tension and fear that fans have come to expect, with great camera work, effective use of sound, and impressive special effects. While it may not be as groundbreaking or emotionally powerful as its predecessors, it still offers a gripping and intense experience that's worth watching for fans of the series.

Justwatch and Amazon links since right now, it is still at the theaters.

https://wix.to/BZz5NcR

I just noticed this one has been sitting in pending for a while and was from last #shocktober so here are my quick thoughts. #jackmeatsflix

My quick rating - 8.0/10. I am sure this will be more of the same horror greatness. The first installment was an exploration of '80s horror movies through the perspective of the actors, directors, producers, and SFX craftspeople who made them, and their impact on contemporary cinema. This time around, they have added 15 new interviewees and 40+ returning favorites for the biggest and most comprehensive ‘80s Horror documentary cast ever assembled. This time we get a 4.5-hour ‘80s Horror retrospective to keep in the #Shocktober spirit. There isn't much additional to say except this series is a must watch/own for any horror fans out there.

You can check this one out on AMC and Shudder in various ways.

https://wix.to/XAw2IdK

"Phosphor" the latest release from Stahlmann is available now and features this song that was released a few months ago. #jackmeatsotn

https://youtu.be/l-k3Cx-YvUQ?si=f1QeshAAs2TMe_zd

Stopmotion (2023) Unfortunately, the creative use of stop-motion animation doesn't save this horror flick from being mediocre. #jackmeatsflix

My quick rating - 5.3/10. I was immediately greeted with the familiar logo of Shudder, which sets the stage for what you’re about to experience. As a fan of stop-motion animation, I was intrigued to see how this unique style would be used in a horror setting, but while the film had potential, it ultimately didn’t quite deliver. The story centers on Ella Blake (played by Aisling Franciosi), a stop-motion animator grappling with the recent loss of her overbearing mother. As she throws herself into a new project, her grip on reality begins to slip, and the characters she painstakingly animates start to take on a life of their own. The film uses Ella’s deteriorating mental state as a vehicle to explore themes of grief, creativity, and madness, with the lines between her work and her reality becoming increasingly blurred. One of the highlights I often don't notice is the film’s sound production and music choices, which add to the eerie and unsettling atmosphere. The drug-induced "tripping" scene is particularly well-executed, giving you a glimpse into Ella’s fractured psyche. However, despite these strengths, Stopmotion struggles to maintain momentum. The pacing is uneven, and while the concept is intriguing, the execution feels disjointed. The film doesn’t fully capitalize on the potential of its stop-motion elements, which could have been used more effectively to heighten the horror. Instead, it feels like a missed opportunity, with moments that could have been truly terrifying falling flat. In the end, it is a film that has some strong points but doesn’t quite live up to its premise. It’s worth a watch for fans of the genre, especially those who appreciate the art of stop-motion animation, but it may leave you wanting more.

Several streamers have this one available including Amazon.

https://wix.to/HenZfZr

One Piece: Season 1 (2024) This fantasy adventure show surprised me with its charm and family-friendly fun for a quick binge session. #jackmeatstv

My quick rating - 7.1/10. The live-action adaptation of One Piece brings the beloved pirate adventure to life with vibrant energy and a sense of fun that feels both fresh and true to its fantastical roots. In a seafaring world filled with larger-than-life characters, the show follows the journey of a young and determined pirate captain, Monkey D. Luffy, played by Iñaki Godoy, as he sets out with his eclectic crew to claim the title of Pirate King and uncover the legendary treasure known as One Piece. Godoy shines as Luffy, bringing an infectious enthusiasm and an endearing sense of wonder to the role. His portrayal captures the spirit of a young pirate with big dreams, and his charisma is a driving force behind the show’s charm. Emily Rudd  also impresses as Nami, delivering a performance that balances strength, wit, and complexity, making her a standout character in the ensemble. Despite being aimed at a younger audience, the show’s appeal extends beyond that demographic. The humor is well-timed, offering plenty of laughs without ever feeling forced, and the special effects are surprisingly good, especially for a TV series. The world-building is immersive, drawing viewers into a colorful and adventurous universe full of possibilities. As someone who has never watched the animated series, I was pleasantly surprised by how much I enjoyed this live-action adaptation. It stands on its own as an entertaining fantasy adventure, with a storyline that’s easy to follow and characters that are easy to root for. The blend of action, humor, and heart makes it a delightful watch, whether you’re a long-time fan or a newcomer to the franchise.

