Wednesday, June 17, 2026

Wake Up (2024) | Predictable? Absolutely. But sometimes watching idiots wander into disaster is all the entertainment you need. #jackmeatsflix

My quick rating - 5.3/10. Wake Up wastes no time introducing its group of young activists, who sneak into a giant furniture superstore after hours to make an environmental statement. Their master plan involves masks, vandalism, social media, and apparently very little consideration for how stores actually close at night.

Seriously, half of these kids would have been spotted long before the doors were locked.

The film opens with them hiding throughout the warehouse-sized store, and right away you have to accept a fairly large suspension of disbelief. If you've ever worked retail, your first thought might be, "There is no way these idiots made it past closing." But horror movies have never been particularly interested in practicality, so I rolled with it.

Meanwhile, we're introduced to a security guard, Kevin (Turlough Convery), who gets dumped onto the night shift after throwing a workplace tantrum. As horror movie setups go, this is roughly equivalent to seeing a shark swim into frame twenty minutes before someone decides to go surfing.

The activists themselves aren't exactly easy to root for. Their months-long plan appears to have involved very little actual planning, and every decision they make somehow manages to make the previous decision look smart by comparison. At several points I found myself wondering whether the writers were intentionally parodying these characters. The movie certainly feels self-aware enough to know how ridiculous some of their choices are.

Thankfully, once everything goes sideways, Wake Up becomes a lot more fun.



The doors lock for the night, and suddenly the group realizes they are trapped inside. You know, the thing doors famously do after a store closes. Watching their shock at this development gave me almost as much entertainment as the actual horror elements.

Then our disgruntled security guard starts turning the night into his own personal hunting expedition.

From there, Wake Up settles into slasher territory. The kills are brutal, the tension is solid, and the giant store makes for a surprisingly effective playground of death. One standout sequence involves the characters covered in neon paint while navigating near-total darkness. It looks fantastic, even if the movie had already established conditions that made the scene questionable. Horror logic wins again.

The biggest weakness is predictability. Almost every major development can be spotted well in advance, and the film rarely attempts to challenge slasher conventions. If you've watched enough horror movies, you'll probably find yourself accurately predicting who survives, who doesn't. And roughly when things are going to go very badly.

Still, Wake Up executes its familiar formula well. The production quality is strong, the setting works, and Convery makes for a memorable threat. Most importantly, the movie sticks the landing. Rather than reaching for a safe, feel-good Hollywood ending, it goes in a darker direction than I expected and feels far more appropriate. The final moments even sneak in one last wickedly dark joke before the credits roll.

Wake Up (2024)
Wake Up (2024)

Wake Up may not reinvent the slasher genre, but watching a group of painfully overconfident activists realize they chose the absolute worst security guard on Earth to annoy provides plenty of entertainment on its own.

https://jackmeat.com/wake-up-2024/

Tuesday, June 16, 2026

Heart of Stone (2023) | Not every twist lands perfectly, but Heart of Stone keeps throwing enough surprises around to stay entertaining. #jackmeatsflix

My quick rating - 5.8/10. Another big-budget Netflix exclusive, this time starring Gal Gadot. Nice scenery to start this one off. Is it just me, or does Netflix seem to enjoy throwing money at snow lately? Heart of Stone takes us on a thrilling ride through a world of espionage, danger, and deception, led by Gal Gadot doing her usual thing where she looks like she belongs in every frame no matter what is going on around her.

As the big budget allows, the flick boasts some genuinely stunning visuals and solid action sequences that will keep you engaged from start to finish. The opening in the snowy mountains immediately sets a sense of scale and “yes, this definitely cost a lot to film.” The landscapes are doing a lot of work here, and to be fair, they’re pretty great at it.

Gal Gadot plays Rachel Stone, an intelligence operative caught in a web of intrigue, betrayal, and people making questionable life choices in high-security organizations. Her on-screen presence and physicality really shine in the action scenes, and she sells the role well enough that you mostly stop questioning how she’s still standing after everything she goes through. Rachel Stone is strong, resourceful, and constantly in situations where I would’ve simply retired and moved somewhere quiet halfway through.

