This flick struggles to balance its humor and chaos but still generates a few laughs in a silly entertaining way. #jackmeatsflix

My quick rating - 4.2/10. In Hemet we are thrown into the chaotic microcosm of a quirky residential complex in Hemet, California. Here, a tyrannical landlady, Liz, manipulates her tenants into a deadly web of paranoia and schemes. With an outbreak of a strange "bathsalt" epidemic turning the homeless into zombies, the story mixes dark comedy, murder plots, and absurdity with varying levels of success. The film’s strength lies in its ambition and occasional creativity. The practical effects are a fun highlight in the few scenes where they are used, and the makeup for Liz, played by Brian Patrick Butler, deserves a special nod. Liz’s barking, over-the-top delivery of lines like, “You better get a second job sucking dick or selling bath salts because your rent just went up a hundred dollars a month...” or “I drink four things: blood, cum, coke, and rum... and I’ve already had three of those today,” pushes the character into the realm of grotesque comedy. Butler’s performance is undeniably memorable, anchoring a film that otherwise struggles to find its footing. The humor is dark and raunchy, peppered with social and political jabs. Some jokes land with a clever satirical edge, but others veer into cringe-worthy territory. The film teeters on the edge of camp but never fully commits, leaving it stuck in a liminal space between intentional absurdity and trying-too-hard comedy. Where this flick falters most is in its uneven tone and reliance on overacting. The tenants are a colorful bunch, but their exaggerated antics often feel forced, detracting from any emotional or comedic impact. The plot—a not-so-complex murder scheme for monetary gain—feels thin, serving more as a backdrop for chaotic interactions than as a cohesive narrative. While Hemet, Or The Landlady Don’t Drink Tea won’t win awards for subtlety or sophistication, it’s ambitious for its budget and offers a few genuine laughs. Fans of raunchy dark comedy with an appetite for crude jokes and outrageous characters might find something to enjoy here. For others, it’s a mixed bag that doesn’t quite deliver on its potential.

Amazon currently has this one while TubiTV will offer this on 01.27.25 (thanks to Dan Butler for allowing me to check this out)

https://jackmeat.wixsite.com/jackmeat/post/hemet-or-the-landlady-don-t-drink-tea-2024

I hadn't heard of Vertex, but their latest release "The Purest Light" made my new release list and sounds like it is worth checking out. I got tied up with server issues tonight so this is all I've got. #jackmeatsotn

https://www.youtube.com/watch?v=UMOPwQt72qQ

This show sets a high bar for science fiction adaptations and gives us alternative perspectives on our reality. #jackmeatstv

My quick rating - 7.8/10. The CCTV adaptation of Three-Body (2023) is an exemplary case of how to faithfully bring a complex and beloved science fiction narrative to life. This 30-episode series focuses on humanity's response to the looming invasion of the advanced alien civilization known as the Three-Body, and it does so with a level of care and thoughtfulness that respects the intelligence of its audience. The series avoids the pitfalls of unnecessary melodrama and unfunny comedic moments that can often detract from serious adaptations. Instead, it takes its time, allowing scenes and plot points to breathe and develop naturally. The pacing is deliberate but never sluggish, building a sense of intrigue and tension without rushing or compromising the depth of the story. This balance ensures that viewers are fully immersed in the narrative without feeling like their time is wasted. One of the standout aspects of this adaptation is its adherence to the source material. Even for someone unfamiliar with the original trilogy, it's clear that the creators approached this project with reverence, ensuring nothing was butchered or lost in translation. The series also introduces fascinating alternative perspectives on our reality, encouraging viewers to think deeply and expand their mental horizons. The production values are top-notch, with impressive visuals and a polished aesthetic that enhance the storytelling. I cannot say I was familiar with any of them but the main actors deliver fabulous performances, bringing authenticity and emotion to their roles. The only real flaw I noticed in this series is the occasional sound issues that arise, particularly with music that sometimes drowns out key scenes. Despite this minor gripe, the overall experience remains highly engaging. Three-Body sets a high bar for science fiction adaptations, proving that a well-crafted series can both entertain and challenge its audience intellectually. I look forward to exploring the Netflix version 3 Body Problem soon to compare the two approaches.

Good new for you is these freebies including Amazon have this version for you.

https://jackmeat.wixsite.com/jackmeat/post/three-body-2023

If a visually striking flick involving a Chilean dictator as a centuries-old vampire yearning for death sounds fun, here you go. #jackmeatsflix