This show was a Netflix exclusive so as of now, that is where to check it out.

https://wix.to/6cTOSE8

Road House (2024) This remake has good and bad as most do yet still ends up being an entertaining flick despite being inferior to the Swayze original. #jackmeatsflix

My quick rating - 5.9/10. I don't care what anyone says, the original Road House with Patrick Swayze is a classic, a mix of gritty action, memorable one-liners, and a surprisingly charming storyline that makes it a staple of 80s cinema. So, when I heard about the 2024 remake, I was curious to see if it could capture even a fraction of that original magic. This new iteration stars Jake Gyllenhaal as Dalton, an ex-UFC fighter who takes on the role of a bouncer at a roadhouse in the Florida Keys. The setting is picturesque, but as Dalton soon discovers, this paradise has a dark underbelly. Let’s start with the positives. Gyllenhaal delivers a solid performance, bringing a level of charisma and intensity to the role that makes his version of Dalton entertaining to watch. You can tell he’s enjoying the part, and that enthusiasm translates well on screen. His performance is the highlight of the film and helps keep it afloat during its rougher patches. On the other hand, Conor McGregor's involvement is a different story. His portrayal feels more like a caricature than a character. He stomps around the screen, spouting cringe-worthy one-liners that fall flat. It's clear that acting isn't his strong suit, and his scenes often detract from the overall experience. His performance could have used a lot more villain and a lot less troll. One of the biggest letdowns of this remake is the lack of focus on the roadhouse itself. In the original, much of the charm came from watching Dalton clean up the bar, bringing order to chaos while dealing with the various unsavory characters who came through the doors. Here, the film spends too little time in the actual bar, missing out on what made the original so enjoyable. While I wasn't blown away by this remake, it did entertain me enough to start questioning just how good the first one actually was. It’s not a bad movie, but it struggles to capture the unique likeability that made the original a cult classic. I just felt like this remake was a mixed bag. Gyllenhaal's strong performance is almost enough to carry the film, but it's weighed down by McGregor's laughable acting and a script that doesn't fully embrace what made the original so beloved. If you're a fan of the original, you might find some enjoyment here but don't expect it to live up to the legacy of Patrick Swayze's Dalton.

Amazon is the only game in town as of 05.13.24 but check Justwatch for others later on.

https://wix.to/q36u4Gz

Cocaine Werewolf (2024) Unless this horrendous horror flick was using ACTUAL bags of cocaine instead of bags of flour, there is no way it costs 100K to make. #jackmeatsflix

My quick rating - 1.7/10. Oh, that was bad. This film claims to deliver a wild ride of horror, mayhem, and drug-fueled chaos, but in reality, it offers little more than an exercise in frustration. The premise has been used before and far better than this flick. A crew filming a horror movie in the mysterious woods of northern Pennsylvania encountering a real-life werewolf in what sounds like it could at least be entertaining in a so-bad-it's-good kind of way. Unfortunately, this film doesn’t even achieve that. Despite boasting a $100K budget, it's hard to see where the money went. Unless the prop bags of cocaine were literally filled with the real thing, there's no way this film cost that much. The werewolf costume is laughable, resembling something you’d find in a bargain bin the day after Halloween. The blood effects are atrocious, and the acting is so wooden that it makes you wonder if the cast was deliberately trying to be this bad. The film's biggest insult to the audience is its audacity to tease a sequel. After sitting through the painful experience of watching this, the mere suggestion that there could be more is almost offensive. This movie fails on almost every level, from its shoddy production values to its inept performances and lackluster effects. Overall, Cocaine Werewolf is absolute garbage. It’s hard to imagine anyone involved in this project thought it would turn out well. And if the makers are reading this, please don't try and hit me up with the "You just don't get the joke." I do, and I have seen this exact type of budget and humor used to incredibly good levels and this is just plain trash. If you’re looking for a low-budget horror movie with charm or even some unintentional humor, you won’t find it here. Save yourself the time and skip this #turkey.