The plot revolves around a global peacekeeping organization and its prized asset, which of course means everyone immediately wants it. Because that’s how these things always work. The narrative keeps things moving with plenty of twists, turns, and betrayals. At some point I stopped tracking loyalties and just accepted that nobody here is trustworthy for more than about ten minutes at a time.



While the action scenes are definitely a strong point, the film does try to sprinkle in emotional beats for the characters. Gadot adds some vulnerability to Rachel Stone alongside the determination, and Jamie Dornan does bring a bit more edge to his role than I expected. The supporting cast is solid too, even if some of the “character moment” scenes feel like the movie briefly remembering it has feelings before quickly going back to explosions.

Visually, Heart of Stone does a really good job balancing icy landscapes with the fiery chaos of everything else happening. The cinematography and production design make it feel polished and global in scale. It’s one of those movies where every location looks like it’s trying to outdo the last one, and it mostly works.

That said, the pacing does wobble a bit here and there, and some plot developments are definitely living in familiar spy-thriller territory. You’ll recognize the beats if you’ve seen even a handful of these, but it moves fast enough that you don’t really get stuck on it.

Still, it’s a decent addition to the espionage genre. Not groundbreaking, not reinventing anything, but entertaining enough to justify the runtime. A glossy, globe-trotting spy ride with enough twists to keep you paying attention, even if you occasionally find yourself thinking “yeah…this is definitely a Netflix action movie.”

Heart of Stone (2023)
Heart of Stone (2023)
https://jackmeat.com/heart-of-stone-2023/

Monday, June 15, 2026

The Rake Investigation (2025) | Boredom and stupidity spent 75 minutes battling for screen time, and somehow neither one lost. #jackmeatsflix

My quick rating - 2.5/10. The Rake Investigation is another entry in the ever-expanding BCU (Bog Cinematic Universe?), proving that apparently every cryptid, urban legend, and creature someone once mentioned around a campfire deserves its own movie. This time the Bog crew heads back into the dark Northeast forest in search of the elusive Rake, and after watching the trailer I can honestly say I was warned. The warning signs were everywhere. I ignored them anyway. Sometimes curiosity wins. Sometimes curiosity gets punished for 75 minutes.

Things kick off with what can only be described as an acting masterclass, assuming the class is called "How Not to Deliver Dialogue." A mayor and a couple of construction workers discuss people mysteriously disappearing in the area, and within minutes I was already questioning every choice that led me to pressing play. The Bogman gets mentioned, people are vanishing, and the movie immediately establishes the level of horror quality we're working with.

Very soon, you meet yet another group of YouTube ghost hunters named Chasing the Unknown. The found-footage format will be familiar to you if you have been watching ghost hunter teams roaming around in the forest with cameras before. One running theme is that nobody seems to like Richard (Mitch Laing) very much. The movie spends a surprising amount of time showing us why, and after a while I started to understand their position. Unfortunately, understanding their dislike of Richard turned out to be more interesting than the actual investigation. And he wrote this, LOL.



The primary flaw in the movie is the sheer amount of time spent discussing rather than doing anything. Characters argue, gripe, roam about, and debate the Rake for what seems like an eternity without uncovering much of any importance. By the halfway point, boredom and stupidity were locked in a fierce battle for dominance over my viewing experience.

When the Rake finally makes more of an appearance, the results are...unique. The creature design is mostly practical, which is usually something I'd praise in a low-budget horror film. Here, however, it somehow works against the movie. The Rake ends up looking more goofy than frightening, and the filmmakers clearly hoped excessive sound effects would make up the difference. Spoiler alert: they don't.

I did get a slight chuckle out of the Bigfoot references and the casual way the film mentions all these other cryptids the crew has apparently encountered. At this point, the BCU feels less like a cinematic universe and more like someone emptying an entire book of urban legends onto the table and seeing what happens.