My quick rating - 6.4/10. I read good things about this one so time to see for myself. This flick is a bold and ambitious film that takes a darkly satirical look at Augusto Pinochet, reimagining the infamous Chilean dictator as a centuries-old vampire yearning for death. With its sharp political commentary, stunning visuals, and genre-blending narrative, the film dares to tackle history and myth in a way that’s both provocative and polarizing. While it earned its 2024 nomination for Best Achievement in Cinematography, the movie doesn’t entirely live up to its potential, falling short in areas where it could have truly shined. Visually, it is mesmerizing. Its black-and-white cinematography lends a timeless, almost gothic quality to the film, perfectly suited for the vampire lore intertwined with Pinochet's legacy. Jaime Vadell’s portrayal of Pinochet is hauntingly effective, enhanced by devilish makeup that mirrors the character’s monstrous nature. The atmospheric settings and striking aerial shots add to the film’s sense of grandeur, while the incorporation of historical elements, such as Pinochet’s encounters with revolutionaries in places like Haiti, Cuba, and Russia, adds depth. The exploration of Pinochet’s vampire origins during the Ancien Régime is one of the movie’s highlights. These sequences are both eerie and captivating, offering a fresh twist on the vampire mythos while tying them to broader themes of power and exploitation. The timeline that traces Pinochet's opposition to revolutionaries across different nations is fascinating and offers glimpses of a deeper story, though it feels underdeveloped. The film’s greatest strength lies in its dark humor and biting political satire. The depiction of Pinochet’s greedy and morally bankrupt family, as well as the sinister presence of the torturer-turned-butler, adds layers of grotesque comedy and underscores the rot within his inner circle. It’s an indictment of corruption and complicity, brought to life with moments of sharp wit and gore-laden horror. However, El Conde is not without its flaws. The script feels unbalanced, and the pacing is inconsistent, oscillating between moments of brilliance and sluggish, drawn-out scenes that test your patience. While the film successfully traverses multiple genres—gore horror, dark comedy, political satire, and even thriller—it struggles to find a cohesive tone, leaving the experience feeling fragmented at times. The character development also leaves something to be desired. While their moral corruption is evident, the motivations and behaviors of many characters, including Pinochet himself, often feel inconsistent or underexplained. This lack of clarity diminishes the emotional impact of their actions and detracts from the film’s overall strength. In the end, it is a visually striking and thought-provoking film that deserves credit for its ambition and originality. Its political satire and unique take on vampire lore make it a memorable experience, even if it falls short of greatness due to its uneven pacing and character inconsistencies. While it didn’t fully meet my expectations, it’s still a film worth watching for its bold approach and exceptional visuals. My verdict: intriguing but flawed.

This one is currently only available on Netflix. Maybe Justwatch will have more by the time you read this.

https://jackmeat.wixsite.com/jackmeat/post/el-conde-2023

Took almost 4 years and scattered notes but I finally can say this is an unforgettable experience in the zombie genre. #jackmeatstv

My quick rating - 8,5/10. I can confidently say this series is worth every bit of the praise it receives. I recently finished watching Seasons 1 and 2, along with the special feature-length episode, Kingdom: Ashin of the North, which serves as a powerful prequel that expands on the series’ lore. My first thought upon finishing was, “Bring on Season 3!” Unfortunately, the likelihood of another season seems slim, but that doesn’t take away from the brilliance of what’s already available. Set during the Joseon Dynasty in Korea, Kingdom effortlessly combines historical drama with the undead horror genre. The story begins with rumors surrounding the ailing King and a mysterious plague that is spreading through the kingdom. Crown Prince Lee Chang, played with commanding intensity by Ju Ji-hoon, embarks on a perilous journey to uncover the truth about the disease. What he discovers is a horrifying epidemic that transforms the dead into ravenous, fast-moving monsters. In contrast to traditional zombie tropes like those in The Walking Dead, the zombies in this show are relentless, forcing the living to adapt quickly and utilize primitive tools, mainly those used in farming, to survive. The series’ production value is outstanding. From the stunning landscapes and atmospheric sets to the intricate costume design, Kingdom creates an immersive world that feels both authentic and larger-than-life. Every scene is beautifully shot, whether it’s a quiet moment of political intrigue in the royal palace or a chaotic, heart-pounding sequence of survival against a horde of zombies. One of the most remarkable aspects is its layered storytelling. Beneath the surface of thrilling action and gore lies a sharp commentary on the deeply hierarchical structure of Korean society. The show cleverly portrays the plague as a metaphorical disease consuming the nation, originating with the King himself, who serves as the series’ patient zero. The way the ruling class and commoners approach the outbreak reflects the rigid class divides and moral decay of the era. The acting is superb across the board. Ju Ji-hoon delivers an outstanding performance as the Crown Prince, and Bae Doona is equally captivating as Seo-bi, a determined physician trying to find a cure. The special, Ashin of the North, offers a fascinating look at the origins of the plague through the tragic story of Ashin, played brilliantly by Jun Ji-hyun. Her journey of vengeance and survival adds a darker, more personal dimension to the narrative. It’s a slow burn compared to the main series, but it pays off with a haunting exploration of revenge and despair.