If you are a glutton for punishment, check Justwatch for where to stream this.

https://wix.to/sCA3Igu

Here is what is coming to Netflix in September. #jackmeatsflix

https://www.tvguide.com/news/new-on-netflix/

Hotel Cocaine - Season 1 (2024) Tells an entertaining story about a club owner during the late '70s and early '80s Miami cocaine scene and how he ends up working for the CIA. #jackmeatstv

My quick rating - 7.0/10. Tells the story of Roman Compte (Danny Pino), Cuban exile, CIA operative, and general manager of the Hotel Mutiny, the glamorous epicenter of the late '70s and early '80s Miami cocaine scene. Roman also happens to be the long-lost brother of Nestor Cabal (Yul Vazquez) who happens to be THE Cuban cocaine kingpin of Miami. This inconvenient little family relation leads to the DEA forcing Roman to do whatever it takes to get dirt on his brother, and any other drug dealers who might happen to turn up. The series is a well-written piece that does a good job capturing the time frame's mood and energy. Or how I would assume it was, I was a bit young to really know. The shots are well-directed and each episode does its job keeping you interested in how it all turns out. The cast also turns in the performances to make it worth your time especially Michael Chiklis who makes sure you hate him and then realize everyone is being commanded by someone higher up. Still, his character and portrayal are convincing enough to make sure you despise him either way. And Mark Feuerstein nails the coked-up owner of the club and has some of the comedic moments that a show like this needed. After I binged through this one quite quickly I figured that last episode would wrap everything up in a nice little bow but to my surprise, not only did it finish the story in its 8th episode but also found a way to lead into a potential second season. It might be hard to find but it is worth it if you are interested in this genre and material. Bonus that the title song is so damn catchy you'll find yourself not skipping the credits even if Plex gives you the option to.

There aren't many streaming options for this one.

https://wix.to/Zsfncwi

Walden (2023) This STV thriller offers a quick and brutal bit of vengeance featuring decent performances from all involved. #jackmeatsflix

My quick rating - 5.7/10. This flick centers around Walden Dean (Emile Hirsch), a stenographer who has witnessed countless injustices in the courtroom. When he discovers he has a terminal illness, the repressed anger and frustration he’s held onto for years surface, leading him down a dark path of vigilante justice. As he takes matters into his own hands, the film delves into how far someone will go when they've finally had enough. Hirsch delivers an impressive performance for a straight-to-video thriller, convincingly portraying a man who has been pushed to his breaking point. His transformation from a quiet observer to a cold-blooded vigilante is compelling, even if the shift in his character feels a bit too smooth. Instead of a gradual descent into madness, Walden settles into his new role with an ease that strains believability. This makes his transition from a man with a conscience to a calculating killer seem less like a reaction to years of pent-up anger and more like a psychopath finally letting loose. The movie does an admirable job of making you question your own limits—how much would you endure before you decide to act? Walden's journey is relatable to a point, but the film stumbles in its execution. The pacing is uneven, with the story dragging in the middle before rushing through the conclusion. At 102 minutes, the plot feels poorly distributed, with some parts overstaying their welcome and others feeling underdeveloped. Despite its flaws, it manages to offer a decent ride for fans of the vigilante genre. The performances, particularly from Hirsch, elevate the material, and the film does provoke thought about the lengths to which someone might go when pushed too far. While it may not be a must-see, it’s certainly worth a watch if you’re in the mood for a quick dose of vengeance with solid performances.

Only a couple streamers including Amazon have this flick.

https://wix.to/jA3Zs75

Skinwalker Ranch (2013) It's a documentary-style supernatural flick that starts strong and has some decent ideas but strays from that and is hampered by some bad acting. #jackmeatsflix

My quick rating - 4.8/10. In 2010 “Skinwalker Ranch” gained media attention after experiencing a wide range of unexplained phenomena. Reports ranged from UFO sightings to livestock mutilation, but maybe most notable was the disappearance of ranch owner Hoyt Miller’s eight-year-old son Cody on November 11, 2010. Close to a year later, Modern Defense Enterprises has sent a team of experts to document and investigate the mysterious occurrences, which only escalate upon their arrival. Tensions rise as the team must decide how far they will go to unlock the mysteries of “Skinwalker Ranch.” The group debates whether the answers are worth risking their lives for, or if they should just call off the investigation and leave the ranch assuming leaving is actually an option. I am not typically a fan of this first-person style and the fake documentary has to be done right to be entertaining. This flick sits on the "so damn close" on both accounts to actually being damn good. The buildup and background is well done and presented in a very believable manner. The narrative as it is explained grabs your attention if you are a fan of the whole UFO and supernatural genre. After it gets going though, it loses that pseudo-realism and starts taking weird turns for no apparent reason. The characters become assholes and the story takes turns that can only be done to attempt more tension and the cost of reasonable. The camera work is one of the strong points since the multiple shots from different spots on the ranch are used well to keep us involved. The acting though ranges from passable to awfully and never in the upward swing. That is one big deterrent from this being a more recommended flick. In short, it has some good ideas, even tossed in on a hidden tape, and some really nice camera work but it just travels a weird path with some bad acting to balance out the mediocre affair.