The Rake Investigation (2025)
The Rake Investigation (2025)

Overall, The Rake Investigation feels like an inside joke that accidentally got turned into a feature-length movie. Between the weak acting, endless talking, uninteresting characters, and underwhelming creature work, there's very little I can recommend. I was warned, I watched it anyway, and now I can confidently pass that warning along to the next unfortunate viewer.

https://jackmeat.com/the-rake-investigation-2025/

Sunday, June 14, 2026

Speed Demon (2026) | I watched a nun perform an exorcism on a speeding train and honestly had fewer questions than you would think. #jackmeatsflix

My quick rating - 4.1/10. Something made me smile when I read the premise of Speed Demon. A runaway high-speed train. A possessed passenger. A nun who has lost her faith. An exorcism performed at 300 km/h. It sounds like someone watched Speed, any Exorcist flick, and maybe one too many late-night horror marathons before deciding, "Why not all of them at once?"

The film opens with a dark, dreamlike sequence involving a little girl searching for her father before a woman jolts awake. It does not take long for Speed Demon to explain the trauma behind those nightmares. Nor does it take long to reveal that the woman is Sister Lu (Katie Cassidy), a nun struggling with both her faith and a drinking problem. Honestly, a horror movie nun carrying around enough emotional baggage to qualify for excess airline fees is pretty standard these days.

Once the train gets moving, we meet the collection of passengers who will spend the rest of the movie trying very hard not to die. There's a guy saying goodbye to his new girlfriend, who gives him a mysterious gift for the journey, a priest played by William H. Macy, and the scene-stealer of the entire film, young Sofia, played by Sky Vaux Fuller. Sofia is adorable, funny, and somehow tougher than half the adults onboard. Every time she appeared, the movie instantly became more entertaining.



The biggest surprise was how much I enjoyed the group dynamic. The characters are undeniably hokey, but there is a genuine charm to the way they interact. Sister Lu's dry humor helps, and the cast's chemistry keeps things watchable even when the story is running low on ideas. Their relationships ended up being my favorite part of the entire movie.

Unfortunately, Speed Demon falls into the trap of believing that constant action automatically equals excitement. The action scenes arrive frequently, but they become repetitive surprisingly quickly. Characters run up train cars. Then they run down train cars. Then somebody gets thrown across a train car. Then everyone runs through another train car. After a while, I felt like I had travelled the full length of this train more times than the conductor.

Visually, the film is polished and looks far better than many movies of this type. The production values are solid, and the train setting works well enough to maintain some tension. The problem is that all the style in the world cannot make up for a story that doesn't have enough depth beneath the spectacle.

And seriously, the ending. Not content with serving a generous helping of Hollywood clichés, Speed Demon grabs the entire bowl, asks for seconds, and somehow still finds room for an overly optimistic sequel tease.

Speed Demon (2026) #jackmeatsflix
Speed Demon (2026)

Was it great? Not even close. But as a mindless horror watch after a long day at work, it gets the job done. No deep thinking required. Just demons, a train, exorcisms, and enough shots to qualify everyone on board for a pub crawl.

https://jackmeat.com/speed-demon-2026/

Saturday, June 13, 2026

Mortal Kombat II (2026) | Mortal Kombat II embraces everything that makes the games fun, including the part where people's spines and heads become optional. #jackmeatsflix

My quick rating - 6.7/10. Mortal Kombat II starts by throwing us straight into Edenia. A young Princess Kitana receives a protective necklace from her father, King Jarod. It's a nice little moment before Shao Kahn (Martyn Ford) inevitably arrives to remind everyone that peace and happiness aren't really things that exist in Mortal Kombat. There's some quick narration explaining the situation, a brutal outcome that fans will see coming from a mile away, and before long we're jumping ahead to an older Kitana (Adeline Rudolph) as Outworld issues its challenge to the Elder Gods.

In other words, they don't waste much time getting to the good stuff.