The whole series also excels in its depiction of action and horror. The zombies are not just a mindless threat but a terrifying force of nature that adds urgency and unpredictability to every episode. The gore is satisfyingly brutal, and the choreography of the fight scenes is both creative and intense. Despite its many strengths, there is an undercurrent of disappointment knowing that a third season may never come to fruition, likely due to financial disputes. Nevertheless, Kingdom stands as a masterpiece of its genre. It’s a testament to how historical settings can be seamlessly combined with supernatural horror to create something truly unique. For anyone who hasn’t seen it yet, I recommend watching it before Netflix decides to pull it, though its popularity suggests that might take some time. Thanks to finally getting glasses, I was able to fully appreciate the subtitles, and I’m glad I did because this series is worth the effort. This is an unforgettable experience, and even if it ends here, it has left an indelible mark on the zombie and historical drama genres.

Netflix is the only game in town for streaming this, so to speak.

https://jackmeat.wixsite.com/jackmeat/post/kingdom-netflix-series

Chipping away on the pending reviews and luckily last New Year I took notes, although I didn't much need them. #jackmeatsflix

My quick rating - 6.9/10. I finally got around to watching this one on New Year’s Eve (12/31/23) — happy new year, everyone! It was an interesting pick for the occasion, though I could’ve done without the opening scene of a massive car crash, given the circumstances. That said, the film is an engaging and suspenseful thriller that easily surpasses the original Cloverfield in the story department although they are totally different types of movies. One reason for this improvement lies in the film’s origins. 10 Cloverfield Lane began as a standalone script (The Cellar) and was later adapted into the Cloverfield universe. While the connection feels a bit forced, particularly in the rushed and tacked-on ending, it doesn’t significantly detract from the overall quality. The movie remains a well-crafted psychological thriller with a sharp focus on character-driven tension. Set primarily in a confined, claustrophobic bunker, the film thrives on its small, core cast and their evolving dynamics. Mary Elizabeth Winstead shines as the protagonist, pulling us into her perspective as the story unfolds with subtle twists and turns. John Goodman is a standout as Howard, delivering an unsettling performance that blurs the line between paranoia and reason. His portrayal ensures that we’re constantly questioning his motives and the truth of the situation. The film wisely prioritizes story over special effects, building suspense through character interactions and the ever-present tension of the unknown. Its ability to keep you on edge is a testament to strong writing and direction (Dan Trachtenberg). However, one drawback is an unresolved plot point (or maybe I missed it) that left me scratching my head. In summary, 10 Cloverfield Lane is an intriguing and tightly executed thriller that keeps you guessing until the end. While its connection to the Cloverfield universe might feel a little forced, the film’s compelling mystery and excellent performances make it well worth a watch.

Amazon along with these streamers carry this one.

https://jackmeat.wixsite.com/jackmeat/post/10-cloverfield-lane-2016

If you’re a fan of experimental art-house films and can overlook some glaring flaws, this might be worth a watch. #jackmeatsflix

My quick rating - 4.5/10. When i saw "Steven Soderbergh presents" I had a feeling of what I was in for. This flick is an avant-garde exploration of dystopian themes, but it struggles to maintain the balance between art-house presentation and coherent storytelling. Directed by Eddie Alcazar, the film revolves around two brothers crashing into a desolate Earth in an effort to stop a capitalist’s heinous exploitation of humanity for the sake of an immortality serum. The premise undoubtedly had me intrigued, but its execution leaves much to be desired. The film’s black-and-white cinematography is its strongest feature, providing a visually striking and atmospheric aesthetic. However, this polished visual style feels like a mask for the film’s deeper shortcomings. The ambitious tone and abstract presentation clash with the underdeveloped writing, leading to a story that, while heavy on allegories, lacks the emotional depth and narrative coherence needed to truly resonate. Scott Bakula stands out as the only cast member who seems genuinely invested in his role. Unfortunately, the same can’t be said for the rest of the ensemble. Performers like Stephen Dorff and Bella Thorne, who typically deliver solid work, come across as stiff and disengaged. This lack of enthusiasm saps the film of much-needed energy and further disconnects us from the story. Thematically, the film offers straightforward metaphors about the dangers of unchecked capitalism and humanity’s self-destructive tendencies. While these ideas are relevant and compelling, the film doesn’t delve into them with the depth they deserve. Instead, it seems overly reliant on its visual elements to carry the narrative, leaving the story feeling hollow and disjointed. One of the film’s most glaring issues is its pacing. Certain scenes drag on unnecessarily, while others feel rushed or incomplete, giving the impression that key moments were either trimmed down or omitted altogether. This uneven pacing makes it difficult to fully engage with the characters or their journey. Ultimately, Divinity is a film tailored to a niche audience, one that appreciates ambitious, experimental filmmaking even when it falters. While I can respect its creative risks and allegorical aspirations, the lackluster performances, disjointed storytelling, and inconsistent pacing weigh it down. It’s a visually interesting piece of cinema, but one that fails to leave a lasting impression. If you’re a fan of art-house films and can overlook some glaring flaws, this might be worth a watch. For everyone else, it’s likely to be a frustrating experience that doesn’t quite live up to its potential.

Your choices are Amazon and a few other streamers associated with them.

https://jackmeat.wixsite.com/jackmeat/post/divinity-2023