It is either Amazon or AppleTV right now for this one. 

https://wix.to/UAUS707

Kingdom Of The Planet Of The Apes (2024) The incredible CGI and initial novelty of talking apes can't compensate for the lackluster storytelling and underdeveloped characters. #jackmeatsflix

My quick rating - 6.0/10. The latest Apes entry transports us several generations beyond Caesar's reign, presenting a world where apes dominate and humans lurk in the shadows. This installment introduces a young ape on a transformative journey, one that challenges his understanding of the past and forces him to make pivotal choices about the future of both apes and humans. At first glance, the movie’s visuals are breathtaking. The CGI used to bring the apes to life is undeniably impressive, seamlessly blending with the natural landscapes and creating a vivid, believable world. However, after the initial awe wears off, the novelty of talking apes quickly diminishes, especially for those who are familiar with the previous trilogy. The initial thrill of seeing these hyper-realistic apes in action is short-lived, as it doesn't offer anything groundbreaking compared to its predecessors. The narrative itself feels stretched thin, an unfortunate byproduct of trying to kickstart an obvious trilogy. The story takes its time to set the stage for future sequels, resulting in a pacing that drags more often than it excites. What could have been a tight, engaging tale is diluted by unnecessary length, making the film feel more like an extended prologue than a standalone feature. One of the more intriguing aspects of the film is how it handles Caesar's legacy. There's a spark of potential in the exploration of his impact on the current ape society, yet it remains frustratingly underdeveloped. Instead of delving deep into this rich history, the movie seems content with hinting at it, presumably saving the meat of the story for future installments. Character development, particularly for the new tyrannical ape leader and the young protagonist, Nova (Freya Allan) is somewhat superficial. Her acting isn't poor but it wasn't anything that stood out either and being surrounded by CGI, you should do more to make an impression. While their arcs are serviceable, they lack the depth and emotional resonance that made the original trilogy's characters so compelling. Their journeys are predictable, and their struggles feel more like plot devices than genuine character growth. I just feel this latest flick is a visually stunning but ultimately average beginning to a new trilogy. The incredible CGI and initial novelty of talking apes can't compensate for the lackluster storytelling and underdeveloped characters. Caesar's legacy is an almost-interesting thread that, unfortunately, seems to exist solely to set up future films. For now, this film is a decent start but leaves much to be desired in terms of fulfilling its potential.

As of 07.31.24 you only have a few streamers including Amazon to choose from.

https://wix.to/x2DPyeJ

Twisters (2024) I am glad they pulled off a worthy sequel to the original flick and brought the extreme weather back to screens for another round of fun. #jackmeatsflix

My quick rating - 6.9/10. I very much enjoyed the first flick and this one managed to strike a solid balance between paying homage to the original classic and taking advantage of modern advancements in technology and storytelling. While the original Twister boasted a stronger cast and the novelty of its plot, this sequel makes up for it with impressive visual effects and a bit more depth in its story. The film follows former storm chaser Kate Carter (Daisy Edgar-Jones) and Tyler Owens (Glen Powell), a reckless social-media superstar, as they find themselves thrown together when unprecedented and terrifying weather phenomena begin to ravage central Oklahoma. As storm systems converge, the stakes are higher than ever, pushing both characters and their respective teams to their limits. Edgar-Jones and Powell deliver decent performances, bringing enough charm and energy to their roles to keep the audience engaged. I thought the rest of the cast could've been a bit more developed to add to the bigger picture of the narrative but they only seemed to throw a little extra time to Kate's mom, played by Maura Tierney. However, it's the visual spectacle of the storms that truly steals the show. The effects are top-notch, making the extreme weather events feel both awe-inspiring and terrifying. And let's face it, that is why we are all here and as much as it would've been great to see at the drive-in, I think an IMAX screen would be a better bet to truly take it all in. Overall, I am glad to see director Lee Isaac Chung pulled off a worthy sequel that will appeal to fans of the original. While it may not surpass its predecessor in every way, it delivers enough thrills and excitement to make it a satisfying watch for anyone who enjoyed the first film.