Right off the bat, what caught my attention was the confidence of Mortal Kombat II as opposed to the 2021 edition. The 2021 Mortal Kombat takes up too much time trying to shove a new character down our throats, when there are so many fan favorites already. This sequel finally puts the spotlight where it belongs.

That includes Johnny Cage.

His introduction might be my favorite in the entire movie. We get a wonderfully cheesy clip from one of his old action movies, Uncaged Fury, complete with a grainy logo and over-the-top action. Then reality hits, and we find him signing autographs at a convention while reliving his glory days. Karl Urban absolutely steals the show here. His version of Johnny Cage isn't nearly as arrogant as previous incarnations, but he's endlessly entertaining. Every scene he's in gets a boost. And if some of those younger-looking shots caught your eye, that's because they actually used his son, Indy Urban.



A brilliant decision was bringing Kano back. Josh Lawson was one of the strongest parts of the previous film, and I'm glad the filmmakers seemed to realize that. Kano continues to be a professional pain in everyone's backside, delivering some of the funniest moments in the movie. And Kano wouldn't be the same if his mortal enemy Sonya Blade (Jessica McNamee) didn't return as well.

Of course, nobody is buying a ticket to Mortal Kombat II for character development.

The fights are exactly what they should be. Fast-paced, brutal, visually stunning, and packed with iconic moves and fatalities from the games. The choreography is excellent. The weapon work looks fantastic. And the CGI blends seamlessly with all the ridiculous powers and effects. This is a noticeable step up from the 2021 movie.

As someone who recently finished Mortal Kombat X, I found it especially fun to spot locations and story elements pulled from the games. Writer Jeremy Slater clearly spent time looking at what fans actually love about the franchise, and director Simon McQuoid listened.

Keep an eye out for Ed Boon as a bartender too. The co-creator of Mortal Kombat sneaks into the movie for a fun little cameo.

I still think the 1995 Mortal Kombat has the better soundtrack, and Christopher Lambert remains my favorite Raiden, but in terms of faithfully recreating the games, Mortal Kombat II is easily the strongest adaptation yet. The production values are on another level compared to the '90s films, and gamers are going to eat this one up.

The general audience probably will too.

The fatalities, however, might leave a few people reconsidering exactly how many bones the human body is supposed to have.

Mortal Kombat II (2026) #jackmeatsflix
Mortal Kombat II (2026)
https://jackmeat.com/mortal-kombat-ii-2026/

Friday, June 12, 2026

Vampires of the Velvet Lounge (2026) | A surprisingly funny vampire movie that reminds us some matches really are too good to be true. #jackmeatsflix

My quick rating - 5.2/10. If modern dating apps weren't already a horror show, Vampires of the Velvet Lounge comes along and asks an important question. What if your next match was literally trying to drain your blood? Suddenly getting ghosted doesn't sound so bad.

The film opens with a lengthy recap of the Elizabeth Bathory story. You know the one. The legendary countess who was addicted to preserving her youthful beauty. It is rumored that she would bathe in the blood of young virgins before being locked up in a tower where she would later die. It’s nothing new, but it serves to set the stage for the contemporary vampire story that ensues.

The very first bar sequence was eye-catching for me because of its dull palette, which makes the red and green colors pop. Once the Green Fairy appeared and claimed her first victim, I could not help drawing a connection between this character and Nitara from the game Mortal Kombat. Practical and digital blood effects work well together and prepare us for the credits, backed by Anna Calvi singing Ain't No Grave.

Mena Suvari plays Elizabeth Bathory, while Tom Berenger shows up as Albert, a man determined to finally stop her. Backing him up are Dichen Lachman as Cora and Rosa Salazar as Alexis. Meanwhile, Elizabeth and her coven are using dating apps to lure unsuspecting men back to their absinthe lounge for feeding sessions and blood collection. It's probably the most extreme example of false advertising I've seen on a dating profile.



The victims include Stephen Dorff, Tyrese Gibson, and Lochlyn Munro. Dorff continues his tradition of appearing in some wonderfully oddball projects. Usually the movies he pops up in have some hidden twist or secret, but Vampires of the Velvet Lounge is pretty straightforward. It promises vampires, blood, and mayhem, then gets right to work delivering exactly that.