Amazon and a few other streamers have this flick for you.

https://wix.to/G3ybqyH

Atlas (2024) This JLo sci-fi flick has well-done action and solid CGI but it doesn’t quite elevate itself beyond the typical sci-fi fare despite the money they threw at it. #jackmeatsflix

My quick rating - 5.8/10. This flick dives headfirst into the ever-relevant theme of artificial intelligence and humanity's uneasy relationship with it. Jennifer Lopez stars as Atlas, a brilliant yet skeptical data analyst who finds herself on a high-stakes mission to capture a renegade robot with whom she shares a mysterious past. Simu Liu plays Harlan, her nemesis in this technologically charged adventure. From the get-go, it’s clear that Atlas had a sizable budget, and the special effects are impressive. The film delivers a visual spectacle with its sleek design and well-executed action sequences. Whether it’s the futuristic landscapes or the explosive battle scenes, the film makes sure to give you your money’s worth in terms of eye candy. One of the film’s strengths is the dynamic between Lopez's character and the A.I. known as Smith, played by Gregory James Cohan. The unlikely buddy story between them adds an unexpected layer of warmth and humor to the otherwise intense narrative. This relationship gives the film a human touch, even as it delves into the complexities of artificial intelligence. Even with all the technological beauty, the movie isn't without its flaws. The numerous mission briefings printed and handed out 30 minutes before deployment are almost laughable, adding an unintended layer of absurdity to the plot. This is indicative of the script's occasional lack of coherence, as it sometimes struggles to balance the story's many moving parts. While it is packed with well-done action and strong performances, particularly from Lopez and Cohan, it doesn’t quite elevate itself beyond the typical sci-fi fare. The film offers some entertainment value but ultimately falls short of being a standout in the genre.

This scifi flick is a Netflix exclusive.

https://wix.to/Zcnpk4Y

Renegade Nell: Season 1 (2024) Some decent action scenes, a bit of supernatural fun and a charming lead gets muddled up in some lazy writing and canned after season 1. #jackmeatstv

My quick rating - 6.2/10. The show started with an interesting enough premise: Nell Jackson, wrongfully accused of murder, is thrust into a life of crime, becoming a highwaywoman alongside her two orphaned sisters, Roxanne and George. The addition of a mischievous little spirit named Billy Blind (Nick Mohammed) hints at the magical elements woven into the story, but sadly, the execution just doesn't live up to its potential. Louisa Harland brings a charming innocence to her role as Nell, giving the swashbuckling character a likable quality. Her portrayal is one of the highlights, and you can't help but root for her even as she stumbles through a series of unfortunate events. The humor in her constant bad timing and accidental deaths add a lighthearted touch, but the laughs are often overshadowed by the show's predictability. The first thing that hit me was the writing feels lazy at times, with the storylines lacking depth and complexity. I noted this down in the first few minutes and you will as well immediately in episode 1. There are some pretty well done action scenes that seamlessly allow the exaggerated superpowers to work with the fighting style of the older times. A musical number episode was a surprising, and somewhat disappointing, low point, making it feel like the show was grasping at straws to keep things interesting. This desperation for novelty is perhaps another reason why the show ultimately got canceled. The supporting cast adds some fun, but their characters feel underdeveloped, leaving several potentially compelling side stories untold. There’s a sense that the show had ambitions of being more than it was but never quite figured out how to achieve them. Maybe the creators had plans for more seasons to finish their thoughts, who knows? While Renegade Nell had moments of charm and decent humor, it struggled to break free from its own clichés. The high IMDb rating seems puzzling given the show’s flaws, and it’s easy to see why it didn’t make it to another season.

Currently streaming on Disney+ or check here in the future for other streaming options.

https://wix.to/qSZxtXu

The new album Ctrl End by Luna Falling is available now. #jackmeatsotn

Check out the single "THE ALGORITHM" on Youtube.

https://youtu.be/Rm-XPUmYT2Y

Blood And Snow (2023) It isn't the worst "Thing" ripoff out there, but it doesn't bring anything new to the table and doesn't give enough entertainment to leave an impression. #jackmeatsflix

My quick rating - 3.4/10. As long as it took to find the proper lengthed version of this flick, I really hope it is worth it. It is a low-budget horror flick that tries to blend elements of classic sci-fi horror but unfortunately falls short all over the place. The film centers around a group of scientists who stumble upon a meteor in the Arctic. One of them meets a gruesome end, while another gets infected, setting off a chain of events that leads to a nearby base taking in the survivors to investigate the incident. From here, the plot thickens as the survivor’s identity raises questions, echoing familiar themes we've seen before. The movie clearly draws inspiration from John Carpenter's The Thing, but it doesn't manage to capture the same tension or dread. The story is predictable, following a well-trodden path with few surprises along the way. The ending, intended to be shocking, comes off as silly and a bit of a letdown after the slow build-up. Vernon Wells is the only actor who stands out in the cast, delivering a passable performance that keeps the film somewhat watchable. Unfortunately, the rest of the cast falls flat, delivering performances that are just wooden and uninspired. The lack of strong acting further hampers the film's ability to create the necessary atmosphere of suspense and fear. Visually, the movie does have some redeeming qualities, with the Arctic setting providing a chilling backdrop that adds to the isolated and eerie mood. However, the special effects, especially when dealing with the alien infection, are hit or miss, with some scenes looking too amateurish to be taken seriously. In the end, this flick fails to rise above being just another B-movie horror. If you're a fan of the genre and enjoy films with an arctic setting, you might find some entertainment value here. However, for most, this film will likely be a forgettable experience, offering little in terms of originality or genuine scares. It isn't the worst Thing ripoff out there, but it doesn't bring anything new to the table. With flat acting, a predictable storyline, and a silly ending, it’s a film that struggles to leave a lasting impression. Fans of Vernon Wells might find it worth a watch, but for everyone else, this is one you can safely skip.

Rent or buy, Fandango at home is your only listed option on Justwatch.

https://wix.to/eL2NL1f

Kraken (2024) Just a quick trailer update and it looks like they are going to be bringing the violence in this next comic book inspired flick. #jackmeatsflix

https://youtu.be/hR1-ihzff3I?si=RLJREJF0GNYUf8gL

Marlon Wayans: Good Grief (2024) If you are a fan of the Wayans, this one tackles comedy during grief and always makes for some amusing background while you multitask. #jackmeatstv

My quick rating - 6.0/10. I find it very impressive that with such huge loss, Marlon Wayans comedically explores grief after losing his parents. Taped at the iconic Apollo Theater, he reflects on his father's lessons, joining the "Dead Mama Club," changing aging parents' diapers, and who's the funniest Wayans. I have seen better sets by this particular Wayans as recently as his last one. I didn't find the subject matter to be the problem, I just didn't think his jokes hit quite as solidly as they normally do. To me, it felt like he was coming up with good ideas but didn't get a chance to organize them for the proper finish. The part with Shaq and the NBA for example just didn't work. Pop it on for background as I have found stand-up is perfect for but if you are trying to find his best, this isn't it and if you are looking for who the funniest Wayans is, I think Marlon comes up with a pretty great answer here. MOM.

Justwatch has nothing, the cover says Prime and my database says Netflix. Good luck!

https://wix.to/xPKtPcS

Hellarious (2019) Just a quick thought on this horror flick since today is the day Wix is supposedly limiting social sharing, which is how I get my daily posts distributed. #jackmeatsflix

My quick rating - 4.1/10. There are way too many misses of the 7 shorts. A once-in-a-lifetime feature collection that brings together seven of the most legendary horror comedy shorts ever made. The stories, from some of the world’s best genre filmmakers, feature a hilarious menagerie of zombie wives, amateur Satanists, reverse werewolves, cannibal lunch ladies, and more -- along with gust-busting gags, gross-outs and gore. Doubt it. Killer Karts- clearly someone worked in retail BUT you can't start the bailer before the cage is closed 😂I clearly didn't have much to say during this flick but I think you get the idea, mediocre anthology horror that may have had a highlight or two but not a single one that sticks in my memory minus a cardboard bailing joke that only people who worked in retail will even understand.

It is either Amazon or these freebies with ads if you want to watch this flick.

https://wix.to/1SXSF97

The Area 51 Incident (2022) Strangely enjoyable b-budget sci-fi horror flick with inconsistent CGI, a lack of on-screen gore, and characters who make bafflingly poor decisions. #jackmeatsflix

My quick rating - 3.7/10. This was a mixed bag of sci-fi horror that managed to entertain despite its noticeable flaws. The film centers around an outbreak in the notorious Area 51, forcing a group of survivors to seek refuge in an underground bunker. However, they soon discover that they are not alone, setting the stage for a tense, albeit somewhat predictable, survival story. One of the flix more glaring issues is its overuse of CGI effects. The quality of the CGI varies significantly, oscillating between decent and distractingly poor. Given the movie’s budget, it’s not entirely surprising, but the reliance on these effects becomes excessive, detracting from the overall experience. The practical effects are sparse, and unfortunately, the film's near-total lack of on-screen gore undermines the horror elements. Much of the violence happens off-screen, which may disappoint you if seeking a more visceral experience. The characters are a weak point to say the least. Their frequent lapses in judgment and lack of personal safety make it challenging to empathize with them. They repeatedly make foolish decisions, venturing into danger without adequate caution, which strains credibility and makes it hard to care about their fates. This stupidity undercuts the tension and suspense that the film attempts to build. I'd mention who they were but I didn't recognize a single one. The cinematography relies heavily on long shots, often keeping the chaos at a distance. While this approach can create a sense of scale, it also means that much of the action is glimpsed rather than fully experienced. This technique can be frustrating, as it keeps us at arm's length from the horror and limits the emotional impact. Despite these shortcomings, it is not without its merits. The film has a fun, brisk pace, packing in a fair amount of action that keeps things lively. The second half particularly, as it delves deeper into the nature of the creatures and the parasitic infection they spread. The scenes where the creatures break out of infected bodies and possess new hosts are among the film's more memorable moments. In summary, it is an uneven but ultimately enjoyable b-budget sci-fi horror flick. It struggles with overused and inconsistent CGI, a lack of on-screen gore, and characters who make bafflingly poor decisions. However, it redeems itself with a fast pace, a decent amount of action, and interesting creature lore. It’s not as bad as it could have been, and for fans of the genre, it offers just enough to make it worth a watch if you know what you are getting yourself into for the 81 minutes.