One thing I wasn't expecting was how funny this flick was. A line during a car scene comparing the situation to a drive-thru got a genuine laugh out of me. Vague description, but I don't want to spoil it. In fact, every time a vehicle enters the story, something ridiculous seems to follow. The film never takes itself too seriously, and it's better for it.

The action is equally entertaining. A chaotic bar sequence delivers plenty of violent fun, and there is absolutely no shortage of blood. Most of it is digital, but writer/director Adam Sherman isn't shy about covering the screen in as much red as possible. Combined with the noir-style narration, dance-heavy soundtrack, and colorful visual effects, the movie creates an energetic atmosphere that feels part horror film, part nightclub fever dream.

Beneath all the bloodshed, Vampires of the Velvet Lounge even slips in a surprisingly effective warning about online dating. Through computer screen montages and a few clever observations from the coven, the film suggests that blindly trusting strangers online can have consequences. Usually it's an awkward date. Here, it's becoming part of someone's skincare routine.

Vampires of the Velvet Lounge (2026) #jackmeatsflix
Vampires of the Velvet Lounge (2026)

Vampires of the Velvet Lounge is not trying to change the face of vampire films. The goal of the movie was to be fashionable, sexy, humorous, and incredibly gory. Good news. It delivers, mostly. If you feel like watching a gory, fast-paced vampire movie that will leave you in stitches, this one has guilty pleasure written all over it.

https://jackmeat.com/vampires-of-the-velvet-lounge-2026/

Thursday, June 11, 2026

Los Habitantes (2023) | My new glasses worked perfectly because I could clearly see the twist coming from about fifteen minutes in. #jackmeatsflix

My quick rating - 4.7/10. As you know, I’ve finally gotten my new glasses. This means that I’m able to watch any movie with subtitles without it seeming like an impossible task to read hieroglyphs from across the room. This took me to Los Habitantes, which is a Spanish horror movie about Emiliano (Jorge Luis Moreno), who finds himself returning to Monterrey following an accident and haunted by ghosts from his past.

Before we get too far, I have to mention one important lesson this movie got completely wrong. Those fancy automated roll-over pool covers are definitely not airtight. Horror movies continue their proud tradition of making everyday household items seem far less reliable than advertised.

To its credit, Los Habitantes gets off to a promising start. In the early stages, there are a few good scares and also a decent amount of intrigue regarding Emiliano's loss of memory over the course of five years post-accident. The flashbacks begin revealing bits of information, and at one point, it seemed like it would be leading somewhere meaningful.



It’s just that by the time you have gotten comfy, the film practically reveals its most important information. It’s like everything that you have been waiting for is revealed at such an early stage that the probability of most people figuring out everything within the first fifteen minutes is quite high. After that point, the only thing left for you to do is wait for the characters to figure things out.

Jorge Luis Moreno does good work carrying both timelines. Whether he's dealing with the aftermath of his accident or navigating the events of the past, his performance remains convincing. The acting was never an issue for me, and Moreno helps keep the story watchable even when the script isn't doing him many favors.

Unfortunately, the execution never quite matches the setup. The plot appears to have been drawn out too far, leaving the movie feeling like a mediocre made-for-TV thriller that just happened to make it to the silver screen. Director Homero Bueno definitely knows how to direct some great shots, but the script doesn’t make enough of an attempt at covering up their intentions. If the real truth of the matter had been better concealed, the climax of the movie would have packed even more of a punch.

Los Habitantes (2023)
Los Habitantes (2023)

In the end, Los Habitantes isn't a bad movie by any means. I wasn't annoyed by it, offended by it, or checking the runtime every five minutes. It simply never gave me much reason to become invested. There are some decent scares, a solid lead performance, and competent filmmaking, but when the credits rolled, this ghost story felt more mediocre than memorable.

https://jackmeat.com/los-habitantes-2023/