This one is only a buck on Amazon and these streamers or freebies with ads.

https://wix.to/JBqZz9p

Bring Her To Me (2023) I did my best to find some good in this flick but there isn't much to go on so unless you really need to see Bec Doyle's boobs, I would pass on this one. #jackmeatsflix

My quick rating - 2.5/10. I selected this tonight completely due to the 56-minute runtime. As it started, they also informed me that it is a Full Moon flick which I am a fan of. A woman, played by Bec Doyle, is plagued by nightmares about traveling to a dark realm and a demonic entity that awaits her arrival. With the help of a friend, she consults a dream interpreter to end the nightmares, only to find that no one is who they seem and the real horror is about to begin (for us as viewers.) This is a very cheap production from top to bottom and although they embrace it, you still cannot shake the less-than-stellar values here. The renowned Charles Band does have his hand in the writing of this one but I am fairly sure he was just coasting to get through this narrative. The flick just seemed more like a vehicle to show off Doyle's boobs since she keeps traveling back to this dimension with a demon that has one purpose in mind, sex. The demon (Emerson Niemchick) does have a couple of humorous moments but overall this really isn't worth recommending and I can't say much more. The nightmare realm is basement quality and the story itself is just filler. I tend to enjoy the Full Moon films for their effort and creativity not to mention the nostalgia of what they did for home video but this just isn't one of their better productions.

Amazon is linked up with Full Moon, so that is where to check it out right now.

https://wix.to/tjwafdy

MaXXXine (2024) This might be the weakest flick in Ti West's trilogy but that doesn't mean it isn't a well-made thriller with Mia Goth again captivating us as Maxine. #jackmeatsflix

My quick rating - 6.5/10. Ti West’s MaXXXine closes out the trilogy that began with the grindhouse horror X and the technicolor brilliance of Pearl. Set in 1980s Hollywood, the film follows an adult film star with aspirations of becoming a mainstream actress, as she finally gets her big break. Mia Goth is brilliant once again as Maxine Minx as she is traversing her way to stardom out of the porn industry. However, her rise to fame is shadowed by a mysterious killer who begins stalking and murdering the starlets of Hollywood. As the bodies pile up, the trail of blood threatens to unearth Maxine’s sinister past. The film is a fascinating blend of late '70s Giallo aesthetics with nods to the '80s video nasty slashers. While it expertly captures the atmosphere of the era, the flick refrains from fully committing to the horror elements that defined the previous entries in the trilogy. This is where the film falters in my opinion. Unlike X, which embraced its grindhouse roots, and Pearl, which thrived on dramatic intensity, MaXXXine tiptoes around the horror genre, often pulling back just when you expect it to dive in. Despite that, this flick remains an entertaining and well-made thriller. The high production values are evident, and West’s direction is as sharp as ever. His ability to write and direct a cohesive trilogy is impressive, and he continues to showcase his talent behind the camera. The film's visual style is stunning, with cinematography that perfectly captures the gritty yet glamorous vibe of 1980s Hollywood. However, as the final chapter in a trilogy that began with such promise, MaXXXine feels to me like the weakest entry. It doesn’t quite match the intensity or impact of its predecessors, leaving you wanting more from what should have been a thrilling conclusion. You know I won't do spoilers but for all of that to be wrapped up in this conclusion was a letdown. Nevertheless, for fans of the series and those who appreciate a well-crafted thriller, this is still worth a watch. Just don’t go in expecting the same level of horror that made the first two installments so memorable.

There are a few streamers with this one along with Amazon and the theaters.

https://wix.to/sI96Wjd

Totally Killer (2023) This clever comedic slasher was on my shortlist for the top 10 of last year and is definitely worth checking out if you are a fan of the genre. #jackmeatsflix

My quick rating - 6.5/10. I enjoyed how this flick brings a nostalgic twist to the slasher genre, blending time travel with classic horror elements. The film kicks off with the return of the notorious "Sweet Sixteen Killer" on Halloween night, 35 years after his initial rampage. Kiernan Shipka shines as Jamie, a seventeen-year-old who, while fleeing from the masked killer, accidentally time travels back to 1987—the year of the original murders. What makes this slasher stand out is its clever mix of humor and horror. The film nails the late '80s culture, from the fashion to the music, making the time-travel element both entertaining and engaging. The humor is spot-on, offering a lighthearted counterbalance to the suspense and brutal kills that fans of the genre crave. The kills themselves are well-executed, satisfying the slasher film criteria. The movie also delivers some unexpected twists, keeping the audience on their toes. Jamie's interaction with her teen mom adds an intriguing dynamic, as they team up to stop the killer and prevent future murders. Overall, I thought this was a fun flick that hits all the right notes for a horror-comedy. It’s a playful homage to '80s slasher films with a modern twist, and while it may not be groundbreaking, it’s definitely an entertaining ride that horror fans will enjoy. I had this one on my shortlist for the top ten of the year for last year (which due to unforeseen circumstances, I never finished that idea up.)

This is an Amazon exclusive as of 10.31.23 and is still the case according to Justwatch.

https://wix.to/ZW7IkuG

The latest release from Mushroomhead, Call the Devil is out today. What are you waiting for? #jackmeatsotn

https://youtu.be/0ZXlXFkTFoo?si=BV6AymbGTp1sYdon

Late Checkout (2023) Brief notes on a cabin in the woods horror flick that I can only recommend to huge fans of Felissa Rose otherwise feel free to avoid. #jackmeatsflix

My quick rating - 3.2/10. At a runtime of 69 minutes, this one is a perfect end-of-night horror fix for me. If nothing else, the soundtrack hits the right note. The small town of "Banner Elk" has fallen victim to a serial killer dubbed, "The Banner Elk Butcher," who makes art out of his victims in a brutal fashion. A group of friends are about to discover just how brutal his art can be. I am sure it won't come as any surprise, but this soiree all seem to dislike each other right from the get-go. Director Josh Graves seems to be just as focused on the "Demoni Inferno" advert that appears on the TVs as on the feature film he is attempting to present to us. I won't say why but there is NO iron in the world that heats up that fast. If you watch this flick, you'll see what I mean. Felissa Rose goes for the Oscar nomination as the mother who absolutely steals the show with a totally hammed up scene. I don't want to spoil it but she goes way over the top and looks like she enjoyed every moment.

Justwatch has nothing, that was March, Amazon has it now.

https://wix.to/KfEg14v

New Life (2024) More of a pandemic thriller than horror, this one is hampered by its rushed pacing and underdeveloped plot. #jackmeatsflixhttps://wix.to/Q5em0Pu #newblogpost

My quick rating - 5.4/10. This flick introduces us to a mysterious woman on the run, Jessica, portrayed by Hayley Erin, and a resourceful fixer named Elsa, tasked with bringing her in. The film sets the stage for what promises to be an intense cat-and-mouse game with apocalyptic stakes, but unfortunately, it falls short of delivering on its premise. Jessica's character, while acted competently by Erin, often feels too passive. There are moments where Erin shines, showing the potential for a more dynamic character, but these moments are too few and far between. The film's pacing seems rushed, and as a result, not enough significant events unfold to keep the audience fully engaged. It is bizarre to say that a flick feels rushed when so little happens but that is just how it felt. One of the more intriguing elements of the film is the character Elsa, the officer pursuing Jessica, played by Sonya Walger. The twist of the officer being afflicted with ALS adds an interesting layer to the hunt, offering a unique and humanizing perspective on the relentless pursuit. Despite these promising aspects, the movie leans more towards being a pandemic thriller than a true horror film. The tension and atmosphere that typically define the horror genre are lacking, which may leave horror enthusiasts wanting more as I did. It has some compelling ideas and performances but doesn't quite manage to execute them effectively. The film's potential is hampered by its rushed pacing and underdeveloped plot, resulting in a thriller that feels more like a missed opportunity than a must-watch.

This one has a few streamers aside from Amazon to choose from.

https://wix.to/Q5em0Pu